The Virgin and Child
¿Puedo verla?
No expuesta por ahora
¿Dónde está «The Virgin and Child» hoy? Colección: Museo de Victoria y Alberto, Londres. No expuesta por ahora. Comprobado 25 de septiembre de 2026.
Londres, Reino Unido
Pertenece a la colección, pero ahora mismo no está expuesta.
- Comprobado
- En este estado desde
- Fuente
- El museo
Sobre la escultura
Ivory was used all over Europe for religious works of art. It was often combined with precious metals and usually took the form of relief panels, for book covers, portable altars and caskets. An almost unbroken tradition of ivory carving extends from the Roman and Byzantine empires until the end of the 14th century. From about 1250, Paris became the centre of production for figures and reliefs intended for private devotion.
This ivory statuette though, is a fake, and almost certainly made by a nineteenth century carver copying a fourteenth-century ivory. The production of ivories in historicizing styles in the 19th century flourished in a number of centres, including Cologne, Milan, Toulouse and Cordoba. Although not always made to deceive, unscrupulous dealers often sold them as genuine objects to their clients.
Leer más
Three dimensional images of the Virgin and Child were ubiquitous from the twelfth to the fifteenth centuries, produced in a wide range of materials and sizes and testifying the overwhelming devotion to th Virgin. Together with the Crucifixion, statues and statuettes of the Virgin and Child were the pricipal objects of devotion in the Christian Church, and vast numbers were made for ecclesisastical, monastic and private worship.
This Virgin and Child is not a copy of a known piece but instead an intelligent nineteenth-century creation in the Gothic manner, taking its stylistic leads from late thirteenth-century prototypes. It is an ambitious forgery, and its original painted and gilded decoration - if this was ever complete rather than always being distressed - must have given it further credibility. The proportions of the figures and the carving of the faces and draperies are admirably executed, but the wear, staining and filled holes seem to be artificially contrived and the whole noe fails to convince.
Museo de Victoria y Alberto
Ficha
- Número de inventario
- A.549-1910
Lo que muestra
En el catálogo
Fuentes
- Museo de Victoria y Alberto
- Imagen: Museo de Victoria y Alberto — © Victoria and Albert Museum, London
