Edgar DegasFrancia, 1834–1917The Bathers
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Instituto de Arte de Chicago
Chicago, Estados Unidos
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- Comprobado
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- El museo
Sobre la obra
This pastel marks one of Degas's most ambitious projects during the last decade of his life. Evoking four bathers each at distinct points in the bathing process, this vision was created by suspending layers of pastel in fixative on translucent tracing paper, which the artist pieced together and mounted. Like many of his best works, this ephemeral creation was discovered in Degas's studio at the time of his death, perhaps deliberately unfinished.
Instituto de Arte de ChicagoCC BY 4.0
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- Instituto de Arte de Chicago
- Imagen: Instituto de Arte de Chicago — CC0 / public domain (AIC image API)
Mientras tanto, en la vida de Edgar Degas
La vida entera1886
The eighth exhibition: pastel nudes, and the end of the group
At the last Impressionist exhibition Degas showed a suite of pastel nudes, which drew more critical writing than anything else in his lifetime, mostly laudatory. The group broke up, partly through rancour over the inclusion of non-Impressionists such as Forain and Raffaëlli.
after 1886
Into the shadows: he stops exhibiting
After 1886 Degas stopped exhibiting and sold his pictures at high prices through a narrow circle of agents. By the end of the decade he had in effect fulfilled his wish to be “famous and unknown”, withdrawing among close friends.
late 1880s
A passion for photography
Degas photographed his friends, often by lamplight, as in the double portrait of Renoir and Mallarmé. Photographs of dancers and nudes served as references for his drawings and paintings.
