ART WIKI32.963 en sala
MapaColecciónArtistasMuseosExposicionesRevista
Acceder

ART WIKI

Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

Secciones

  • Mapa
  • Búsqueda
  • Colección
  • Obras maestras
  • Expuestas ahora
  • Artistas

Más

  • Museos y galerías
  • Exposiciones
  • Revista
  • De dónde salen los datos
  • Privacidad y cookies
InicioMapaCatálogo
  1. Colección/
  2. Museo de Victoria y Alberto/
  3. Three struggling figures
Three struggling figures, Alfred George Stevens, ca. 1844
Alfred Stevens, retratoAlfred StevensReino Unido, 1817–1875

Three struggling figures

ca. 1844 · Group

¿Se puede contemplar?

Por ahora no recibe

Museo de Victoria y Alberto

Londres, Reino Unido

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
hace 12 días
En este estado desde
25 sept 2026
Fuente
Los datos de colección del propio museo
En el mapaPágina del museo

Sobre la escultura

This composition of three struggling figures was conceived by Stevens in about 1844, although the purpose, or indeed exact subject, remains unknown. The plaster from which this bronze was cast in about 1912 was given to the Museum in 1912 by the artist Charles Ricketts (1866-1931). Various titles have been proposed for the composition, including The Massacre of the Innocents, but it is possible that Stevens, like Auguste Rodin after him, favoured experimenting with dynamic groups, which were not always related to a particular subject, or with a specific context in mind. Stevens is the best represented British sculptor in the V&A's collection, and one of the leading figures in nineteenth-century design and art in Britain. This group vividly demonstrates his sense of the human body and the integral power of the composition, regardless of subject. Its unfinished quality is perhaps especially appealing to twenty-first century viewers.

Seguir leyendo

A sculptor, designer and painter, Alfred Stevens (1817/18-1875) rejected contemporary distinctions between fine art and design. From 1850 to 1857 he was chief designer to Hoole & Co., Sheffield, where he produced award-winning designs for metalwork, majolica, terracotta ornaments and chimney-pieces. Perhaps his two greatest works were the decorations for the dining-room at Dorchester House, London (about 1856), for which he made countless drawings inspired by the Italian High Renaissance style, in particular the work of Michelangelo and the monument to the Duke of Wellington for St Paul's Cathedral, London, which was completed after his death. The two allegorical groups from this monument made a lasting impact on the New Sculpture movement.

The influence of the Italian Renaissance is evident in much of Steven's work, and is perhaps best reflected in the Wellington monument.

Museo de Victoria y Alberto

Ficha

ca. 1844
18171875
Número de inventario
A.13-1975

En el catálogo

EsculturaBronceRomanticismoRealismoSiglo XIXInglaterra

Fuentes

  • Museo de Victoria y Alberto: los datos abiertos del museo · obtenido hace 12 días
  • Imagen: Museo de Victoria y Alberto — © Victoria and Albert Museum, London

Más obras de Alfred Stevens

Todas las obras
Model for the Wellington Monument in St Paul's Cathedral, Alfred George Stevens, 1857

Model for the Wellington Monument in St Paul's Cathedral

1857 · Museo de Victoria y Alberto

Valour and Cowardice, Alfred George Stevens, 1866

Valour and Cowardice

1866 · Museo de Victoria y Alberto

Model for Wellington Monument: Truth and Falsehood, Alfred George Stevens, 1867-8

Model for Wellington Monument: Truth and Falsehood

1867-8 · Museo de Victoria y Alberto

William Blundell Spence, Alfred Stevens, 1851

William Blundell Spence

1851 · National Gallery

Woman with Book (recto); Sketches of Male Figure (verso), Alfred George Stevens, n.d.

Woman with Book (recto); Sketches of Male Figure (verso)

n.d. · No expuesta · Instituto de Arte de Chicago

Decorative Design with Putti and Griffins, Alfred George Stevens, n.d.

Decorative Design with Putti and Griffins

n.d. · No expuesta · Instituto de Arte de Chicago

Drawing, Alfred George Stevens

Drawing

No expuesta · Museo de Victoria y Alberto

Drawing, Alfred George Stevens

Drawing

No expuesta · Museo de Victoria y Alberto

Bajo el mismo techo: Museo de Victoria y Alberto

Página del museo
Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024