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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  3. Pacific Mutual Life
Pacific Mutual Life, David Hockney, 1964
David Hockney, retratoDavid HockneyReino Unido, 1937–2026

Pacific Mutual Life

1964 · Print

¿Se puede contemplar?

Por ahora no recibe

MoMA

Nueva York, Estados Unidos

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
hace 9 días
Fuente
El museo
En el mapaPágina del museo

Ficha

1964 · a los 27 años
19372026
Número de inventario
1331.1967

En el catálogo

EstampasLitografíaArte de posguerraSiglo XX

Fuentes

  • MoMA
  • Imagen: MoMA — © the artist or rights holder

Mientras tanto, en la vida de David Hockney

La vida entera
  1. 1959–1962

    “New Contemporaries” alongside Peter Blake

    While still a student at the Royal College of Art, Hockney appears in the exhibition “New Contemporaries” alongside Peter Blake, which announced the arrival of British Pop art. He is associated with the movement, though his early works show expressionist elements similar to some of Francis Bacon’s.

  2. 1959–1962

    At the Royal College: Kitaj, Bowling, Stokoe

    At the Royal College of Art in London Hockney meets R. B. Kitaj, Frank Bowling and Neil Stokoe.

  3. 1962

    A diploma protest: “Life Painting for a Diploma”

    When the college said it would not let him graduate without a life drawing of a live model, Hockney painted “Life Painting for a Diploma” in protest: he had refused to write an essay required for the final examination and insisted on being assessed solely on his artworks. Recognising his talent and growing reputation, the college changed its regulations and awarded him a diploma.

  4. 1963

    First solo exhibition at Kasmin Limited

    At twenty-six Hockney has his first one-man show at Kasmin Limited.

  5. 1963–1964

    Moving to Los Angeles

    Hockney moves from Britain to Los Angeles, in 1964 by some accounts, in 1963 by others; the move is attributed to a more liberal political climate. There he is inspired to paint a series of swimming pools in vibrant acrylic, then a comparatively new medium.

  6. summer 1966

    Meeting Peter Schlesinger

    While teaching at UCLA, Hockney meets Peter Schlesinger, an art student who poses for paintings and drawings, and the two become romantically involved.

Más obras de David Hockney

Todas las obras
American Collectors (Fred and Marcia Weisman), David Hockney, 1968

American Collectors (Fred and Marcia Weisman)

1968 · Instituto de Arte de Chicago

The Start of the Spending Spree and the Door Opening for a Blonde (plate 3) from A Rake's Progress, David Hockney, 1961–62, published 1963

The Start of the Spending Spree and the Door Opening for a Blonde (plate 3) from A Rake's Progress

1961–62, published 1963 · No expuesta · MoMA

The Arrival (plate 1) from A Rake's Progress, David Hockney, 1961–62, published 1963

The Arrival (plate 1) from A Rake's Progress

1961–62, published 1963 · No expuesta · MoMA

The Drinking Scene (plate 4) from A Rake's Progress, David Hockney, 1961–62, published 1963

The Drinking Scene (plate 4) from A Rake's Progress

1961–62, published 1963 · No expuesta · MoMA

The Election Campaign (with Dark Message) (plate 5) from A Rake's Progress, David Hockney, 1961–62, published 1963

The Election Campaign (with Dark Message) (plate 5) from A Rake's Progress

1961–62, published 1963 · No expuesta · MoMA

The Gospel Singing (Good People) (Madison Square Garden) (plate 2a) from A Rake's Progress, David Hockney, 1961–62, published 1963

The Gospel Singing (Good People) (Madison Square Garden) (plate 2a) from A Rake's Progress

1961–62, published 1963 · No expuesta · MoMA

Meeting the Other People (plate 8) from A Rake's Progress, David Hockney, 1961–62, published 1963

Meeting the Other People (plate 8) from A Rake's Progress

1961–62, published 1963 · No expuesta · MoMA

The Seven Stone Weakling (plate 3a) from A Rake's Progress, David Hockney, 1961–62, published 1963

The Seven Stone Weakling (plate 3a) from A Rake's Progress

1961–62, published 1963 · No expuesta · MoMA

Bajo el mismo techo: MoMA

Página del museo
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

La noche estrellada, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950