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Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  1. Colección/
  2. Museo de Victoria y Alberto/
  3. Sketch-model
Sketch-model, Alfred George Stevens, ca. 1850
Alfred Stevens, retratoAlfred StevensReino Unido, 1817–1875

Sketch-model

ca. 1850 · Sketch-model

Sobre la escultura

This centre piece of a fender, made by Stevens, was exhibited at the Great Exhibition in 1851.

A sculptor, designer and painter, Alfred Stevens (1817/18- 1875) rejected contemporary distinctions between fine art and design. From 1850 to 1857 he was chief designer to Hoole & Co., Sheffield, where he produced award-winning designs for metalwork, majolica, terracotta ornaments and chimney-pieces.

Perhaps his two greatest works were the decorations for the dining-room at Dorchester House, London (about 1856), for which he made countless drawings inspired by the Italian High Renaissance style, in particular the work of Michelangelo and the monument to the Duke of Wellington for St Paul's Cathedral, London, which was completed after his death. The two allegorical groups from this monument made a lasting impact on the New Sculpture movement.

Seguir leyendo

The influence of the Italian Renaissance is evident in much of Steven's work, and is perhaps best reflected in the Wellington monument.

Museo de Victoria y Alberto

Ficha

ca. 1850
18171875
Número de inventario
A.78-1911

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Bajo el mismo techo: Museo de Victoria y Alberto

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Museo de Victoria y Alberto

Londres, Reino Unido

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
hace 12 días
En este estado desde
25 sept 2026
Fuente
El museo
En el mapaPágina del museo

Lo que muestra

ScrollsRibbonChildren (people by age group)

En el catálogo

EsculturaMetalRealismoSiglo XIXInglaterra

Fuentes

  • Museo de Victoria y Alberto
  • Imagen: Museo de Victoria y Alberto — © Victoria and Albert Museum, London
Model for the Wellington Monument in St Paul's Cathedral, Alfred George Stevens, 1857

Model for the Wellington Monument in St Paul's Cathedral

1857 · Museo de Victoria y Alberto

Valour and Cowardice, Alfred George Stevens, 1866

Valour and Cowardice

1866 · Museo de Victoria y Alberto

Model for Wellington Monument: Truth and Falsehood, Alfred George Stevens, 1867-8

Model for Wellington Monument: Truth and Falsehood

1867-8 · Museo de Victoria y Alberto

William Blundell Spence, Alfred Stevens, 1851

William Blundell Spence

1851 · National Gallery

Woman with Book (recto); Sketches of Male Figure (verso), Alfred George Stevens, n.d.

Woman with Book (recto); Sketches of Male Figure (verso)

n.d. · No expuesta · Instituto de Arte de Chicago

Decorative Design with Putti and Griffins, Alfred George Stevens, n.d.

Decorative Design with Putti and Griffins

n.d. · No expuesta · Instituto de Arte de Chicago

Drawing, Alfred George Stevens

Drawing

No expuesta · Museo de Victoria y Alberto

Drawing, Alfred George Stevens

Drawing

No expuesta · Museo de Victoria y Alberto

Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

An Apostle, Carlo Crivelli, ca. 1471–73

Carlo Crivelli

An Apostle, ca. 1471–73

Museo Metropolitano de Arte

Statue of Seated Imhotep, 332–30 BCE

Statue of Seated Imhotep, 332–30 BCE

Museo Metropolitano de Arte

Standing man in cap and gown holding a scroll, Cambiaso, ca. 1550-85

Cambiaso

Standing man in cap and gown holding a scroll, ca. 1550-85

No expuesta · Museo de Victoria y Alberto

Bust, Rouen pottery factory, 19th century

Rouen pottery factory

Bust, 19th century

Museo de Victoria y Alberto

A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolio's at his Decease, by C. H. Tatham Architect. AD 1800., John Linnell, late 18th century

John Linnell

A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolio's at his Decease, by C. H. Tatham Architect. AD 1800., late 18th century

No expuesta · Museo de Victoria y Alberto

<i>Flötenkonzert</i>, Johann Georg Schumann, ca. 1775

Johann Georg Schumann

<i>Flötenkonzert</i>, ca. 1775

Museo de Victoria y Alberto

Bust, Rouen pottery factory, 19th century

Rouen pottery factory

Bust, 19th century

Museo de Victoria y Alberto

Figure group, Etienne-Maurice Falconet, 1830-1835

Etienne-Maurice Falconet

Figure group, 1830-1835

Museo de Victoria y Alberto