Neptune Calming the Tempest, Peter Paul Rubens, 1635
Peter Paul Rubens, retratoPeter Paul RubensFlandes, 1577–1640

Neptune Calming the Tempest

1635 · Painting

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Harvard Art Museums

Cambridge, Estados Unidos

Sala2300, floor 2, European Art, 17th–19th century

Expuesta al público.

Comprobado
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Sobre el cuadro

This elaborate oil sketch, or modello, was created for the “triumphal entry” of Cardinal Infante Ferdinand into Antwerp, a spectacular procession featuring music, theater, and enormous painted tableaus enlarged from Rubens’s sketches. Cities in the Netherlands traditionally staged these events as a formal welcome for a new ruler. Ferdinand, Archbishop of Toledo and brother of King Philip IV of Spain, succeeded his late aunt, the Archduchess Isabella, as governor of the southern Netherlands. The Antwerp magistrates turned to Rubens to plan the elaborate pageant that welcomed Ferdinand into their city in January 1635. His protracted journey from Spain was delayed by storms when his fleet attempted to sail from Barcelona to Genoa. Rubens’s modello celebrates Ferdinand’s safe crossing by drawing a flattering comparison between this incident and a passage in Virgil’s Aeneid, in which Neptune rises from the sea to calm the winds threatening Aeneas’s fleet.

Harvard Art Museums

Ficha

Número de inventario
1942.174

En el catálogo

Fuentes

Mientras tanto, en la vida de Peter Paul Rubens

La vida entera
  1. 1635

    Decorations for the Entry of the Cardinal-Infante Ferdinand

    Rubens directed the creation of the ephemeral decorations for the ceremonial entry into Antwerp of the new governor, the Cardinal-Infante Ferdinand of Austria.

  2. 1635

    Purchase of the Castle at Elewijt, Title of Lord

    With the acquisition in 1635 of the castle at Elewijt (the Het Steen estate near Antwerp), Rubens received the title of lord of the manor; he spent much time there, and his late landscapes are associated with the place.

  3. 1 de marzo de 1637

    Son born: Peter Paul Rubens III

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En la misma sala · Gallery 2300, floor 2, European Art, 17th–19th century, Harvard Art Museums

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