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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  3. Rosenbaum Grain Elevators, Chicago, IL
Rosenbaum Grain Elevators, Chicago, IL, Margaret Bourke-White, c. 1935
Margaret Bourke-White, retratoMargaret Bourke-WhiteEstados Unidos, 1904–1971

Rosenbaum Grain Elevators, Chicago, IL

c. 1935 · Photograph

¿Se puede contemplar?

Por ahora no recibe

MoMA

Nueva York, Estados Unidos

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
hace 9 días
Fuente
El museo
En el mapaPágina del museo

Ficha

c. 1935
19041971
Número de inventario
31.2026

En el catálogo

FotografíaGelatina de plataModernismoSiglo XX

Fuentes

  • MoMA
  • Imagen: MoMA — © the artist or rights holder

Mientras tanto, en la vida de Margaret Bourke-White

La vida entera
  1. 1932–1934

    The Soviet series: newspaper, portfolio, photomurals

    The Soviet photographs run as a six-part series in The New York Times (1932), as a deluxe photo portfolio (1934) and as photomurals for the Soviet consulate in New York (1934); other frames circulate in exhibitions, books and periodicals around the globe, especially in Soviet magazines and postcards.

  2. 1934

    Photographs Dust Bowl drought victims for Fortune

    Like Dorothea Lange, she photographs the victims of the Dust Bowl drought. This Depression-era work marks the beginning of her shift from corporate photography to photojournalism.

  3. mid-1930s

    Meets Erskine Caldwell

    She meets the bestselling novelist, who wrote about the poor rural communities of the South. He invites her to collaborate on a photojournalistic expedition through the South, which will produce the book You Have Seen Their Faces.

  4. 1936

    The first woman photojournalist at Life

    When Henry Luce launches his third magazine, the photograph-centred Life, he hires her as its first female photojournalist. She is a staff photographer until 1940, returns to the magazine in 1941–1942 and again from 1945, and also starts its first photography laboratory.

  5. 1937

    The book “You Have Seen Their Faces”

    Her book with Erskine Caldwell, seventy-five photographs of the lives of poor rural sharecroppers in the American South, is a commercial success and one of the major documentary works of the time to draw attention to the needs of the South.

Más obras de Margaret Bourke-White

Todas las obras
Garden of Mrs. F. F. Prentis, Cleveland, Margaret Bourke-White, 1920s

Garden of Mrs. F. F. Prentis, Cleveland

1920s · No expuesta · MoMA

The Towering Smokestacks of the Otis Steel Co., Cleveland, Margaret Bourke-White, 1927-28

The Towering Smokestacks of the Otis Steel Co., Cleveland

1927-28 · No expuesta · MoMA

Workman Operating “Mud Gun” to Stop Up Tapping Hole of Blast Furnace, Otis Steel Co., Margaret Bourke-White, 1928

Workman Operating “Mud Gun” to Stop Up Tapping Hole of Blast Furnace, Otis Steel Co.

1928 · No expuesta · Galería Nacional de Arte

From The Terminal Tower, Cleveland, Margaret Bourke-White, c. 1928

From The Terminal Tower, Cleveland

c. 1928 · No expuesta · MoMA

Untitled, Margaret Bourke-White, 1929

Untitled

1929 · No expuesta · MoMA

The Steppe: Ukraine, Margaret Bourke-White, 1930

The Steppe: Ukraine

1930 · No expuesta · Galería Nacional de Arte

Mtskhet in the Caucasus: Ancient Capital of Georgia, Margaret Bourke-White, 1930–1932

Mtskhet in the Caucasus: Ancient Capital of Georgia

1930–1932 · No expuesta · Galería Nacional de Arte

For the Iron Mine Foundations: Magnet Mountain, Margaret Bourke-White, 1930–1932

For the Iron Mine Foundations: Magnet Mountain

1930–1932 · No expuesta · Galería Nacional de Arte

Bajo el mismo techo: MoMA

Página del museo
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

La noche estrellada, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950