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Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  1. Colección/
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  3. The Entombment
The Entombment, Peter Paul Rubens, about 1612

The Entombment

about 1612 · Painting · 131.1 × 130.2 cm

Sobre el cuadro

Peter Paul Rubens depicted the moment after the Crucifixion and before the Resurrection when Christ is placed into the tomb. He is being supported by those closest to him in life: John the Evangelist, in a brilliant red robe, bears the weight of Christ; Mary Magdalene cries in the background; while Mary, the mother of James the Younger and Joseph, bows her head in sorrow. Mary, the mother of Christ, cradles his head and looks heavenward for divine intercession. *The Entombment* was meant to make the viewer's religious experience personal and encourage the faithful to imagine the physical horror of Christ's Crucifixion. Christ's tortured features confront the viewer, and our attention is focused on his corpse, sacrifice, and suffering. Wounds are openly displayed: blood flows from the gaping laceration in Christ's side and the puncture wounds on his hands.

Seguir leyendo

Rubens contrasted the living and the dead by juxtaposing the lifeless body and green-tinged skin of Christ with the healthy complexion of St. John. This painting was probably made to serve as an altarpiece in a small chapel, perhaps one dedicated to the Eucharist. The slab on which the body is placed suggests an altar, while the sheaf of wheat alludes to the bread of the Eucharist, the equivalent of Christ's body in the Mass.

MJP

Mientras tanto, en la vida de Peter Paul Rubens

La vida entera
  1. 9 January 1610

    Court Painter to the Archducal Couple

    After being presented at court in August 1609, Rubens received his patent as court painter to Archduke Albert and the Infanta Isabella; at the same time he secured the right to remain working in Antwerp rather than Brussels, and to be paid a fee for each painting.

  2. 1611

    Daughter born: Clara Serena Rubens

  3. January 1611

    Purchase of Land and Construction of a House and Studio

    Rubens acquired a large plot on the Wapper and built a mansion for 10,000 florins with a studio and a gallery for his collection; the fitting-out lasted until 1616, and contemporaries called the house the most beautiful in the city.

  4. 5 de junio de 1614

    Son born: Albert Rubens

Más obras de Peter Paul Rubens

Todas las obras

En la misma sala · Museum East Pavilion, Gallery E202, Museo J. Paul Getty

Página del museo
Museo J. Paul Getty

Ficha

about 1612 · a los 35 años
15771640
Número de inventario
93.PA.9

Fuentes

  • Museo J. Paul Getty
  • Imagen: Museo J. Paul Getty — Open Content
Peter Paul Rubens, retratoPeter Paul RubensFlandes, 1577–1640

¿Se puede contemplar?

Sí, recibe visitas

MJP
Museo J. Paul Getty

Los Ángeles, Estados Unidos

SalaMuseum East Pavilion, Gallery E202

Expuesta al público. Quién lo avala figura más abajo.

Comprobado
hace 3 días
En este estado desde
5 oct 2026
Fuente
El museo
En el mapaPágina del museo
The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34

The Union of England and Scotland (Charles I as the Prince of Wales)

1633–34 · Instituto de Artes de Mineápolis

Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678), Peter Paul Rubens, ca. 1635

Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678)

ca. 1635 · Museo Metropolitano de Arte

Saint Teresa of Avila Interceding for Souls in Purgatory, Peter Paul Rubens

Saint Teresa of Avila Interceding for Souls in Purgatory

Museo Metropolitano de Arte

Portrait of a Man, Possibly an Architect or Geographer, Peter Paul Rubens, 1597

Portrait of a Man, Possibly an Architect or Geographer

1597 · Museo Metropolitano de Arte

Coronation and Assumption of the Virgin, Peter Paul Rubens, 17th century

Coronation and Assumption of the Virgin

17th century · Museo del Hermitage

Feast in the House of Simon the Pharisee, Peter Paul Rubens, 17th century

Feast in the House of Simon the Pharisee

17th century · Museo del Hermitage

Lioness and Two Lions, Peter Paul Rubens, first half of the 17th century

Lioness and Two Lions

first half of the 17th century · Museo del Hermitage

Resurrection of Christ, Peter Paul Rubens, 17th century

Resurrection of Christ

17th century · Museo del Hermitage

Landscape with a Calm (Un Tem[p]s calme et serein), Nicolas Poussin, 1650–1651

Nicolas Poussin

Landscape with a Calm (Un Tem[p]s calme et serein), 1650–1651

Saint John Baptizing in the River Jordan, Nicolas Poussin, about 1635–1640

Nicolas Poussin

Saint John Baptizing in the River Jordan, about 1635–1640

Coast View with the Abduction of Europa, Claude Lorrain, about 1645

Claude Lorrain

Coast View with the Abduction of Europa, about 1645

The Martyrdom of Saint Andrew, Charles Le Brun, 1646–1647

Charles Le Brun

The Martyrdom of Saint Andrew, 1646–1647

Moses Striking Water from the Rock, Jacob Jordaens, about 1645–1650

Jacques Jordaens

Moses Striking Water from the Rock, about 1645–1650

Antoine Singlin, Philippe de Champaigne, about 1646

Philippe de Champaigne

Antoine Singlin, about 1646

Venus and Adonis, Simon Vouet, about 1642

Simon Vouet

Venus and Adonis, about 1642

Christ and the Adulteress, Valentin de Boulogne, about 1618–1622

Valentin de Boulogne

Christ and the Adulteress, about 1618–1622

En el catálogo

PinturaÓleoPintura flamencaBarrocoSiglo XVIIFlandes