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  1. Colección/
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  3. St. George's Chapel, Windsor
St. George's Chapel, Windsor, William Henry Fox Talbot, c. 1843/47
William Henry Fox Talbot, retratoWilliam Henry Fox TalbotInglaterra, 1800–1877

St. George's Chapel, Windsor

c. 1843/47 · Photograph

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Por ahora no recibe

Instituto de Arte de Chicago

Chicago, Estados Unidos

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
anteayer
En este estado desde
19 ago 2026
Fuente
Los datos de colección del propio museo
En el mapaPágina del museo

Sobre la obra

William Henry Fox Talbot was one of the inventors of photography, developing the first positive-negative process. Although he did use his technique to produce portraits, the lengthy exposure time made it better suited to still lifes and architectural studies. Talbot received special permission to photograph inside the precincts of Windsor Castle (his half-sister was a lady in waiting to Queen Victoria, an avid supporter of photography). There he produced, among other images, this photograph of Saint George’s chapel, the castle’s place of worship.

Instituto de Arte de Chicago · CC BY 4.0

Ficha

c. 1843/47
18001877
Número de inventario
1967.157

Lo que muestra

Collected by Hugh Edwards

En el catálogo

FotografíaPapel a la salRomanticismoRealismoSiglo XIXInglaterra

Fuentes

  • Instituto de Arte de Chicago: los datos abiertos del museo · obtenido hace 8 días
  • Imagen: Instituto de Arte de Chicago — CC0

Mientras tanto, en la vida de William Henry Fox Talbot

La vida entera
  1. 1840–1841

    Post: High Sheriff of Wiltshire

  2. 1840s

    Photomechanics: the road to photogravure

    In the 1840s Talbot turned to the photomechanical reproduction of pictures; this work led to photoglyphic engraving, the precursor of photogravure. Rendering a photograph in printer’s ink made editions cheaper and avoided the fading of early silver prints.

  3. February 1841

    Patents the calotype

    Talbot obtained an English patent for the calotype process and sold licences at £20 each, later lowering the fee for amateurs to £4 while professionals paid up to £300 a year; scientists saw it as a hindrance to scientific freedom. He justified his rigour by the roughly £5,000 he had spent on photography; for science the method was free, and Talbot himself published the first known photomicrograph of a mineral crystal.

  4. August 1841

    First licence goes to the miniaturist Henry Collen

    Having announced the calotype, in August Talbot licensed the miniature painter Henry Collen, who became the first professional calotypist. The most celebrated practitioners of the process were Hill & Adamson.

  5. 1842

    Birth of his son Charles Henry

    Charles Henry Talbot was born into the Talbot family; with his birth the nursemaid Eliza Frayland joined the household, later captured in the family calotype of 1844.

  6. 1844–1846

    “The Pencil of Nature”, the first photobook, appears

    Longman, Brown, Green & Longmans issued the book in separate parts: 24 prints, each pasted in by hand and accompanied by a short text. Talbot is regarded as the author of the first photographic book; scholars see in it the design of a new canon built on biblical rhetoric.

Más obras de William Henry Fox Talbot

Todas las obras
Oak Tree, William Henry Fox Talbot, mid-1840s

Oak Tree

mid-1840s · No expuesta · Galería Nacional de Arte

Lace, William Henry Fox Talbot, 1840s

Lace

1840s · No expuesta · MoMA

Leaf Study, William Henry Fox Talbot, 1839/1840

Leaf Study

1839/1840 · No expuesta · Galería Nacional de Arte

Lace, William Henry Fox Talbot, 1839-1844

Lace

1839-1844 · No expuesta · Galería Nacional de Arte

Porseleinen beeld naar Giambologna, voorstellende de Sabijnse maagdenroof, William Henry Fox Talbot, in or after 1839-04 - in or before 1840-04

Porseleinen beeld naar Giambologna, voorstellende de Sabijnse maagdenroof

in or after 1839-04 - in or before 1840-04 · Rijksmuseum

Entrée van de Magdalen College Chapel in Oxford, William Henry Fox Talbot, c. 1840 - c. 1850

Entrée van de Magdalen College Chapel in Oxford

c. 1840 - c. 1850 · Rijksmuseum

Winter Trees, Reflected in a Pond, William Henry Fox Talbot, 1841-1842

Winter Trees, Reflected in a Pond

1841-1842 · No expuesta · Galería Nacional de Arte

Portrait of Nicolaas Henneman, William Henry Fox Talbot, 1842

Portrait of Nicolaas Henneman

1842 · Rijksmuseum

Bajo el mismo techo: Instituto de Arte de Chicago

Página del museo
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Tarde de domingo en la isla de la Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Calle de Paris, dia de lluvia, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

En la terraza, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

Cesto de manzanas, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Noctámbulos, 1942