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Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  3. Self-Portrait
Self-Portrait, Oskar Kokoschka, 1913
Oskar Kokoschka, retratoOskar KokoschkaAustria, 1886–1980

Self-Portrait

1913 · Painting

¿Se puede contemplar?

Por ahora no recibe

MoMA

Nueva York, Estados Unidos

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
hace 9 días
Fuente
El museo
En el mapaPágina del museo

Ficha

1913 · a los 27 años
18861980
Número de inventario
26.1940

En el catálogo

PinturaÓleoPintura británicaPintura austriacaModernismoSiglo XX

Fuentes

  • MoMA
  • Imagen: MoMA — © the artist or rights holder

Mientras tanto, en la vida de Oskar Kokoschka

La vida entera
  1. 1909–1914

    Adolf Loos: patron and commissioner of portraits

    The architect Adolf Loos befriended Kokoschka, introduced him to the Viennese avant-garde and ordered portraits of his clients and friends, agreeing to buy the work if the sitter declined. This left Kokoschka complete artistic freedom; he painted the bulk of his portraiture between 1909 and 1914.

  2. 1911–1913

    Teaches in Vienna

    From 1911 to 1913 Kokoschka taught in Vienna. Drawing on the ideas of the Czech humanist Jan Amos Comenius, he held that students benefit most from using their five senses to reason, and instead of conventional methods he taught through storytelling infused with mythological themes and dramatic emotion.

  3. c. 1911 – 1914

    The affair with Alma Mahler

    Kokoschka’s stormy affair with Alma Mahler, the widow of the composer Gustav Mahler, lasted about two years: she was afraid of being overcome by passion and rejected him, and in 1915 she married Walter Gropius. Kokoschka loved her all his life.

  4. 1912

    The lecture “On the Nature of Visions”

    In 1912 Kokoschka delivered his essay “Von der Natur der Gesichte” (“On the Nature of Visions”) at the Akademischer Verband für Literatur und Musik in Vienna, setting out his ideas on the relationship between inner vision and optical sight.

  5. 1915

    Gravely wounded in the First World War

    Having volunteered as a cavalryman in the Austrian army, Kokoschka was seriously wounded on the Galician front in 1915 and survived captivity, and the doctors at the hospital judged him mentally unstable. Nevertheless he went on working, travelling across Europe and painting landscapes.

Más obras de Oskar Kokoschka

Todas las obras
Sleeping Woman (Schlafende Frau)(title page) from Die träumenden Knaben (The Dreaming Boys), Oskar Kokoschka, 1917 (executed 1907-08)

Sleeping Woman (Schlafende Frau)(title page) from Die träumenden Knaben (The Dreaming Boys)

1917 (executed 1907-08) · No expuesta · MoMA

Rider and Sailboat (Reiter und Segelschiff) (postcard), Oskar Kokoschka, 1907

Rider and Sailboat (Reiter und Segelschiff) (postcard)

1907 · No expuesta · MoMA

Flower Garden (Blumengarten), Oskar Kokoschka, 1907

Flower Garden (Blumengarten)

1907 · No expuesta · MoMA

Girl with a Sheep in the Mountain Meadow (Mädchen mit Schaf auf Bergwiese) (postcard), Oskar Kokoschka, 1907

Girl with a Sheep in the Mountain Meadow (Mädchen mit Schaf auf Bergwiese) (postcard)

1907 · No expuesta · MoMA

Shepherd, Stag and Fox (Hirt, Hirsch und Fuchs). Illustration for the shadow play The Speckled Egg (Das getupfte Ei) (plate 1) from the First Theater Program of Kabarett Fledermaus (Cabaret Fledermaus), Oskar Kokoschka, 1907

Shepherd, Stag and Fox (Hirt, Hirsch und Fuchs). Illustration for the shadow play The Speckled Egg (Das getupfte Ei) (plate 1) from the First Theater Program of Kabarett Fledermaus (Cabaret Fledermaus)

1907 · No expuesta · MoMA

Die träumenden Knaben (The Dreaming Boys), Oskar Kokoschka, 1907–08, published 1917

Die träumenden Knaben (The Dreaming Boys)

1907–08, published 1917 · No expuesta · MoMA

The Sailors Are Calling (Die Schiffer rufen)(in-text plate, folio 5) from Die träumenden Knaben (The Dreaming Boys), Oskar Kokoschka, 1917 (executed 1907-08)

The Sailors Are Calling (Die Schiffer rufen)(in-text plate, folio 5) from Die träumenden Knaben (The Dreaming Boys)

1917 (executed 1907-08) · No expuesta · MoMA

The Sailboat (Das Segelschiff)(in-text plate, folio 4) from Die träumenden Knaben (The Dreaming Boys), Oskar Kokoschka, 1917 (executed 1907-08)

The Sailboat (Das Segelschiff)(in-text plate, folio 4) from Die träumenden Knaben (The Dreaming Boys)

1917 (executed 1907-08) · No expuesta · MoMA

Bajo el mismo techo: MoMA

Página del museo
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

La noche estrellada, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950