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Senegalese Contingent, Closing Ceremony, Marilyn Nance, 1977, printed later
Marilyn Nance, retratoMarilyn NanceEstados Unidos, 1953

Senegalese Contingent, Closing Ceremony

1977, printed later · Photograph

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No expuesta por ahora

¿Dónde está «Senegalese Contingent, Closing Ceremony» hoy? Colección: Instituto de Arte de Chicago, Chicago. No expuesta por ahora. Comprobado 29 de septiembre de 2026.

Instituto de Arte de Chicago

Chicago, Estados Unidos

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
En este estado desde
Fuente
El museo
En el mapaPágina del museo

Ficha

Número de inventario
2021.284

Lo que muestra

African AmericanAfricanBlack cultureCritical HistoryPeoplePortraits of African people

En el catálogo

FotografíaGelatina de plataArte contemporáneoSiglo XX

Fuentes

Más obras de Marilyn Nance

Todas las obras
Sun Ra Rehearsing in FESTAC Village, Marilyn Nance, February 1977

Sun Ra Rehearsing in FESTAC Village

1977 · MoMA

Nigeria FESTAC 77, Marilyn Nance, January 15, 1977

Nigeria FESTAC 77

1977 · MoMA

Nigeria FESTAC 77, Marilyn Nance, 1977, printed 2019

Nigeria FESTAC 77

1977, printed 2019 · No expuesta · Instituto de Arte de Chicago

National Stadium Crowd, Marilyn Nance, 1977, printed later

National Stadium Crowd

1977, printed later · No expuesta · Instituto de Arte de Chicago

Nigeria FESTAC 77, Marilyn Nance, 1977

Nigeria FESTAC 77

1977 · No expuesta · Instituto de Arte de Chicago

USA Contingent, Closing Ceremony, National Stadium, Marilyn Nance, 1977, printed later

USA Contingent, Closing Ceremony, National Stadium

1977, printed later · No expuesta · Instituto de Arte de Chicago

Nigeria FESTAC 77, Marilyn Nance, 1977, printed 1978

Nigeria FESTAC 77

1977, printed 1978 · No expuesta · Instituto de Arte de Chicago

Sun Ra Arkestra Dancer Engages Rehearsal Onlookers, Marilyn Nance, 1977

Sun Ra Arkestra Dancer Engages Rehearsal Onlookers

1977 · No expuesta · Instituto de Arte de Chicago

También en sala: Instituto de Arte de Chicago

Página del museo
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Tarde de domingo en la isla de la Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Calle de Paris, dia de lluvia, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

En la terraza, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

Cesto de manzanas, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

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Sobre el mismo tema · African American

Todas las obras sobre el tema
Plate Number 6. Walking, Eadweard Muybridge, 1887

Eadweard Muybridge

Plate Number 6. Walking, 1887

No expuesta · Galería Nacional de Arte

Plate Number 126. Descending stairs, Eadweard Muybridge, 1887

Eadweard Muybridge

Plate Number 126. Descending stairs, 1887

No expuesta · Galería Nacional de Arte

Nurse Midwife Maude Callen, New Dresses, W. Eugene Smith, 1951

W. Eugene Smith

Nurse Midwife Maude Callen, New Dresses, 1951

No expuesta · Galería Nacional de Arte

Boys, Shady Grove, Alabama, Gordon Parks, 1956, printed later

Gordon Parks

Boys, Shady Grove, Alabama, 1956, printed later

No expuesta · Galería Nacional de Arte

Langston Hughes, Chicago, Gordon Parks, December 1941

Gordon Parks

Langston Hughes, Chicago, 1941

No expuesta · Galería Nacional de Arte

Pilots Gambling in Ready Room, Selfridge Field, Michigan ("I fired a long burst and saw an explosion behind the pilot's cockpit—He went straight down—I tried to follow—When he crashed three white blobs jumped out of the ground—Heh! This isn't my deal!"), Gordon Parks, October 1943

Gordon Parks

Pilots Gambling in Ready Room, Selfridge Field, Michigan ("I fired a long burst and saw an explosion behind the pilot's cockpit—He went straight down—I tried to follow—When he crashed three white blobs jumped out of the ground—Heh! This isn't my deal!"), 1943

No expuesta · Galería Nacional de Arte

Lt. "Wild Bill" William Walker and Lt. George Knox 332nd Fighter Group, Selfridge Field, Michigan ("A guy like Bill has got to come in—Let's wait a while longer."), Gordon Parks, October 1943

Gordon Parks

Lt. "Wild Bill" William Walker and Lt. George Knox 332nd Fighter Group, Selfridge Field, Michigan ("A guy like Bill has got to come in—Let's wait a while longer."), 1943

No expuesta · Galería Nacional de Arte

P40 in Line for Take Off, Selfridge Field, Michigan ("We're back sugar—Thanks a lot—You're a great gal."), Gordon Parks, October 1943

Gordon Parks

P40 in Line for Take Off, Selfridge Field, Michigan ("We're back sugar—Thanks a lot—You're a great gal."), 1943

No expuesta · Galería Nacional de Arte