ART WIKI32.963 en sala
MapaColecciónArtistasMuseosExposicionesRevista
Acceder

ART WIKI

Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

Secciones

  • Mapa
  • Búsqueda
  • Colección
  • Obras maestras
  • Expuestas ahora
  • Artistas

Más

  • Museos y galerías
  • Exposiciones
  • Revista
  • De dónde salen los datos
  • Privacidad y cookies
InicioMapaCatálogo
  1. Colección/
  2. Museo de Victoria y Alberto/
  3. Meditation
Meditation, Roman Verostko, 1989
RRoman VerostkoEstados Unidos

Meditation

1989 · Drawing

¿Se puede contemplar?

Por ahora no recibe

Museo de Victoria y Alberto

Londres, Reino Unido

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
hace 12 días
En este estado desde
25 sept 2026
Fuente
El museo
En el mapaPágina del museo

Sobre la obra

Roman Verostko, born in Western Pennsylvania in 1929, maintains an experimental studio in Minneapolis where he has developed original algorithmic procedures for creating his art. Having been active as an exhibiting artist since 1963, his earliest use of electronics consisted of synchronized audio-visual programs dating from 1967-68. Aware of the awesome power of algorithmic procedure he began experimenting with code and exhibited his first coded art programs in the early 1980's. In 1987 he modified his software with interactive routines to drive paint brushes mounted on a pen plotter’s drawing arm, (see references).

Seguir leyendo

This work is an original drawing which is "one-of-kind". Each line was drawn on a plotter following the instructions given by Roman's program, Hodos. For this special edition, marking the opening of 'Pathways' at Honeywell, Roman prepared a data file to control the parameters. Following a number of experimental runs with program refinements, he made a final setting. The plotter worked around the clock for several days yielding a remarkably rich and varied series of drawings.

The red seal imprint was hand stamped with one of several seals that were made for the artist when he taught in China. The Chinese name, Ke Rong-Meng, was given to the artist by his Chinese teacher. Many of the drawings in this series show a strong structural use of the void in relation to a cluster of drawing activity. This and other features of this series, have an oriental flavour which the artist has consciously used in designing the piece. For the artist this series has been a 'meditation'.

This kind of edition, with each drawing having a unique form, demonstrates how "software art" uses the computer as an information enriched medium. It also clearly demonstrates how "software art" works in a way analogous to "genotype". Roman's software, Hodos, is a code carrying the information necessary to generate a form. While the works realised with this code bear a strong family resemblance, each one has unique, individual qualities. This is why this kind of computer assisted work is called "epigenetic" - its processes are analogous to biological epigenesis. This should not surprise us since biological analogues commonly crop up in relation to software as in the recent spread of software "virus".

(cit.: artist's own statement accompanying the work, Jan 13, 1989, Minneapolis)

Museo de Victoria y Alberto

Ficha

Número de inventario
E.1089-2008

En el catálogo

Dibujos y acuarelasArte contemporáneoSiglo XXMinneapolis

Fuentes

  • Museo de Victoria y Alberto
  • Imagen: Museo de Victoria y Alberto — © Victoria and Albert Museum, London

Más obras de Roman Verostko

Todas las obras
Untitled, Roman Verostko, 1967

Untitled

1967 · No expuesta · Museo de Victoria y Alberto

Untitled, Series: 20 Pathway, Roman Verostko, 1987

Untitled, Series: 20 Pathway

1987 · No expuesta · Museo Whitney de Arte Estadounidense

Untitled, Roman Verostko, 1987

Untitled

1987 · No expuesta · Museo de Victoria y Alberto

Pathway Series, Roman Verostko, 1987

Pathway Series

1987 · No expuesta · Museo de Victoria y Alberto

Untitled, Roman Verostko, 1987

Untitled

1987 · No expuesta · Museo de Victoria y Alberto

Untitled, Series: 11 Pathway, Roman Verostko, 1988

Untitled, Series: 11 Pathway

1988 · No expuesta · Museo Whitney de Arte Estadounidense

Gaia Series, Roman Verostko, 1989-2003

Gaia Series

1989-2003 · No expuesta · Museo de Victoria y Alberto

Pathway Series, Bird 2, Roman Verostko, 1990

Pathway Series, Bird 2

1990 · No expuesta · Museo de Victoria y Alberto

Bajo el mismo techo: Museo de Victoria y Alberto

Página del museo
Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024