Ohne Titel (Untitled), Sigmar Polke, 1964-1968, printed 1990
Sigmar Polke, retratoSigmar PolkeAlemania, 1941–2010

Ohne Titel (Untitled)

1964-1968, printed 1990 · Photograph

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¿Dónde está «Ohne Titel (Untitled)» hoy? Colección: Galería Nacional de Arte, Washington D. C. No expuesta por ahora. Comprobado 29 de septiembre de 2026.

Galería Nacional de Arte

Washington D. C., Estados Unidos

Pertenece a la colección, pero ahora mismo no está expuesta.

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Número de inventario
2008.30.39

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Fuentes

En la vida de Sigmar Polke

La vida entera
  1. 1961–1967

    The Düsseldorf Art Academy

    At twenty Polke entered the Kunstakademie Düsseldorf, where in 1961–1967 he studied under Karl Otto Götz and Gerhard Hoehme and was deeply influenced by his teacher Joseph Beuys.

  2. 1963

    Founds “Capitalist Realism”

    In 1963 Polke, with Gerhard Richter and Konrad Fischer (who worked as an artist under the name Konrad Lueg), founded “Capitalist Realism” — an anti-style that appropriated the shorthand of advertising, mocking both the Socialist Realism his family had fled and the consumerist “doctrine” of the West.

  3. 11 – 26 May 1963

    The “Demonstrative Exhibition” in a shop

    From 11 to 26 May 1963 Polke showed work with Manfred Kuttner, Konrad Lueg and Gerhard Richter in the “Demonstrative Ausstellung”, a store-front exhibition in Düsseldorf. His first exhibition took place in 1963.

  4. 1966

    First one-man show, in West Berlin

    In 1966 Polke had his first one-person show at the Galerie René Block in West Berlin.

  5. 1975

    Painting prize at the São Paulo Biennial

    For the 13th São Paulo Biennial Polke made a series of ten large photographic images, and he won the Biennial's prize for painting.

  6. 1986

    The Golden Lion at Venice for “The Alchemist's Cauldron”

    In the German pavilion at the 42nd Venice Biennale Polke painted an abstract composition on the wall in a special mixture whose colours changed with the light, weather, humidity and the number of visitors: a full room turned the wall blue, gathering clouds turned it pink. For “The Alchemist's Cauldron” the jury gave him the Golden Lion for painting, shared with Frank Auerbach.

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