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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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Nude, Edward Weston, 1934, printed 1953/54
Edward Weston, retratoEdward WestonEstados Unidos, 1886–1958

Nude

1934, printed 1953/54 · Photograph

Ficha

1934, printed 1953/54
18861958
Número de inventario
1959.693

Mientras tanto, en la vida de Edward Weston

La vida entera
  1. early 1934

    Meets Charis Wilson at a concert

    Meeting Charis Wilson at a concert, he is immediately captivated by her beauty and personality, even more than with his previous lovers; a new and important chapter opens in his life. He writes that a new and most beautiful love has come into his life, one that he believes will stand the test of time.

  2. August 1935

    Charis Wilson agrees to live with him

    Weston had implored Charis Wilson to come and live with him, and in August 1935 she finally agrees. Of all the women he has lived with since Flora, she is the first with no interest in becoming a photographer; this lets him concentrate on her as his muse and model, while Wilson devotes her time to promoting his art as his assistant and quasi-agent.

  3. 22 March 1937

    News of the Guggenheim grant: two thousand dollars

    On 22 March 1937 Weston learns he has been awarded a Guggenheim grant, the first ever given to a photographer: $2,000 for one year, a significant sum at the time. He capitalises on it further by arranging to supply the editor of AAA Westway Magazine with 8–10 photographs a month for $50 during their travels, with Wilson earning another $15 a month for captions and short narratives. They buy a new car and set out on Weston’s dream trip to photograph whatever he wants.

  4. 1937–1939

    Nearly 1,400 negatives in two years on the fellowship

    The first photographer to receive a Guggenheim Fellowship, he produces nearly 1,400 negatives over the next two years with his 8 × 10 view camera.

Más obras de Edward Weston

Todas las obras

Bajo el mismo techo: Instituto de Arte de Chicago

Página del museo

Sobre el mismo tema · Collected by Hugh Edwards

Todas las obras sobre el tema

24 April 1939

Marries Charis Wilson

Finally relieved of past financial stress and inordinately happy with both his work and his relationship, Weston marries Wilson in a small ceremony on 24 April.

  • 1947

    Diagnosed with Parkinson’s disease

    He is diagnosed with Parkinson’s disease and soon stops photographing; he spends the remaining ten years of his life overseeing the printing of more than 1,000 of his most famous images.

  • ¿Se puede contemplar?

    Por ahora no recibe

    Instituto de Arte de Chicago

    Chicago, Estados Unidos

    Pertenece a la colección, pero ahora mismo no está expuesta.

    Comprobado
    hace 3 días
    En este estado desde
    19 ago 2026
    Fuente
    El museo
    En el mapaPágina del museo

    Lo que muestra

    Collected by Hugh Edwards

    En el catálogo

    FotografíaGelatina de plataModernismoSiglo XXEstados Unidos

    Fuentes

    • Instituto de Arte de Chicago
    • Imagen: Instituto de Arte de Chicago — © the artist or rights holder
    Shell, Edward Weston, 1927

    Shell

    1927 · MoMA

    Cypress Root and Succulents, Point Lobos, Edward Weston, 1930

    Cypress Root and Succulents, Point Lobos

    1930 · MoMA

    Guadalupe, Mexico, Edward Weston, 1924

    Guadalupe, Mexico

    1924 · Instituto de Artes de Mineápolis

    Violet Romer. (reaching for tall reed, wearing fairy costume), Edward Weston, c. 1917

    Violet Romer. (reaching for tall reed, wearing fairy costume)

    c. 1917 · No expuesta · MoMA

    Violet Romer, Edward Weston, c. 1917

    Violet Romer

    c. 1917 · No expuesta · MoMA

    Violet Romer, Edward Weston, c. 1917

    Violet Romer

    c. 1917 · No expuesta · MoMA

    Violet Romer, Edward Weston, c. 1917

    Violet Romer

    c. 1917 · No expuesta · MoMA

    Violet Romer, Edward Weston, c. 1917

    Violet Romer

    c. 1917 · No expuesta · MoMA

    The Bedroom, Vincent van Gogh, 1889

    Vincent van Gogh

    The Bedroom, 1889

    A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

    Georges Seurat

    Tarde de domingo en la isla de la Grande Jatte, 1884–86, border added 1888–89

    Paris Street; Rainy Day, Gustave Caillebotte, 1877

    Gustave Caillebotte

    Calle de Paris, dia de lluvia, 1877

    Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

    Pierre-Auguste Renoir

    En la terraza, 1881

    The Basket of Apples, Paul Cézanne, c. 1893

    Paul Cézanne

    Cesto de manzanas, c. 1893

    Stacks of Wheat (End of Summer), Claude Monet, 1890–91

    Claude Monet

    Stacks of Wheat (End of Summer), 1890–91

    American Gothic, Grant Wood, 1930

    Grant Wood

    American Gothic, 1930

    Nighthawks, Edward Hopper, 1942

    Edward Hopper

    Noctámbulos, 1942

    Alabama Cotton Tenant Farmer's Wife, Walker Evans, 1936, printed c. 1962

    Walker Evans

    Alabama Cotton Tenant Farmer's Wife, 1936, printed c. 1962

    No expuesta · Instituto de Arte de Chicago

    Fourth of July, Jay, New York, Robert Frank, 1954

    Robert Frank

    Fourth of July, Jay, New York, 1954

    No expuesta · Instituto de Arte de Chicago

    Portrait of Annette Rosenshine, Ansel Adams, 1932

    Ansel Adams

    Portrait of Annette Rosenshine, 1932

    No expuesta · Instituto de Arte de Chicago

    Train Interior, Oaxaca, Mexico, Elizabeth Timberman, 1940/59

    Elizabeth Timberman

    Train Interior, Oaxaca, Mexico, 1940/59

    No expuesta · Instituto de Arte de Chicago

    Ruined Mosque Near Philæ, Francis Frith, 1857

    Francis Frith

    Ruined Mosque Near Philæ, 1857

    No expuesta · Instituto de Arte de Chicago

    City Wall and Mosque of Omar, Jerusalem, Francis Frith, 1857

    Francis Frith

    City Wall and Mosque of Omar, Jerusalem, 1857

    No expuesta · Instituto de Arte de Chicago

    Late Afternoon Shadows, Johan Hagemeyer, 1922

    Johan Hagemeyer

    Late Afternoon Shadows, 1922

    No expuesta · Instituto de Arte de Chicago

    Interior Court of Medinet Habbo, Thebes, Francis Frith, 1857

    Francis Frith

    Interior Court of Medinet Habbo, Thebes, 1857

    No expuesta · Instituto de Arte de Chicago