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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  3. Spearing by Moonlight - Chaco
Spearing by Moonlight - Chaco, George Catlin, 1854/1869

Spearing by Moonlight - Chaco

1854/1869 · Painting

Ficha

1854/1869
17961872
Número de inventario
1965.16.277

Mientras tanto, en la vida de George Catlin

La vida entera
  1. 1852

    Bankruptcy and sale of the Indian Gallery

    Bankrupt through debt, he is forced to sell a large part of the collection of 607 paintings (other accounts say all of it); the Philadelphia industrialist Joseph Harrison takes the paintings and artifacts as security and stores them in a factory in Philadelphia.

  2. 1852–1857

    Travels in South and Central America

    He travels through South and Central America and then again through the Wild West, reaching Alaska (other accounts say only the American West Coast).

  3. 1852–1872

    Re-creating the lost collection

    Over the last 15–20 years of his life, despite poor health and near-total deafness, he re-creates the collection, painting more than 400 pictures; based on the outlines of his 1830s works, this second set is known as the “Cartoon Collection”.

  4. 1862

    The Breath of Life and a theory against mouth breathing

    Drawing on his observations of Native Americans, who preferred breathing through the nose (mothers closed their babies’ mouths in sleep), he sets out in this book a theory of the harm of mouth breathing; it met with skepticism in scientific and medical circles. The book was later retitled Shut Your Mouth and Save Your Life.

  5. 1868

    “Last Rambles” among the Rocky Mountains and the Andes

    In London he publishes the account of his later journeys among the Indians of the Rocky Mountains and the Andes, the record of his travels of the 1850s.

Más obras de George Catlin

Todas las obras

Bajo el mismo techo: Galería Nacional de Arte

Página del museo

Sobre el mismo tema · Fishing

Todas las obras sobre el tema
  • 1870

    Returns to the United States

    He returns to the United States after more than three decades away (other accounts say 1871); his work still finds no buyers.

  • George Catlin, retratoGeorge CatlinEstados Unidos, 1796–1872

    ¿Se puede contemplar?

    Por ahora no recibe

    Galería Nacional de Arte

    Washington D. C., Estados Unidos

    Pertenece a la colección, pero ahora mismo no está expuesta.

    Comprobado
    hace 3 días
    En este estado desde
    19 ago 2026
    Fuente
    El museo
    En el mapaPágina del museo

    Lo que muestra

    FishingSouth AmericaChacoSouth American IndianRio Paraguay

    En el catálogo

    PinturaÓleoPintura estadounidenseRealismoSiglo XIXAmerican

    Fuentes

    • Galería Nacional de Arte
    • Imagen: Galería Nacional de Arte — Museum open access
    Distant View of the Mandan Village, George Catlin, 1832

    Distant View of the Mandan Village

    1832 · Museo Smithsoniano de Arte Americano

    Mouth of the Platte River, 900 Miles above St. Louis, George Catlin, 1832

    Mouth of the Platte River, 900 Miles above St. Louis

    1832 · Museo Smithsoniano de Arte Americano

    Seet-sé-be-a, Midday Sun, a Pretty Girl, George Catlin, 1832

    Seet-sé-be-a, Midday Sun, a Pretty Girl

    1832 · Museo Smithsoniano de Arte Americano

    Jee-hé-o-hó-shah, Cannot Be Thrown Down, a Warrior, George Catlin, 1832

    Jee-hé-o-hó-shah, Cannot Be Thrown Down, a Warrior

    1832 · Museo Smithsoniano de Arte Americano

    Te-ah'-ke-ra-lée-re-coo, The Cheyenne, a Republican Pawnee, George Catlin, 1832

    Te-ah'-ke-ra-lée-re-coo, The Cheyenne, a Republican Pawnee

    1832 · Museo Smithsoniano de Arte Americano

    River Bluffs, 1320 Miles above St. Louis, George Catlin, 1832

    River Bluffs, 1320 Miles above St. Louis

    1832 · Museo Smithsoniano de Arte Americano

    Peh-tó-pe-kiss, Eagle's Ribs, a Piegan Chief, George Catlin, 1832

    Peh-tó-pe-kiss, Eagle's Ribs, a Piegan Chief

    1832 · Museo Smithsoniano de Arte Americano

    I-o-wáy, One of Black Hawk's Principal Warriors, George Catlin, 1832

    I-o-wáy, One of Black Hawk's Principal Warriors

    1832 · Museo Smithsoniano de Arte Americano

    Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

    Leonardo da Vinci

    Retrato de Ginebra de Benci, c. 1474/1478

    Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

    Leonardo da Vinci

    Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

    Green Wheat Fields, Auvers, Vincent van Gogh, 1890

    Vincent van Gogh

    Green Wheat Fields, Auvers, 1890

    Girl in White, Vincent van Gogh, 1890

    Vincent van Gogh

    Chica en blanco, 1890

    Roses, Vincent van Gogh, 1890

    Vincent van Gogh

    Roses, 1890

    Self-Portrait, Vincent van Gogh, 1889

    Vincent van Gogh

    Self-Portrait, 1889

    Farmhouse in Provence, Vincent van Gogh, 1888

    Vincent van Gogh

    Granja en Provenza, 1888

    La Mousmé, Vincent van Gogh, 1888

    Vincent van Gogh

    La Mousmé, 1888

    The Big Fish Eat the Little Fish, Pieter van der Heyden after Pieter Bruegel the Elder, published 1557

    Hieronymus Bosch

    The Big Fish Eat the Little Fish, published 1557

    No expuesta · Galería Nacional de Arte

    The Mussel Harvest, Auguste Renoir, 1879

    Pierre-Auguste Renoir

    The Mussel Harvest, 1879

    No expuesta · Galería Nacional de Arte

    Fishing, Edouard Manet, ca. 1862–63

    Édouard Manet

    Fishing, ca. 1862–63

    Museo Metropolitano de Arte

    Carl Solomon on Sunday 1983 Springtime, Bronx, we spent all afternoon, he caught 6 fish, I ate them., Allen Ginsberg, 1983

    Allen Ginsberg

    Carl Solomon on Sunday 1983 Springtime, Bronx, we spent all afternoon, he caught 6 fish, I ate them., 1983

    No expuesta · Galería Nacional de Arte

    Landscape with Fisherman, Gustave Courbet, 1872

    Gustave Courbet

    Landscape with Fisherman, 1872

    No expuesta · Galería Nacional de Arte

    En route pour la pêche (Setting Out to Fish), John Singer Sargent, 1878

    John Singer Sargent

    En route pour la pêche (Setting Out to Fish), 1878

    Galería Nacional de Arte

    En route pour la pêche (Setting Out to Fish), John Singer Sargent, 1878

    John Singer Sargent

    En route pour la pêche (Setting Out to Fish), 1878

    No expuesta · Galería Nacional de Arte

    Plate Number 176. Crossing brook on stepping-stones with fishing pole and a basket, Eadweard Muybridge, 1887

    Eadweard Muybridge

    Plate Number 176. Crossing brook on stepping-stones with fishing pole and a basket, 1887

    No expuesta · Galería Nacional de Arte