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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  1. Colección/
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  3. New England Scenery
New England Scenery, Thomas Cole, 1839
Thomas Cole, retratoThomas ColeEstados Unidos, 1801–1848

New England Scenery

1839 · Painting

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Instituto de Arte de Chicago

Chicago, Estados Unidos

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Comprobado
hace 3 días
En este estado desde
28 sept 2026
Fuente
El museo
En el mapaPágina del museo

Sobre el cuadro

Although Thomas Cole is best known for his scenes of the American wilderness, he also rendered pastoral vistas of cultivated landscapes. This work depicts New Hampshire’s White Mountains, an area that Cole traveled to and painted on numerous occasions, as did other 19th-century landscape artists. The prominent church spire at middle distance emphasizes the role of religion in agrarian society and the glow of the low sun expresses a sense of optimism for a rural America. The painting conveys an ideal that was increasingly far from reality, however, as the United States was then being transformed by rapid urbanization and the Industrial Revolution.

Instituto de Arte de Chicago · CC BY 4.0

Ficha

1839 · a los 38 años
18011848
Número de inventario
1900.558

Lo que muestra

Landscape

En el catálogo

PinturaÓleoPintura británicaPintura estadounidenseRomanticismoSiglo XIXNew England

Fuentes

  • Instituto de Arte de Chicago
  • Imagen: Instituto de Arte de Chicago — CC0

Mientras tanto, en la vida de Thomas Cole

La vida entera
  1. 1825–1848

    89 paintings at the National Academy of Design

    From the founding of the National Academy of Design in 1825 until Cole's death, 89 of his paintings were shown at its exhibitions.

  2. 1838

    Third place in the Ohio Statehouse competition

    Cole wrote poetry and dabbled in architecture: he took third place in the competition to design the Ohio Statehouse in Columbus, and many contend that the finished building, a composite of the three winning entries, closely resembles his design.

  3. 1841–1842

    Second journey: the Grand Tour and Etna

    Cole was in Europe again, mainly in England and Italy, and in 1842 set out on the Grand Tour to study the Old Masters. Mount Etna struck him most: he made several sketches and at least six paintings of it, the best known being “A View of Mount Etna from Taormina”.

Más obras de Thomas Cole

Todas las obras
View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow, Thomas Cole, 1836

El meandro, o Vista desde Mount Holyoke después de una tormenta

1836 · Museo Metropolitano de Arte

Sunrise in the Catskills, Thomas Cole, 1826

Sunrise in the Catskills

1826 · Galería Nacional de Arte

The Titan's Goblet, Thomas Cole, 1833

The Titan's Goblet

1833 · Museo Metropolitano de Arte

Sketch for View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm (The Oxbow), Thomas Cole, 1836

Sketch for View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm (The Oxbow)

1836 · Museo Metropolitano de Arte

View on the Catskill—Early Autumn, Thomas Cole, 1836–37

View on the Catskill—Early Autumn

1836–37 · Museo Metropolitano de Arte

The Return, Thomas Cole, 1837

The Return

1837 · Galería Nacional de Arte

The Departure, Thomas Cole, 1837

The Departure

1837 · Galería Nacional de Arte

Italian Coast Scene with Ruined Tower, Thomas Cole, 1838

Italian Coast Scene with Ruined Tower

1838 · Galería Nacional de Arte

Bajo el mismo techo: Instituto de Arte de Chicago

Página del museo
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Tarde de domingo en la isla de la Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Calle de Paris, dia de lluvia, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

En la terraza, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

Cesto de manzanas, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Noctámbulos, 1942