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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  3. Orphan Man, Standing
Orphan Man, Standing, Vincent van Gogh, 1882
Vincent van Gogh, retratoVincent van GoghPaíses Bajos, 1853–1890

Orphan Man, Standing

1882 · Print

¿Se puede contemplar?

Por ahora no recibe

Galería Nacional de Arte

Washington D. C., Estados Unidos

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
hace 3 días
En este estado desde
19 ago 2026
Fuente
El museo
En el mapaPágina del museo

Ficha

1882 · a los 29 años
18531890
Número de inventario
1951.10.32

Lo que muestra

CostumeSombreroVarón

En el catálogo

EstampasLitografíaImpresionismoSiglo XIXDutchPost-Impressionist

Fuentes

  • Galería Nacional de Arte
  • Imagen: Galería Nacional de Arte — Museum open access

Mientras tanto, en la vida de Vincent van Gogh

La vida entera
  1. agosto de 1879 – octubre de 1880 · Lugar de trabajo

    Maison Van Gogh

  2. August 1880

    Decides to take up art in earnest

    Back in Cuesmes in the Borinage, lodging with a miner, Van Gogh began, at Theo's suggestion, to draw the people and scenes around him in earnest. Later that year he went to Brussels to study with Willem Roelofs, who persuaded him to enrol at the Académie Royale des Beaux-Arts.

  3. late 1881

    Lessons with Anton Mauve

    His second cousin Anton Mauve, the successful artist Van Gogh longed to be, took him on as a student and introduced him to watercolour. Within weeks they fell out, possibly over drawing from plaster casts.

  4. August 1881

    Proposes to his cousin Kee: “No, nay, never”

    His recently widowed cousin Cornelia “Kee” Vos-Stricker, seven years his senior, came to stay in Etten with her eight-year-old son. To everyone's surprise Van Gogh declared his love and proposed; she refused: “No, nay, never.”

  5. 1882

    His first paintings in oil

    Soon after three weeks in hospital in June 1882, Van Gogh painted in oils for the first time, with paints bought on money borrowed from Theo, and was surprised at how good the results were. In August Theo gave him money for materials to work en plein air, and Vincent wrote that he could now “go on painting with new vigour”.

  6. late January 1882

    Life with Sien Hoornik

    Van Gogh met Clasina Maria “Sien” Hoornik, a pregnant prostitute with a five-year-old daughter, and set up home with her; on learning of it, Mauve stopped answering his letters. His father pressed him to abandon Sien, and in 1883 Vincent left her and the children.

Más obras de Vincent van Gogh

Todas las obras
Self-Portrait with a Straw Hat (obverse: The Potato Peeler), Vincent van Gogh, 1887

Self-Portrait with a Straw Hat (obverse: The Potato Peeler)

1887 · Museo Metropolitano de Arte

Self-portrait, Vincent van Gogh, 1887

Self-portrait

1887 · Rijksmuseum

Madame Roulin and Her Baby, Vincent van Gogh, 1888

Madame Roulin and Her Baby

1888 · Museo Metropolitano de Arte

Wheat Field with Cypresses, Vincent van Gogh, 1889

Wheat Field with Cypresses

1889 · Museo Metropolitano de Arte

Olive Trees, Vincent van Gogh, 1889

Olive Trees

1889 · Instituto de Artes de Mineápolis

Irises, Vincent van Gogh, 1890

Irises

1890 · Museo Metropolitano de Arte

Het Singel bij de Lutherse Kerk te Amsterdam, Vincent van Gogh, 1885

Het Singel bij de Lutherse Kerk te Amsterdam

1885 · Rijksmuseum

The Potato Peeler (reverse: Self-Portrait with a Straw Hat), Vincent van Gogh, 1885

The Potato Peeler (reverse: Self-Portrait with a Straw Hat)

1885 · Museo Metropolitano de Arte

Bajo el mismo techo: Galería Nacional de Arte

Página del museo
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Retrato de Ginebra de Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Chica en blanco, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Granja en Provenza, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Sobre el mismo tema · Costume

Todas las obras sobre el tema
a) The Last Supper; b) Putti, Vincenzo Tamagni, after Leonardo da Vinci, c. 1515

Leonardo da Vinci

a) The Last Supper; b) Putti, c. 1515

No expuesta · Galería Nacional de Arte

Blinded Minotaur Led by a Girl III (Minotaur aveugle guide par une fillette III), Pablo Picasso, 1934

Pablo Picasso

Blinded Minotaur Led by a Girl III (Minotaur aveugle guide par une fillette III), 1934

No expuesta · Galería Nacional de Arte

Rembrandt in a "turban," in "furs," and in the "elephant's eye" (Rembrandt au "turban," aux "fourrures," et à l'oeil d'éléphant"), Pablo Picasso, 1934

Pablo Picasso

Rembrandt in a "turban," in "furs," and in the "elephant's eye" (Rembrandt au "turban," aux "fourrures," et à l'oeil d'éléphant"), 1934

No expuesta · Galería Nacional de Arte

Spartan Envoys (Serment des femmes), Pablo Picasso, 1934

Pablo Picasso

Spartan Envoys (Serment des femmes), 1934

No expuesta · Galería Nacional de Arte

Negotiation between the Athenians and the Spartan Envoys (Accord entre les guerriers de Sparte d'Athenes), Pablo Picasso, 1934

Pablo Picasso

Negotiation between the Athenians and the Spartan Envoys (Accord entre les guerriers de Sparte d'Athenes), 1934

No expuesta · Galería Nacional de Arte

The Reading (La lecture), Pablo Picasso, 1926

Pablo Picasso

The Reading (La lecture), 1926

No expuesta · Galería Nacional de Arte

Acrobat in Repose (Le saltimbanque au repos), Pablo Picasso, 1905, published 1913

Pablo Picasso

Acrobat in Repose (Le saltimbanque au repos), 1905, published 1913

No expuesta · Galería Nacional de Arte

Celebration of Peace and Reconciliation (Le festin), Pablo Picasso, 1934

Pablo Picasso

Celebration of Peace and Reconciliation (Le festin), 1934

No expuesta · Galería Nacional de Arte