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  1. Colección/
  2. Museo Metropolitano de Arte/
  3. The Broncho Buster
The Broncho Buster, Frederic Remington, 1895, revised 1909, cast by November 1910
Frederic Remington, retratoFrederic RemingtonEstados Unidos, 1861–1909

The Broncho Buster

1895, revised 1909, cast by November 1910 · Sculpture

¿Se puede contemplar?

Sí, recibe visitas

Museo Metropolitano de Arte

Nueva York, Estados Unidos

Sala765

Expuesta al público. Quién lo avala figura más abajo.

Comprobado
hace 3 días
En este estado desde
26 sept 2026
Fuente
El museo
En el mapaPágina del museo

Ficha

1895, revised 1909, cast by November 1910
18611909
Número de inventario
39.65.45

Lo que muestra

VarónCaballo

En el catálogo

EsculturaBronceImpresionismoSiglo XIXEstados Unidos

Fuentes

  • Museo Metropolitano de Arte
  • Imagen: Museo Metropolitano de Arte — Open Access (CC0)

Mientras tanto, en la vida de Frederic Remington

La vida entera
  1. September 1893

    “The Evolution of the Cowpuncher” with Owen Wister

    In September 1893 Harper’s Monthly publishes “The Evolution of the Cowpuncher”, Remington’s collaboration with Owen Wister — the first statement of the mythical cowboy in American literature, which spawned the whole genre of Western fiction, films and theatre that followed. Remington supplied the concept, the factual content and the illustrations; Wister supplied the stories, sometimes altering Remington’s ideas.

  2. January 1897

    To Cuba as a correspondent for Hearst's paper

    His association with Roosevelt, then New York City Police Commissioner, pays off: the artist is hired as a war correspondent and illustrator for William Randolph Hearst's New York Journal and sent to Cuba with the celebrity journalist Richard Harding Davis. Cuba's apparent peacefulness leaves them nothing to report; in a famous but probably apocryphal exchange of telegrams, Remington says there will be no war and he wishes to return, and Hearst replies that the artist should furnish the pictures and he will furnish the war. Remington returns to New Rochelle while Davis remains.

  3. 1898

    At war in Cuba: a heroic image shattered

    As the Spanish–American War takes shape, he returns to Cuba to see military action for the first time and goes through the most wrenching, disillusioning experience of his life. Witnessing the assault on San Juan Hill by American forces, including those led by Roosevelt, he sees his heroic conception of war shattered by the actual horror of jungle fighting and the deprivations of camp. His reports and illustrations on his return focus not on heroic generals but on the troops.

  4. 1900

    Harper's drops him; he writes a novel

    As an economy move, Harper's drops Remington as its star artist. To compensate for the lost work he writes and illustrates a full-length novel, The Way of an Indian, intended for serialization by a Hearst publication; his protagonist, a Cheyenne named Fire Eater, is a prototype Native American as viewed by Remington and many of his time.

  5. after 1902

    Decides to give up writing and illustration

    After “John Ermine” Remington decides he will soon quit writing and illustrating — he has drawn over 2,700 illustrations — to focus on sculpture and painting.

  6. 26 de diciembre de 1909

    Died

Más obras de Frederic Remington

Todas las obras
A Reconnaissance, Frederic Remington, 1902

A Reconnaissance

1902 · Museo Metropolitano de Arte

The Mountain Man, Frederic Remington, 1903, cast by March 1907

The Mountain Man

1903, cast by March 1907 · Museo Metropolitano de Arte

On the Southern Plains, Frederic Remington, 1907

On the Southern Plains

1907 · Museo Metropolitano de Arte

The Bronco Buster, Frederic Remington, Modeled 1895, cast 1899

The Bronco Buster

Modeled 1895, cast 1899 · Instituto de Arte de Chicago

Bronco Buster, Frederic Remington, 1895 (cast 1918 or later)

Bronco Buster

1895 (cast 1918 or later) · Instituto de Artes de Mineápolis

On the Bridle Path, Central Park, New York, Frederic Remington, 1889

On the Bridle Path, Central Park, New York

1889 · No expuesta · Galería Nacional de Arte

Off the Range (Coming Through the Rye), Frederic Remington, model 1902, cast 1903

Off the Range (Coming Through the Rye)

model 1902, cast 1903 · No expuesta · Galería Nacional de Arte

The Mountain Man, Frederic Remington, model 1903, cast 1904

The Mountain Man

model 1903, cast 1904 · No expuesta · Galería Nacional de Arte

Bajo el mismo techo: Museo Metropolitano de Arte

Página del museo
Wheat Field with Cypresses, Vincent van Gogh, 1889

Vincent van Gogh

Wheat Field with Cypresses, 1889

Young Woman with a Water Pitcher, Johannes Vermeer, ca. 1662

Johannes Vermeer

Mujer con una jarra de agua, ca. 1662

Self-Portrait, Rembrandt van Rijn, 1660

Rembrandt van Rijn

Self-Portrait, 1660

Irises, Vincent van Gogh, 1890

Vincent van Gogh

Irises, 1890

Madame Roulin and Her Baby, Vincent van Gogh, 1888

Vincent van Gogh

Madame Roulin and Her Baby, 1888

Self-Portrait with a Straw Hat (obverse: The Potato Peeler), Vincent van Gogh, 1887

Vincent van Gogh

Self-Portrait with a Straw Hat (obverse: The Potato Peeler), 1887

Bridge over a Pond of Water Lilies, Claude Monet, 1899

Claude Monet

Bridge over a Pond of Water Lilies, 1899

Houses on the Achterzaan, Claude Monet, 1871

Claude Monet

Houses on the Achterzaan, 1871