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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  3. The Cannon
The Cannon, Albrecht Dürer, 1518
Albrecht Dürer, retratoAlbrecht DürerAlemania, 1471–1528

The Cannon

1518 · Print

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Harvard Art Museums

Cambridge, Estados Unidos

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Comprobado
hace 9 días
En este estado desde
27 sept 2026
Fuente
El museo
En el mapaPágina del museo

Ficha

1518 · a los 47 años
14711528
Número de inventario
G1113

En el catálogo

EstampasAguafuerteRenacimientoSiglo XVIAlemania

Fuentes

  • Harvard Art Museums
  • Imagen: Harvard Art Museums — © President and Fellows of Harvard College

Mientras tanto, en la vida de Albrecht Dürer

La vida entera
  1. 1507–1528 · Lugar de trabajo

    Nuremberg

  2. 1517

    Joins Nuremberg's circle of reformers

    Dürer joined the circle of Nuremberg reformers led by the Augustinian vicar Johann Staupitz and Wenceslaus Linck. Around 1518 he came to know the writings of Martin Luther, which, he said, had “greatly helped” him.

  3. 1519

    Death of Emperor Maximilian

    Maximilian, Dürer's chief patron, died just as the artist feared he was losing “my sight and freedom of hand” (perhaps from arthritis) and was increasingly drawn to Luther's writings. Shortly before the emperor's death Dürer had made his portrait.

  4. July 1520

    Journey to the Netherlands with his wife

    To renew his imperial pension and win the patronage of the new emperor, Charles V, Dürer travelled with his wife and her maid down the Rhine via Cologne to Antwerp, where he was warmly received. He attended the coronation at Aachen and saw van Eyck's Ghent Altarpiece and Michelangelo's Madonna of Bruges.

  5. 4 October 1520

    Charles V confirms his pension

    The new emperor, Charles V, confirmed Dürer's right to his pension of 100 guilders a year; the main aim of the journey had been achieved.

  6. 1520–1521

    An illness caught in the Netherlands

    In the Netherlands Dürer caught an unknown illness, possibly malaria, whose attacks plagued him for the rest of his life. He drew himself pointing to his spleen, with the note: “Where the yellow spot is, and where I point with my finger, that is where it hurts.”

Más obras de Albrecht Dürer

Todas las obras
Virgin and Child with Saint Anne, Albrecht Dürer, probably 1519

Virgin and Child with Saint Anne

probably 1519 · Museo Metropolitano de Arte

Madonna and Child [obverse], Albrecht Dürer, c. 1496/1499

La Virgen con el Niño.

c. 1496/1499 · Galería Nacional de Arte

Lot and His Daughters [reverse], Albrecht Dürer, c. 1496/1499

Lot and His Daughters [reverse]

c. 1496/1499 · Galería Nacional de Arte

The Martyrdom of Saint Catherine, Albrecht Dürer, ca. 1498

The Martyrdom of Saint Catherine

ca. 1498 · Museo Metropolitano de Arte

Man of Sorrows with Arms Outstretched, Albrecht Dürer, ca. 1500

Man of Sorrows with Arms Outstretched

ca. 1500 · Museo Metropolitano de Arte

Nemesis (The Great Fortune), Albrecht Dürer, c. 1501/1502

Nemesis (The Great Fortune)

c. 1501/1502 · Galería Nacional de Arte

Large Horse, Albrecht Dürer, 1505

Large Horse

1505 · Galería Nacional de Arte

Salvator Mundi, Albrecht Dürer, ca. 1505

Salvator Mundi

ca. 1505 · Museo Metropolitano de Arte

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