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Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  3. The Farnesian Hercules
The Farnesian Hercules, Hendrick Goltzius, c. 1592 - 1617
Hendrick Goltzius, retratoHendrick GoltziusPaíses Bajos, 1558–1617

The Farnesian Hercules

c. 1592 - 1617 · Print

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Harvard Art Museums

Cambridge, Estados Unidos

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Comprobado
hace 3 días
En este estado desde
27 sept 2026
Fuente
El museo
En el mapaPágina del museo

Ficha

c. 1592 - 1617
15581617
Número de inventario
G1665

En el catálogo

EstampasGrabado a burilRenacimientoSiglo XVIPaíses Bajos

Fuentes

  • Harvard Art Museums
  • Imagen: Harvard Art Museums — © President and Fellows of Harvard College

Mientras tanto, en la vida de Hendrick Goltzius

La vida entera
  1. 1590

    Departure for Italy

    He fled from his wife and, despite his illnesses, set out for Italy — via Hamburg and Munich to Venice, Bologna and Florence. Part of the way he traveled on foot, passing himself off as a commoner, "partly out of a love of mystification."

  2. January 1591

    Eight months in Rome

    He arrived in Rome in January 1591 and stayed eight months (with a brief sojourn in Naples). He discovered Raphael, was especially impressed by Michelangelo and Giambologna, and studied art from classical sculpture to the masters of the Renaissance.

  3. August 1591

    Return to Haarlem with a collection of drawings

    He returned to Haarlem, bringing from Italy a large collection of drawings that he used for the rest of his life; from the Roman material three engravings of classical statues are known, including the Farnese Hercules.

  4. mid-1590s

    Turn toward classicism

    In the mid-1590s his art underwent a gradual stylistic turn toward classicism; at the same time he began executing large finished pen drawings on parchment in a calligraphic technique imitating the methods of burin engraving.

  5. c. 1600

    Abandoning engraving for painting

    Around 1600, partial paralysis of his right hand (maimed in childhood in a fall onto burning coals) forced Goltzius to give up engraving and turn to painting; he handed over his print publishing to his stepson Jacob Matham. About fifty surviving paintings are attributed to him.

  6. 1 de enero de 1617

    Died

Más obras de Hendrick Goltzius

Todas las obras
Lot and his Daughters, Hendrick Goltzius, 1616

Lot and his Daughters

1616 · Rijksmuseum

Fall of Man, Hendrick Goltzius, 1608

Fall of Man

1608 · Museo del Hermitage

Baptism, Hendrick Goltzius, 1608

Baptism

1608 · Museo del Hermitage

Dying Adonis, Hendrick Goltzius, 1609

Dying Adonis

1609 · Rijksmuseum

Vertumnus and Pomona, Hendrick Goltzius, 1613

Vertumnus and Pomona

1613 · Rijksmuseum

The Fall of Man, Hendrick Goltzius, 1616

The Fall of Man

1616 · Galería Nacional de Arte

Apollo, Hendrick Goltzius, 1588

Apollo

1588 · Museo de Arte de Cleveland

Apollo Belvedere, Hendrick Goltzius, 1592

Apollo Belvedere

1592 · Museo de Arte de Cleveland

Bajo el mismo techo: Harvard Art Museums

Página del museo
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Head from a Statue of Ur-Ningirsu, Ruler of Lagash, c. 2113 BCE-2017 BCE

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