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Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  1. Colección/
  2. Museo de Victoria y Alberto/
  3. The Ponte-Vecchio, Florence
The Ponte-Vecchio, Florence, William Holman Hunt, 1867

The Ponte-Vecchio, Florence

1867 · Watercolour

Sobre la obra

William Holman Hunt (1827-1910) was a founder member of the group of artists known as the Pre-Raphaelite Brotherhood. After they disbanded in the 1850s Hunt was the only member to continue to pursue the concept of 'truth to nature' that had been the central aim of the brotherhood. At the end of 1865 Hunt married Fanny Waugh, and they embarked on a tour. They went first to Egypt, but Fanny was already pregnant and by the time they reached Florence, Italy, on their return home it was clear that they would have to remain there for some time. Although the birth was a difficult one, a son survived. Fanny, however, died of fever at the end of 1866. Hunt returned to London the following September, having designed his wife's tomb and painted this view of the Ponte Vecchio, Florence - the city in which the couple had spent such a happy, if brief, time.

Museo de Victoria y Alberto

Ficha

1867 · a los 40 años
18271910
Número de inventario
196-1894

Mientras tanto, en la vida de William Holman Hunt

La vida entera
  1. 1865

    Married: Fanny Waugh

  2. late 1866

    Fanny dies in childbirth

    At the end of 1866 his wife Fanny Waugh died in childbirth in Italy. Hunt sculpted her tomb at Fiesole and had it brought down to the English Cemetery in Florence, beside the tomb of Elizabeth Barrett Browning; he had a close connection with St Mark’s Church in Florence and paid for a communion chalice inscribed in memory of his wife. The “Portrait of Fanny Holman Hunt” is dated 1866–1867.

  3. 27 de octubre de 1866

    Son born: Cyril Benoni Holman Hunt

Más obras de William Holman Hunt

Todas las obras

Bajo el mismo techo: Museo de Victoria y Alberto

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Sobre el mismo tema · Bridges (built works)

Todas las obras sobre el tema
William Holman Hunt, retratoWilliam Holman HuntInglaterra, 1827–1910

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Museo de Victoria y Alberto

Londres, Reino Unido

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Comprobado
hace 12 días
En este estado desde
25 sept 2026
Fuente
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En el mapaPágina del museo

Lo que muestra

Bridges (built works)NightFlorence

En el catálogo

Dibujos y acuarelasAcuarelaRealismoImpresionismoSiglo XIXPre-RaphaeliteBritish SchoolFlorencia
Portrait of the Artist's Sister, Mrs. Wilson, William Holman Hunt, c. 1850

Portrait of the Artist's Sister, Mrs. Wilson

c. 1850 · Instituto de Artes de Mineápolis

Mary Walker Waugh, William Holman Hunt, 1868

Mary Walker Waugh

1868 · Museo de Arte de Cleveland

The Triumph of the Innocents, William Holman Hunt, 1870-1903

The Triumph of the Innocents

1870-1903 · Harvard Art Museums

The Shadow of Death, William Holman Hunt, 1873-74

The Shadow of Death

1873-74 · Instituto de Arte de Chicago

The Miracle of the Sacred Fire, Church of the Holy Sepulchre, William Holman Hunt, 1892-1899

The Miracle of the Sacred Fire, Church of the Holy Sepulchre

1892-1899 · Harvard Art Museums

John Hunt, William Holman Hunt

John Hunt

National Gallery

The Triumph of the Innocents, William Holman Hunt, 1880s

The Triumph of the Innocents

1880s · National Gallery

John Key, William Holman Hunt

John Key

National Gallery

Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

The Mayor's Walk on the Banks of the Ouse, Yorkshire, Thomas Girtin, 1801

Thomas Girtin

The Mayor's Walk on the Banks of the Ouse, Yorkshire, 1801

No expuesta · Museo de Victoria y Alberto

The Thames - Evening, John Robertson Reid, 1886

John Robertson Reid

The Thames - Evening, 1886

No expuesta · Museo de Victoria y Alberto

Ponte delle Turchette, Carole Robb, 2004

Carole Robb

Ponte delle Turchette, 2004

No expuesta · Museo de Victoria y Alberto

Ponte dei Sospiri, Carole Robb, 2004

Carole Robb

Ponte dei Sospiri, 2004

No expuesta · Museo de Victoria y Alberto

Old Houses on the High Bridge, Lincoln., Peter De Wint, first half 19th century

Peter De Wint

Old Houses on the High Bridge, Lincoln., first half 19th century

No expuesta · Museo de Victoria y Alberto

Sketch of the Pont des Arts with the Louvre and Tuileries from the Quai Conti., David Cox the elder, 1829-1832

David Cox

Sketch of the Pont des Arts with the Louvre and Tuileries from the Quai Conti., 1829-1832

No expuesta · Museo de Victoria y Alberto

Waterloo Bridge, Guthrie, ca. 1932

Guthrie

Waterloo Bridge, ca. 1932

No expuesta · Museo de Victoria y Alberto

Glad to death's mystery, Swift to be hurl'd,/Anywhere, anywhere out of the world!, Doré, 1871

Doré

Glad to death's mystery, Swift to be hurl'd,/Anywhere, anywhere out of the world!, 1871

No expuesta · Museo de Victoria y Alberto

Fuentes

  • Museo de Victoria y Alberto
  • Imagen: Museo de Victoria y Alberto — © Victoria and Albert Museum, London