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Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  1. Colección/
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  3. Thanksgiving Parade
Thanksgiving Parade, Robert Frank, 1947

Thanksgiving Parade

1947 · Photograph

Ficha

1947 · a los 23 años
19242019
Número de inventario
1992.93.5

Mientras tanto, en la vida de Robert Frank

La vida entera
  1. 1924–1945

    Childhood in Zürich and the war years

    He grows up in Zürich in a business-oriented Jewish family: his mother, Rosa Zucker (other accounts give her name as Regina), had a Swiss passport, while his father, Hermann, from Frankfurt, had become stateless after losing his German citizenship as a Jew, so Swiss citizenship had to be applied for separately for Robert and his older brother, Manfred. The family remained safe in Switzerland during the Second World War, but the threat of Nazism shaped his understanding of oppression.

  2. 1946

    His first hand-made book, “40 Fotos”

    He turns to photography, in part as a means to escape the confines of his business-oriented family and home; after training under a few photographers and graphic designers he creates his first hand-made book of photographs, 40 Fotos.

  3. 1947

    Emigrates to the United States

    He emigrates to the United States and secures a job in New York City as a fashion photographer for Harper’s Bazaar.

  4. 1949

    Camera magazine: the “new photography” of Switzerland

    The new editor of Camera magazine, Walter Laubli, publishes a substantial portfolio of Jakob Tuggener alongside the work of the 25-year-old Frank, who has just returned to his native Switzerland after two years abroad, including some of his first pictures from New York; the magazine promotes the two as representatives of the “new photography” of Switzerland. Tuggener, first mentioned to him by his boss and mentor, the Zurich commercial photographer Michael Wolgensinger, becomes a role model for the younger artist.

Más obras de Robert Frank

Todas las obras

Bajo el mismo techo: Galería Nacional de Arte

Página del museo

Sobre el mismo tema · Holidays/festivals/parties

Todas las obras sobre el tema
  • 1949–1950

    Travels in South America and Europe; a hand-made book on Peru

    He soon leaves again to travel in South America and Europe, creates another hand-made book of photographs shot in Peru, and returns to the U.S. in 1950.

  • Robert Frank, retratoRobert FrankEstados Unidos, 1924–2019

    ¿Se puede contemplar?

    Por ahora no recibe

    Galería Nacional de Arte

    Washington D. C., Estados Unidos

    Pertenece a la colección, pero ahora mismo no está expuesta.

    Comprobado
    hace 3 días
    En este estado desde
    19 ago 2026
    Fuente
    El museo
    En el mapaPágina del museo

    Lo que muestra

    Holidays/festivals/partiesParade

    En el catálogo

    FotografíaGelatina de plataArte de posguerraSiglo XXAmerican

    Fuentes

    • Galería Nacional de Arte
    • Imagen: Galería Nacional de Arte — © the artist or rights holder
    Fourth of July—Jay, New York, Robert Frank, 1954

    Fourth of July—Jay, New York

    1954 · Galería Nacional de Arte

    Parade—Hoboken, New Jersey, Robert Frank, 1955, printed 1977

    Parade—Hoboken, New Jersey

    1955, printed 1977 · Galería Nacional de Arte

    Construction--New York City no number, Robert Frank, 1950s

    Construction--New York City no number

    1950s · No expuesta · Galería Nacional de Arte

    Alfred Leslie--Painters no number, Robert Frank, 1950s

    Alfred Leslie--Painters no number

    1950s · No expuesta · Galería Nacional de Arte

    New York City no number, Robert Frank, late 1950s

    New York City no number

    late 1950s · No expuesta · Galería Nacional de Arte

    7th Avenue--New York City 1, Robert Frank, early 1950s

    7th Avenue--New York City 1

    early 1950s · No expuesta · Galería Nacional de Arte

    Revival no number, Robert Frank, mid-late 1950s

    Revival no number

    mid-late 1950s · No expuesta · Galería Nacional de Arte

    Revival no number, Robert Frank, mid-late 1950s

    Revival no number

    mid-late 1950s · No expuesta · Galería Nacional de Arte

    Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

    Leonardo da Vinci

    Retrato de Ginebra de Benci, c. 1474/1478

    Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

    Leonardo da Vinci

    Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

    Green Wheat Fields, Auvers, Vincent van Gogh, 1890

    Vincent van Gogh

    Green Wheat Fields, Auvers, 1890

    Girl in White, Vincent van Gogh, 1890

    Vincent van Gogh

    Chica en blanco, 1890

    Roses, Vincent van Gogh, 1890

    Vincent van Gogh

    Roses, 1890

    Self-Portrait, Vincent van Gogh, 1889

    Vincent van Gogh

    Self-Portrait, 1889

    Farmhouse in Provence, Vincent van Gogh, 1888

    Vincent van Gogh

    Granja en Provenza, 1888

    La Mousmé, Vincent van Gogh, 1888

    Vincent van Gogh

    La Mousmé, 1888

    Purim, Marc Chagall, 1917

    Marc Chagall

    Purim, 1917

    No expuesta · Galería Nacional de Arte

    Masked Ball at the Opera, Edouard Manet, 1873

    Édouard Manet

    Baile de máscaras en la ópera, 1873

    Galería Nacional de Arte

    The Doge Entertains Foreign Ambassadors at a Banquet, Giovanni Battista Brustolon after Canaletto, 1763/1766

    Canaletto

    The Doge Entertains Foreign Ambassadors at a Banquet, 1763/1766

    No expuesta · Galería Nacional de Arte

    The Newly Elected Doge Presented to the People in San Marco, Giovanni Battista Brustolon after Canaletto, 1763/1766

    Canaletto

    The Newly Elected Doge Presented to the People in San Marco, 1763/1766

    No expuesta · Galería Nacional de Arte

    The Doge Attends the Giovedi Grasso Festival in the Piazzetta, Giovanni Battista Brustolon after Canaletto, 1763/1766

    Canaletto

    The Doge Attends the Giovedi Grasso Festival in the Piazzetta, 1763/1766

    No expuesta · Galería Nacional de Arte

    The Doge in the Bucintoro Departing for the Porto di Lido on Ascension Day, Giovanni Battista Brustolon after Canaletto, 1763/1766

    Canaletto

    The Doge in the Bucintoro Departing for the Porto di Lido on Ascension Day, 1763/1766

    No expuesta · Galería Nacional de Arte

    The Doge Carried around the Piazza San Marco, Giovanni Battista Brustolon after Canaletto, 1763/1766

    Canaletto

    The Doge Carried around the Piazza San Marco, 1763/1766

    No expuesta · Galería Nacional de Arte

    Annual Visit of the Doge to Santa Maria della Salute, Giovanni Battista Brustolon after Canaletto, 1763/1766

    Canaletto

    Annual Visit of the Doge to Santa Maria della Salute, 1763/1766

    No expuesta · Galería Nacional de Arte