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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  3. The Bewitched Mill
The Bewitched Mill, Franz Marc, 1913

The Bewitched Mill

1913 · Painting

Sobre el cuadro

Among the German Expressionists, artists who used strong color and exaggerated form to express emotional content, Franz Marc was especially committed to his empathic interest in the life of animals. "Is there a more mysterious idea," he asked, "than to imagine how nature is reflected in the eyes of animals?" Beginning in 1905, he devoted himself to representing the world with a fresh and purifying vision. Marc painted The Bewitched Mill following a sojourn to the Italian town of Merano in the southern Tirol. The work's title refers to the "magical" harmony he sensed there between human life, represented by the houses and mill on the left, and nature, embodied by the lyrical region of trees and animals on the right.

Instituto de Arte de Chicago · CC BY 4.0

Ficha

1913 · a los 33 años
18801916
Número de inventario
1931.522

Mientras tanto, en la vida de Franz Marc

La vida entera
  1. winter 1910 – 1911

    Winter 1910–11: the turn to his mature manner

    In the view of the writer Morgan Meis, Marc became an artist this very winter: out of earlier confusion comes a unified vision, his animals emerge pure and true from the canvas, and colour becomes the main thing.

  2. February 1911

    Meeting Wassily Kandinsky

    Although Marc joined the association in autumn 1910, he meets its leader, the Russian abstract painter Wassily Kandinsky, only in February 1911.

  3. 1911

    Leaving the NKVM and founding Der Blaue Reiter

    In December 1911 Marc, together with Macke and Kandinsky, breaks away from the Neue Künstlervereinigung and organises his own group, Der Blaue Reiter; he is also credited with founding the journal that became the centre of the circle.

  4. December 1911 – January 1912

    The first Blue Rider exhibition

    Several of Marc's works are shown at the first Blue Rider exhibition at the Thannhauser Galleries in Munich, which has been called the apex of German Expressionism.

  5. 1913

    Married: Maria Marc

  6. 1914

    Called up at the start of the First World War

    At the outbreak of war in 1914 Marc, like August Macke, is mobilised and sent to the front; early biographers thought he had volunteered, but conscription was practically impossible to avoid.

Más obras de Franz Marc

Todas las obras

Bajo el mismo techo: Instituto de Arte de Chicago

Página del museo

Sobre el mismo tema · Century of Progress

Todas las obras sobre el tema
Franz Marc, retratoFranz MarcAlemania, 1880–1916

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Instituto de Arte de Chicago

Chicago, Estados Unidos

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
hace 9 días
En este estado desde
28 sept 2026
Fuente
El museo
En el mapaPágina del museo

Lo que muestra

Century of ProgressWorld's fairsChicago World's FairsDeersAnimalBirdÁrbolCitiesMechanicalMillsRiversAgua

En el catálogo

PinturaÓleoPintura alemanaModernismoSiglo XXAlemania

Fuentes

  • Instituto de Arte de Chicago
  • Imagen: Instituto de Arte de Chicago — CC0
Weasels at Play, Franz Marc, 1911

Weasels at Play

1911 · Galería Nacional de Arte

Grazing Horses IV, Franz Marc, 1911

Grazing Horses IV

1911 · Harvard Art Museums

Vrouw met twee schapen, Franz Marc, 1890 - 1916

Vrouw met twee schapen

1890 - 1916 · Rijksmuseum

Bookplate Daniel Pesl I (Exlibris Daniel Pesl I), Franz Marc, (1901)

Bookplate Daniel Pesl I (Exlibris Daniel Pesl I)

(1901) · No expuesta · MoMA

Bookplate (Exlibris), Franz Marc, (c. 1902)

Bookplate (Exlibris)

(c. 1902) · No expuesta · MoMA

Bookplate Paul Marc I (Ex Libris Paul Marc I), Franz Marc, (1902)

Bookplate Paul Marc I (Ex Libris Paul Marc I)

(1902) · No expuesta · MoMA

Bookplate Daniel Pesl II (Exlibris Daniel Pesl II), Franz Marc, (c. 1902)

Bookplate Daniel Pesl II (Exlibris Daniel Pesl II)

(c. 1902) · No expuesta · MoMA

Book Plate Franz Marc II (Ex Libris Franz Marc II), Franz Marc, (1905)

Book Plate Franz Marc II (Ex Libris Franz Marc II)

(1905) · No expuesta · MoMA

The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Tarde de domingo en la isla de la Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Calle de Paris, dia de lluvia, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

En la terraza, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

Cesto de manzanas, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Noctámbulos, 1942

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Instituto de Arte de Chicago

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Tarde de domingo en la isla de la Grande Jatte, 1884–86, border added 1888–89

Instituto de Arte de Chicago

The Old Guitarist, Pablo Picasso, late 1903–early 1904

Pablo Picasso

El viejo guitarrista ciego, late 1903–early 1904

No expuesta · Instituto de Arte de Chicago

At the Moulin Rouge, Henri de Toulouse-Lautrec, 1892/95

Henri de Toulouse-Lautrec

En el Moulin Rouge, 1892/95

Instituto de Arte de Chicago

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

En la terraza, 1881

Instituto de Arte de Chicago

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

Cesto de manzanas, c. 1893

Instituto de Arte de Chicago

The Assumption of the Virgin, Domenico Theotokópoulos, called El Greco, 1577–79

Domenico Theotokópoulos, called El Greco

The Assumption of the Virgin, 1577–79

Instituto de Arte de Chicago

The Beach at Sainte-Adresse, Claude Monet, 1867

Claude Monet

The Beach at Sainte-Adresse, 1867

Instituto de Arte de Chicago