Otto DixAlemania, 1891–1969The Madam
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Instituto de Arte de Chicago
Chicago, Estados Unidos
Pertenece a la colección, pero ahora mismo no está expuesta.
- Comprobado
- En este estado desde
- Fuente
- Los datos de colección del propio museo
Ficha
- Número de inventario
- 1962.777
En el catálogo
Fuentes
- Instituto de Arte de Chicago: the museum's own open data · obtenido hace 7 días
- Imagen: Instituto de Arte de Chicago — © the artist or rights holder
Mientras tanto, en la vida de Otto Dix
La vida entera1920s
A ruthless chronicle of Weimar Germany
Like Grosz, Dix is extremely critical of contemporary German society, unsparingly depicting prostitution, violence, old age and death and often dwelling on Lustmord, or sexualized murder. His legless and disfigured veterans, a common sight on Berlin's streets in the 1920s, reveal the ugly side of war and the forgotten status of these men in German society.
1 de febrero de 1923
Married: Martha Dix
14 de junio de 1923
Daughter born: Nelly Dix
1924
Joining the Berlin Secession
In 1924 Dix joins the Berlin Secession.
1925
The Trench scandal: Adenauer cancels the purchase
The Trench causes such a furor that the Wallraf-Richartz Museum hides the painting behind a curtain; in 1925 the then-mayor of Cologne, Konrad Adenauer, cancels the purchase of the painting and forces the museum's director to resign.
1925
The Neue Sachlichkeit exhibition in Mannheim
Dix contributes to the Neue Sachlichkeit exhibition in Mannheim, which also features works by George Grosz, Max Beckmann, Heinrich Maria Davringhausen, Karl Hubbuch, Rudolf Schlichter, Georg Scholz and many others.
