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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  3. Marilyn Monroe, I
Marilyn Monroe, I, James Rosenquist, 1962
James Rosenquist, retratoJames RosenquistEstados Unidos, 1933–2017

Marilyn Monroe, I

1962 · Painting

¿Se puede contemplar?

Por ahora no recibe

MoMA

Nueva York, Estados Unidos

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
hace 9 días
Fuente
El museo
En el mapaPágina del museo

Ficha

1962 · a los 29 años
19332017
Número de inventario
646.1967

En el catálogo

PinturaÓleoPintura estadounidenseArte de posguerraSiglo XX

Fuentes

  • MoMA
  • Imagen: MoMA — © the artist or rights holder

Mientras tanto, en la vida de James Rosenquist

La vida entera
  1. 1957–1960

    A billboard painter in Times Square

    He first worked as a chauffeur, then joined the International Brotherhood of Painters and Allied Trades and from 1957 to 1960 earned his living painting billboards around Times Square, becoming lead painter for Artkraft-Strauss and painting displays and windows across Fifth Avenue. He later recalled painting billboards above every candy store in Brooklyn and being able to paint a Schenley whiskey bottle in his sleep.

  2. 1960

    Gives up sign painting after a friend’s death

    By 1960 Rosenquist abandoned sign painting after a friend died falling from scaffolding on the job. Instead of commercial work he focused on personal projects in his own studio, developing a style that kept the imagery, bold hues and scale of his billboard work; from 1960 he began to make large-format canvases based on advertising posters in the Pop Art manner.

  3. 5 June 1960

    Marries Mary Lou Adams

    On 5 June 1960 Rosenquist married Mary Lou Adams; they had a son, John. The marriage ended in divorce.

  4. 1962

    First solo exhibition at the Green Gallery

    In 1962 Rosenquist’s first solo exhibition was held at the Green Gallery in New York and attracted great attention from the public and the press.

  5. 1963

    A second Green Gallery show and “Young Talent USA”

    In 1963 Rosenquist had his second solo exhibition at the Green Gallery and was selected for Art in America’s “Young Talent USA”.

  6. 1964

    Meets Andy Warhol

    Critics grouped Rosenquist with the Pop artists because he used recognisable imagery, but he did not meet Andy Warhol until 1964 and did not know Warhol or Roy Lichtenstein very well: in his words, they all emerged separately.

Más obras de James Rosenquist

Todas las obras
F-111, James Rosenquist, 1964-65

F-111

1964-65 · MoMA

Mirrored Flag, James Rosenquist, 1971

Mirrored Flag

1971 · Galería Nacional de Arte

Spectator - Speed of Light, James Rosenquist, 2001

Spectator - Speed of Light

2001 · Galería Nacional de Arte

Flag, Jasper Johns, 1969

Flag

1969 · Galería Nacional de Arte

The Critic Smiles, Jasper Johns, 1969

The Critic Smiles

1969 · Galería Nacional de Arte

Certificate (plate 14) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America), James Rosenquist, 1962, published 1964

Certificate (plate 14) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)

1962, published 1964 · No expuesta · MoMA

Doorstop, James Rosenquist, 1963

Doorstop

1963 · No expuesta · MoMA

White Bread, James Rosenquist, 1964

White Bread

1964 · No expuesta · Galería Nacional de Arte

Bajo el mismo techo: MoMA

Página del museo
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

La noche estrellada, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950