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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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Nude, Edward Weston, 1934, printed 1953/54
Edward Weston, retratoEdward WestonEstados Unidos, 1886–1958

Nude

1934, printed 1953/54 · Photograph

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Por ahora no recibe

Instituto de Arte de Chicago

Chicago, Estados Unidos

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
hace 3 días
En este estado desde
19 ago 2026
Fuente
El museo
En el mapaPágina del museo

Ficha

1934, printed 1953/54
18861958
Número de inventario
1959.693

Lo que muestra

Collected by Hugh Edwards

En el catálogo

FotografíaGelatina de plataModernismoSiglo XXEstados Unidos

Fuentes

  • Instituto de Arte de Chicago
  • Imagen: Instituto de Arte de Chicago — © the artist or rights holder

Mientras tanto, en la vida de Edward Weston

La vida entera
  1. early 1934

    Meets Charis Wilson at a concert

    Meeting Charis Wilson at a concert, he is immediately captivated by her beauty and personality, even more than with his previous lovers; a new and important chapter opens in his life. He writes that a new and most beautiful love has come into his life, one that he believes will stand the test of time.

  2. August 1935

    Charis Wilson agrees to live with him

    Weston had implored Charis Wilson to come and live with him, and in August 1935 she finally agrees. Of all the women he has lived with since Flora, she is the first with no interest in becoming a photographer; this lets him concentrate on her as his muse and model, while Wilson devotes her time to promoting his art as his assistant and quasi-agent.

  3. 22 March 1937

    News of the Guggenheim grant: two thousand dollars

    On 22 March 1937 Weston learns he has been awarded a Guggenheim grant, the first ever given to a photographer: $2,000 for one year, a significant sum at the time. He capitalises on it further by arranging to supply the editor of AAA Westway Magazine with 8–10 photographs a month for $50 during their travels, with Wilson earning another $15 a month for captions and short narratives. They buy a new car and set out on Weston’s dream trip to photograph whatever he wants.

  4. 1937–1939

    Nearly 1,400 negatives in two years on the fellowship

    The first photographer to receive a Guggenheim Fellowship, he produces nearly 1,400 negatives over the next two years with his 8 × 10 view camera.

  5. 24 April 1939

    Marries Charis Wilson

    Finally relieved of past financial stress and inordinately happy with both his work and his relationship, Weston marries Wilson in a small ceremony on 24 April.

  6. 1947

    Diagnosed with Parkinson’s disease

    He is diagnosed with Parkinson’s disease and soon stops photographing; he spends the remaining ten years of his life overseeing the printing of more than 1,000 of his most famous images.

Más obras de Edward Weston

Todas las obras
Shell, Edward Weston, 1927

Shell

1927 · MoMA

Cypress Root and Succulents, Point Lobos, Edward Weston, 1930

Cypress Root and Succulents, Point Lobos

1930 · MoMA

Guadalupe, Mexico, Edward Weston, 1924

Guadalupe, Mexico

1924 · Instituto de Artes de Mineápolis

Violet Romer. (reaching for tall reed, wearing fairy costume), Edward Weston, c. 1917

Violet Romer. (reaching for tall reed, wearing fairy costume)

c. 1917 · No expuesta · MoMA

Violet Romer, Edward Weston, c. 1917

Violet Romer

c. 1917 · No expuesta · MoMA

Violet Romer, Edward Weston, c. 1917

Violet Romer

c. 1917 · No expuesta · MoMA

Violet Romer, Edward Weston, c. 1917

Violet Romer

c. 1917 · No expuesta · MoMA

Violet Romer, Edward Weston, c. 1917

Violet Romer

c. 1917 · No expuesta · MoMA

Bajo el mismo techo: Instituto de Arte de Chicago

Página del museo
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Tarde de domingo en la isla de la Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Calle de Paris, dia de lluvia, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

En la terraza, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

Cesto de manzanas, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Noctámbulos, 1942

Sobre el mismo tema · Collected by Hugh Edwards

Todas las obras sobre el tema
Alabama Cotton Tenant Farmer's Wife, Walker Evans, 1936, printed c. 1962

Walker Evans

Alabama Cotton Tenant Farmer's Wife, 1936, printed c. 1962

No expuesta · Instituto de Arte de Chicago

Fourth of July, Jay, New York, Robert Frank, 1954

Robert Frank

Fourth of July, Jay, New York, 1954

No expuesta · Instituto de Arte de Chicago

Portrait of Annette Rosenshine, Ansel Adams, 1932

Ansel Adams

Portrait of Annette Rosenshine, 1932

No expuesta · Instituto de Arte de Chicago

Train Interior, Oaxaca, Mexico, Elizabeth Timberman, 1940/59

Elizabeth Timberman

Train Interior, Oaxaca, Mexico, 1940/59

No expuesta · Instituto de Arte de Chicago

Ruined Mosque Near Philæ, Francis Frith, 1857

Francis Frith

Ruined Mosque Near Philæ, 1857

No expuesta · Instituto de Arte de Chicago

City Wall and Mosque of Omar, Jerusalem, Francis Frith, 1857

Francis Frith

City Wall and Mosque of Omar, Jerusalem, 1857

No expuesta · Instituto de Arte de Chicago

Late Afternoon Shadows, Johan Hagemeyer, 1922

Johan Hagemeyer

Late Afternoon Shadows, 1922

No expuesta · Instituto de Arte de Chicago

Interior Court of Medinet Habbo, Thebes, Francis Frith, 1857

Francis Frith

Interior Court of Medinet Habbo, Thebes, 1857

No expuesta · Instituto de Arte de Chicago