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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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Nude, Edward Weston, 1935
Edward Weston, retratoEdward WestonEstados Unidos, 1886–1958

Nude

1935 · Photograph

¿Se puede contemplar?

Por ahora no recibe

MoMA

Nueva York, Estados Unidos

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
hace 9 días
Fuente
El museo
En el mapaPágina del museo

Ficha

1935 · a los 49 años
18861958
Número de inventario
601.1971

En el catálogo

FotografíaGelatina de plataModernismoSiglo XX

Fuentes

  • MoMA
  • Imagen: MoMA — © the artist or rights holder

Mientras tanto, en la vida de Edward Weston

La vida entera
  1. 1933

    Buys a 4 × 5 Graflex camera

    The new camera is much smaller and lighter than the large view camera he had used for many years; he begins taking close-up nudes of Noskowiak and other models — the smaller camera lets him interact more with them — and the nudes begin to resemble the contorted roots and vegetables he had photographed the year before.

  2. early 1934

    Meets Charis Wilson at a concert

    Meeting Charis Wilson at a concert, he is immediately captivated by her beauty and personality, even more than with his previous lovers; a new and important chapter opens in his life. He writes that a new and most beautiful love has come into his life, one that he believes will stand the test of time.

  3. 1934

    Stops writing his Daybooks

    Perhaps because of the intensity of his new relationship, he stops writing in his Daybooks, and six months later makes one final entry, looking back from 22 April: Charis, he writes, may be remembered as the great love of his life.

  4. August 1935

    Charis Wilson agrees to live with him

    Weston had implored Charis Wilson to come and live with him, and in August 1935 she finally agrees. Of all the women he has lived with since Flora, she is the first with no interest in becoming a photographer; this lets him concentrate on her as his muse and model, while Wilson devotes her time to promoting his art as his assistant and quasi-agent.

  5. 22 March 1937

    News of the Guggenheim grant: two thousand dollars

    On 22 March 1937 Weston learns he has been awarded a Guggenheim grant, the first ever given to a photographer: $2,000 for one year, a significant sum at the time. He capitalises on it further by arranging to supply the editor of AAA Westway Magazine with 8–10 photographs a month for $50 during their travels, with Wilson earning another $15 a month for captions and short narratives. They buy a new car and set out on Weston’s dream trip to photograph whatever he wants.

  6. 1937–1939

    Nearly 1,400 negatives in two years on the fellowship

    The first photographer to receive a Guggenheim Fellowship, he produces nearly 1,400 negatives over the next two years with his 8 × 10 view camera.

Más obras de Edward Weston

Todas las obras
Shell, Edward Weston, 1927

Shell

1927 · MoMA

Cypress Root and Succulents, Point Lobos, Edward Weston, 1930

Cypress Root and Succulents, Point Lobos

1930 · MoMA

Guadalupe, Mexico, Edward Weston, 1924

Guadalupe, Mexico

1924 · Instituto de Artes de Mineápolis

Violet Romer. (reaching for tall reed, wearing fairy costume), Edward Weston, c. 1917

Violet Romer. (reaching for tall reed, wearing fairy costume)

c. 1917 · No expuesta · MoMA

Violet Romer, Edward Weston, c. 1917

Violet Romer

c. 1917 · No expuesta · MoMA

Violet Romer, Edward Weston, c. 1917

Violet Romer

c. 1917 · No expuesta · MoMA

Violet Romer, Edward Weston, c. 1917

Violet Romer

c. 1917 · No expuesta · MoMA

Violet Romer, Edward Weston, c. 1917

Violet Romer

c. 1917 · No expuesta · MoMA

Bajo el mismo techo: MoMA

Página del museo
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

La noche estrellada, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950