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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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Paesaggio, Mario Giacomelli, early 1960s
Mario Giacomelli, retratoMario GiacomelliItalia, 1925–2000

Paesaggio

early 1960s · Photograph · 29.7 × 39.9 cm

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MJP
Museo J. Paul Getty

Los Ángeles, Estados Unidos

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
ayer
En este estado desde
7 oct 2026
Fuente
El museo
En el mapaPágina del museo

Sobre la obra

Italy’s Marche region is characterized by rolling hills, small farms, and *frazioni* (hamlets), all of which were among the first motifs that Giacomelli photographed. As with his portraits and figure studies from this period, the compositions of his early landscapes were fairly conventional, with foreground, middle-ground, and background elements organized around a clearly discernible horizon line. As he refined his technique, however, Giacomelli often positioned himself at the top of a hill pointing his camera downward or at the base aiming it upward, thereby eliminating the horizon and creating a disorienting patchwork of geometric shapes. His development of the negative, use of high-contrast paper, and manipulations in the darkroom further enhanced the distinctively graphic qualities of his images.

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It was not uncommon for him to scratch forms into his negatives to add dramatic counterpoints. Over the years, Giacomelli returned to certain sites multiple times, documenting them during different seasons and crop rotations. He would later incorporate photographs made for one purpose into a series that had other ambitions, most notably to function as commentary on the capacity of both natural occurrences and human interventions to change the character of the land. Virginia Heckert, J. Paul Getty Museum, Department of Photographs 2021

MJPMuseo J. Paul Getty

Ficha

early 1960s
19252000
Número de inventario
2019.176.2

En el catálogo

FotografíaGelatina de plataArte de posguerraSiglo XXItalia

Fuentes

  • Museo J. Paul Getty
  • Imagen: Museo J. Paul Getty — ; In Copyright

Más obras de Mario Giacomelli

Todas las obras
Scanno, Mario Giacomelli, 1957

Scanno

1957 · No expuesta · MoMA

Untitled, Mario Giacomelli, 1960s

Untitled

1960s · No expuesta · MoMA

Untitled, Mario Giacomelli, 1960s

Untitled

1960s · No expuesta · MoMA

Scanno Boy, Mario Giacomelli, 1963

Scanno Boy

1963 · No expuesta · MoMA

Verrá la morte e avrá i tuoi occhi (Death will Come and it will Have Your Eyes), Mario Giacomelli, 1940/95

Verrá la morte e avrá i tuoi occhi (Death will Come and it will Have Your Eyes)

1940/95 · No expuesta · Instituto de Arte de Chicago

Paesaggio, fiamme sul campo, Mario Giacomelli, negative 1954; print 1980

Paesaggio, fiamme sul campo

negative 1954; print 1980 · No expuesta · Museo J. Paul Getty

Verrà la morte e avrà I tuoi occhi, Mario Giacomelli, about 1954–1957

Verrà la morte e avrà I tuoi occhi

about 1954–1957 · No expuesta · Museo J. Paul Getty

Untitled, Mario Giacomelli, 1955–1960, printed c. 1976

Untitled

1955–1960, printed c. 1976 · No expuesta · Galería Nacional de Arte

Bajo el mismo techo: Museo J. Paul Getty

Página del museo
Irises, Vincent van Gogh, 1889

Vincent van Gogh

Lirios, 1889

The Portal of Rouen Cathedral in Morning Light, Claude Monet, 1894

Claude Monet

The Portal of Rouen Cathedral in Morning Light, 1894

Wheatstacks, Snow Effect, Morning (Meules, Effet de Neige, Le Matin), Claude Monet, 1891

Claude Monet

Wheatstacks, Snow Effect, Morning (Meules, Effet de Neige, Le Matin), 1891

Sunrise (Marine), Claude Monet, 1872 or 1873

Claude Monet

Sunrise (Marine), 1872 or 1873

Still Life with Flowers and Fruit, Claude Monet, 1869

Claude Monet

Still Life with Flowers and Fruit, 1869

Saint Bartholomew, Rembrandt Harmensz. van Rijn, 1661

Rembrandt van Rijn

Saint Bartholomew, 1661

Daniel and Cyrus Before the Idol Bel, Rembrandt Harmensz. van Rijn, 1633

Rembrandt van Rijn

Daniel and Cyrus Before the Idol Bel, 1633

The Abduction of Europa, Rembrandt Harmensz. van Rijn, 1632

Rembrandt van Rijn

El rapto de Europa, 1632