
Nan GoldinEstados Unidos, 1953¿Se puede contemplar?
Chicago, Estados Unidos
Pertenece a la colección, pero ahora mismo no está expuesta.
1970s
School of the Museum of Fine Arts, Boston
She enrolls at the School of the Museum of Fine Arts together with her friend from Satya, David Armstrong; there she meets Philip-Lorca diCorcia and Mark Morrisroe and begins to photograph in color. She graduates in 1977 or 1978: she has worked mostly with Cibachrome prints but has also begun showing slides, and her work of this period is associated with the Boston School of Photography.
late 1970s
Move to New York
After graduating she moves to New York and begins documenting the post-punk new-wave music scene and the city's vibrant post-Stonewall gay subculture of the late 1970s and early 1980s.
late 1970s
Her subjects take shape
By the end of the 1970s her circle of subjects takes shape: domestic sketches with her boyfriend Brian, drug-addicted friends, cross-dressers, the New York bohemia. Her themes — sexual assertiveness and confession — are tied to gender, provocation and the new realism.
1980–1983
Films with Bette Gordon and Sara Driver
She acts alongside her friend, the Irish artist Vivienne Dick, in Bette Gordon's “Empty Suitcases” (1980) and, in “Variety” (1983), plays a character named Nan while photographing the production; those pictures were published in 2009. For Sara Driver she shoots stills for “You Are Not I” (1981), starring her lover and friend Suzanne Fletcher, and plays one of the accident victims herself.