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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  3. The Farnesian Hercules
The Farnesian Hercules, Hendrick Goltzius, 1592

The Farnesian Hercules

1592 · Print

Sobre la obra

Hendrick Goltzius was one of many late Renaissance artists who felt compelled to travel to Italy as part of his artistic training. He went with one purpose—to study antique sculpture. Goltzius made drawings on-site and then made engravings after his designs once he returned to Haarlem in 1591. He portrayed the Farnese Hercules from a low viewpoint to capture the awesome experience of first encountering the famous monument. Goltzius showed the sculpture from behind and in shadow, emphasizing its glowing highlights. The print includes two observers, who were assumed by contemporary Dutch commentators to be a self-portrait of Goltzius with his stepson, Jacob Matham, who was also an engraver.

Museo de Arte de Cleveland

Ficha

1592 · a los 34 años
15581617
Número de inventario
2022.137

Mientras tanto, en la vida de Hendrick Goltzius

La vida entera
  1. 1590

    Departure for Italy

    He fled from his wife and, despite his illnesses, set out for Italy — via Hamburg and Munich to Venice, Bologna and Florence. Part of the way he traveled on foot, passing himself off as a commoner, "partly out of a love of mystification."

  2. January 1591

    Eight months in Rome

    He arrived in Rome in January 1591 and stayed eight months (with a brief sojourn in Naples). He discovered Raphael, was especially impressed by Michelangelo and Giambologna, and studied art from classical sculpture to the masters of the Renaissance.

  3. August 1591

    Return to Haarlem with a collection of drawings

    He returned to Haarlem, bringing from Italy a large collection of drawings that he used for the rest of his life; from the Roman material three engravings of classical statues are known, including the Farnese Hercules.

Más obras de Hendrick Goltzius

Todas las obras

En la misma sala · 100 1916 Lobby, Museo de Arte de Cleveland

Página del museo
Hendrick Goltzius, retratoHendrick GoltziusPaíses Bajos, 1558–1617

¿Se puede contemplar?

Sí, recibe visitas

Museo de Arte de Cleveland

Cleveland, Estados Unidos

Sala100 1916 Lobby

Expuesta al público. Quién lo avala figura más abajo.

Comprobado
hace 3 días
En este estado desde
19 ago 2026
Fuente
El museo
En el mapaPágina del museo

En el catálogo

EstampasGrabado a burilRenacimientoSiglo XVINetherlands, 16th century

Fuentes

  • Museo de Arte de Cleveland
  • Imagen: Museo de Arte de Cleveland — Museum open access
Lot and his Daughters, Hendrick Goltzius, 1616

Lot and his Daughters

1616 · Rijksmuseum

Fall of Man, Hendrick Goltzius, 1608

Fall of Man

1608 · Museo del Hermitage

Baptism, Hendrick Goltzius, 1608

Baptism

1608 · Museo del Hermitage

Dying Adonis, Hendrick Goltzius, 1609

Dying Adonis

1609 · Rijksmuseum

Vertumnus and Pomona, Hendrick Goltzius, 1613

Vertumnus and Pomona

1613 · Rijksmuseum

The Fall of Man, Hendrick Goltzius, 1616

The Fall of Man

1616 · Galería Nacional de Arte

Apollo, Hendrick Goltzius, 1588

Apollo

1588 · Museo de Arte de Cleveland

Apollo Belvedere, Hendrick Goltzius, 1592

Apollo Belvedere

1592 · Museo de Arte de Cleveland

The Cleveland Apollo: Apollo Sauroktonos (Lizard-Slayer) or Apollo the Python-Slayer, Praxiteles, c. 350–200 BCE

Praxiteles

The Cleveland Apollo: Apollo Sauroktonos (Lizard-Slayer) or Apollo the Python-Slayer, c. 350–200 BCE

Statue of Gudea, c. 2144–2124 BCE

Statue of Gudea, c. 2144–2124 BCE

Crucifix with Scenes of the Passion, c. 1230–40

Crucifix with Scenes of the Passion, c. 1230–40

Sculptura in Aes, The Workshop of an Engraver, Jan van der Straet, called Johannes Stradanus, c. 1591

Jan van der Straet, called Johannes Stradanus

Sculptura in Aes, The Workshop of an Engraver, c. 1591

The Martyrdom of St. Sebastian, Master ES, 1450–67

Master ES

The Martyrdom of St. Sebastian, 1450–67

St. Francis Kneeling before Christ on the Cross, Sassetta, 1437–1444

Sassetta

St. Francis Kneeling before Christ on the Cross, 1437–1444

Baseplate for the Cleveland Apollo: Apollo Sauroktonos (Lizard-Slayer) or Apollo the Python-Slayer, Praxiteles, c. 350–200 BCE, or possibly later

Praxiteles

Baseplate for the Cleveland Apollo: Apollo Sauroktonos (Lizard-Slayer) or Apollo the Python-Slayer, c. 350–200 BCE, or possibly later