The Bather, Jean-François Millet, 1846/1848
Jean François Millet, retratoJean François MilletFrancia, 1814–1875

The Bather

1846/1848 · Painting

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¿Dónde está «The Bather» hoy? Colección: Galería Nacional de Arte, Washington D. C. No expuesta por ahora. Comprobado 29 de septiembre de 2026.

Galería Nacional de Arte

Washington D. C., Estados Unidos

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
En este estado desde
Fuente
El museo

Ficha

Número de inventario
1949.1.9

Lo que muestra

En el catálogo

Fuentes

En la vida de Jean François Millet

La vida entera
  1. April 1844

    The death of his wife Pauline from consumption

    After marrying Pauline-Virginie Ono in 1841 he moved with her to Paris; after rejections at the Salon of 1843 and Pauline’s death by consumption in April 1844, Millet returned again to Cherbourg.

  2. 1845

    Meeting Catherine Lemaire and her portrait

    In Cherbourg he met Catherine Lemaire, a former maidservant, and painted her portrait in 1845; she later bore him nine children.

  3. mid-1840s

    Friends in Paris: Rousseau, Daumier, Sensier

    In Paris in the middle 1840s Millet befriended Constant Troyon, Narcisse Diaz, Charles Jacque and Théodore Rousseau, artists later associated with the Barbizon school; Honoré Daumier, whose figure draftsmanship influenced his rendering of peasant subjects; and Alfred Sensier, a government bureaucrat who became a lifelong supporter and eventually his biographer.

  4. 1849

    The move to Barbizon

    In June 1849 Millet settled in Barbizon with Catherine and their children.

  5. 1850

    An arrangement with Alfred Sensier

    In 1850 Millet entered into an arrangement with Sensier, who provided the artist with materials and money in return for drawings and paintings, while Millet remained free to sell work to other buyers.

  6. 1850

    The Salon of 1850: “The Sower” and “Haymakers”

    At that year’s Salon he exhibited “Haymakers” and “The Sower”, his first major masterpiece and the earliest of the iconic trio of paintings that also included “The Gleaners” and “The Angelus”.

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