Térésa, William Adolphe Bouguereau, 1854
William-Adolphe Bouguereau, retratoWilliam-Adolphe BouguereauFrancia, 1825–1905

Térésa

1854 · Painting · 41.9 × 32.2 cm

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Mientras tanto, en la vida de William-Adolphe Bouguereau

La vida entera
  1. 1851–1853 · Formación

    French Academy in Rome

  2. 1851–1854

    Through Italy with Curzon: copies of Raphael, Titian, Assisi

    At the French Academy in Rome Bouguereau meets G. Boulanger and J. Lenepveu, but becomes closest friends with the landscape painter P. Curzon; together they make many journeys through Italy — Naples, Pompeii, Siena, Perugia, Assisi, Florence, Pisa, Milan, Ravenna. Bouguereau visits almost all the museums and private collections, copies ancient Roman monuments, makes a replica of the complete cycle of frescoes in the basilica of San Francesco in Assisi, and copies Raphael’s “Triumph of Galatea” and Titian’s “Triumph of Flora”.

  3. 1851–1854

    His tastes and the “discovery” of Giotto

    In Italy Bouguereau’s tastes take shape: he names Michelangelo, Raphael and Leonardo as his chief authorities, finds Botticelli too “nervous”, counts Correggio among the geniuses but denies that status to Mantegna, whom he finds “soulless”. In Padua and Assisi he immerses himself in Giotto and discovers in his gestures and faces a link between Proto-Renaissance painting and French gallant painting of the eighteenth century — a “discovery” that will shape his work for the rest of his life and shows in two paintings called “Idyll” (1850 and 1851), reminiscent of Rococo pastorals.

  4. after 1854

    After Rome: decorating churches and mansions

    On finishing his stay in Rome Bouguereau receives commissions to decorate churches — the life of Saint Louis for a chapel, the lives of Saints Peter and Paul and of John the Baptist for the Parisian church of Saint-Augustin — and the mansions of A. Bartholoni and E. Pereire, for the first of which he paints “Arion on a Sea Horse” and “Bacchante”. These works demonstrate his undoubted ability for monumental painting.

  5. 1854

    Return to La Rochelle: “The Triumph of Martyrdom”

    In April 1854 Bouguereau leaves Rome and returns to La Rochelle. Before that, in Rome, he paints a number of large religious canvases, among them “The Triumph of Martyrdom” (1854), which draw the attention of the French secular and church authorities.

  6. 1856

    Marie-Nelly Monchablon: a secret liaison with a model

    In 1856 Bouguereau begins living with one of his models, the 19-year-old Marie-Nelly Monchablon: the couple keep their liaison secret and live together unmarried, and their first child, Henriette, is born in April 1857. They will marry only on 24 May 1866, and quietly, since many assumed they were already married (other accounts say he married as early as 1856).

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