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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  3. Onan
Onan, Salvador Dalí, 1934
Salvador Dalí, retratoSalvador DalíEspaña, 1904–1989

Onan

1934 · Illustrated Book

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Por ahora no recibe

MoMA

Nueva York, Estados Unidos

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
hace 9 días
Fuente
El museo
En el mapaPágina del museo

Ficha

1934 · a los 30 años
19041989
Número de inventario
373.1971

En el catálogo

EstampasImpresión fotomecánicaModernismoSiglo XX

Fuentes

  • MoMA
  • Imagen: MoMA — © the artist or rights holder

Mientras tanto, en la vida de Salvador Dalí

La vida entera
  1. November – December 1933

    First New York show: “frozen nightmares”

    Dalí's first New York exhibition, twenty-six works at Julien Levy's gallery, was a commercial and critical success. The New Yorker's critic praised their precision and lack of sentimentality, calling them “frozen nightmares”.

  2. 30 January 1934

    Civil marriage to Gala

    Dalí and Gala, together since 1929, were married in a civil ceremony in Paris. Besides being his muse, Gala acted as his business manager, funding their extravagant lifestyle while adeptly steering clear of insolvency.

  3. November 1934

    First visit to the US: “I am not mad”

    Dalí's first visit to the United States drew wide press coverage, and his second show at Julien Levy's was again a success. In lectures on Surrealism at MoMA he first told audiences: “The only difference between me and a madman is that I am not mad.”

  4. 1936

    A lecture in a diving suit in London

    At the International Surrealist Exhibition in London Dalí lectured in a deep-sea diving suit and helmet, which had to be unscrewed when he gasped for breath. “I just wanted to show that I was plunging deeply into the human mind,” he said.

  5. July 1936

    The Spanish Civil War and Lorca's death

    The Civil War found Dalí in London. On learning that his friend Lorca had been executed by Nationalist forces, he claimed to have shouted “Olé!”, yet he referred to the poet in his art and writings for the rest of his life; he never took a public stand for or against the Republic.

  6. December 1936

    MoMA show and the cover of Time

    Dalí took part in MoMA's “Fantastic Art, Dada, Surrealism” and held a solo show at Julien Levy's; “Soft Construction with Boiled Beans (Premonition of Civil War)” drew particular attention. On 14 December the 32-year-old Dalí was on the cover of Time magazine.

Más obras de Salvador Dalí

Todas las obras
The Persistence of Memory, Salvador Dalí, 1931

La persistencia de la memoria

1931 · MoMA

Retrospective Bust of a Woman, Salvador Dalí, 1933 (some elements reconstructed 1970)

Retrospective Bust of a Woman

1933 (some elements reconstructed 1970) · MoMA

The Little Theater, Salvador Dalí, 1934

The Little Theater

1934 · MoMA

The Sacrament of the Last Supper, Salvador Dalí, 1955

La Última Cena

1955 · Galería Nacional de Arte

The Dream, Salvador Dalí, 1931

The Dream

1931 · Museo de Arte de Cleveland

The Anthropomorphic Tower, Salvador Dalí, 1930

The Anthropomorphic Tower

1930 · Instituto de Arte de Chicago

Imaginary Portrait of Lautréamont at the Age of Nineteen Obtained According to the Paranoiac-Critical Method, Salvador Dalí, 1937

Imaginary Portrait of Lautréamont at the Age of Nineteen Obtained According to the Paranoiac-Critical Method

1937 · Instituto de Arte de Chicago

Formation of the Monsters, Salvador Dalí, 1937

Formation of the Monsters

1937 · Instituto de Arte de Chicago

Bajo el mismo techo: MoMA

Página del museo
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

La noche estrellada, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950