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Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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Galería Nacional de Arte
Lucille Corcos

Lucille Corcos, Adolph Gottlieb, 1934

AAdolph GottliebEstados Unidos, 1903–1974

Lucille Corcos

1934 · Painting

Ficha

1934 · a los 31 años

19031974

Número de inventario: 2015.19.198

Más obras de Adolph Gottlieb

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Bajo el mismo techo: Galería Nacional de Arte

Página del museo

Sobre el mismo tema · Waist-length facing front

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Galería Nacional de Arte

Washington D. C., Estados Unidos

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado: hace 9 días
En este estado desde: 19 ago 2026
Fuente: El museo

En el mapa Página del museo

Lo que muestra

Waist-length facing front Corcos, Lucille

En el catálogo

Pintura Óleo Pintura estadounidense Modernismo Siglo XX American

Fuentes

Galería Nacional de Arte
Imagen: Galería Nacional de Arte — © the artist or rights holder

Tournament, Adolph Gottlieb, 1951

Tournament

1951 · MoMA

Pictograph-Symbol, Adolph Gottlieb, 1942

Pictograph-Symbol

1942 · Instituto de Arte de Chicago

Composition, Adolph Gottlieb, c. 1939

Composition

c. 1939 · No expuesta · Galería Nacional de Arte

Pictograph, Adolph Gottlieb, 1942

Pictograph

1942 · No expuesta · Galería Nacional de Arte

Untitled (Etching # B), Adolph Gottlieb, c. 1942

Untitled (Etching # B)

c. 1942 · No expuesta · MoMA

Untitled, Adolph Gottlieb, c. 1943

Untitled

c. 1943 · No expuesta · MoMA

Montage, Adolph Gottlieb, c. 1944

Montage

c. 1944 · No expuesta · MoMA

Head, Adolph Gottlieb, c. 1944

Head

c. 1944 · No expuesta · MoMA

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Retrato de Ginebra de Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Chica en blanco, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Granja en Provenza, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Richard Avedon, his studio. Twenty years earlier he'd taken classic naked portrait of me & Peter Orlovsky, arms round each other's waists. He invited me back to pose the same, older. I brought my camera too, September 1984, New York, Allen Ginsberg, 1984, printed 1992

Allen Ginsberg

Richard Avedon, his studio. Twenty years earlier he'd taken classic naked portrait of me & Peter Orlovsky, arms round each other's waists. He invited me back to pose the same, older. I brought my camera too, September 1984, New York, 1984, printed 1992

No expuesta · Galería Nacional de Arte

William Burroughs amusing himself with 1953's recent translation of St.-Jean Perse's _Vents_, living room floor 206 East 7th Street New York City, Fall '53., Allen Ginsberg, 1953, printed later

Allen Ginsberg

William Burroughs amusing himself with 1953's recent translation of St.-Jean Perse's _Vents_, living room floor 206 East 7th Street New York City, Fall '53., 1953, printed later

No expuesta · Galería Nacional de Arte

Harry Smith, ethnomusicologist & Cat's Cradle string game expert, displaying "cat's whiskers" design. He'd been weakening malnourished in Franciscan shelter on N.Y. Bowery, came here to stay weeks in my apartment, we went together by plane to Naropa Institute Boulder Colorado where he was resident alchemist- philosopher at the Kerouac Poetics school for several years till his last trip back to Manhattan to receive Obie award for life - long preservation of American Folk Music, and death soon after in 1991 at the Chelsea Hotel., Allen Ginsberg, 1988, printed 1995

Allen Ginsberg

Harry Smith, ethnomusicologist & Cat's Cradle string game expert, displaying "cat's whiskers" design. He'd been weakening malnourished in Franciscan shelter on N.Y. Bowery, came here to stay weeks in my apartment, we went together by plane to Naropa Institute Boulder Colorado where he was resident alchemist- philosopher at the Kerouac Poetics school for several years till his last trip back to Manhattan to receive Obie award for life - long preservation of American Folk Music, and death soon after in 1991 at the Chelsea Hotel., 1988, printed 1995

No expuesta · Galería Nacional de Arte

Gary Snyder with Parka, Kausani...Himalayan backdrop, 1963 India, Allen Ginsberg, 1963, printed later

Allen Ginsberg

Gary Snyder with Parka, Kausani...Himalayan backdrop, 1963 India, 1963, printed later

No expuesta · Galería Nacional de Arte

Raymond Foye, who age 8 was Kerouac's newspaper delivery boy in Lowell, Mass. later working for City Lights edited Bob Kaufman's books (also for New Directions) & John Wieners' _Selected Poems_ for Black Sparrow; then senior Editor Hanuman books, arranged my collaborations with Francesco Clemente & catalogued my photo negatives '47-'85, curated first photo show. Xmas 1986 in Japanese restaurant 1st Ave + 10 Street Manhattan., Allen Ginsberg, 1986, printed 1991

Allen Ginsberg

Raymond Foye, who age 8 was Kerouac's newspaper delivery boy in Lowell, Mass. later working for City Lights edited Bob Kaufman's books (also for New Directions) & John Wieners' _Selected Poems_ for Black Sparrow; then senior Editor Hanuman books, arranged my collaborations with Francesco Clemente & catalogued my photo negatives '47-'85, curated first photo show. Xmas 1986 in Japanese restaurant 1st Ave + 10 Street Manhattan., 1986, printed 1991

No expuesta · Galería Nacional de Arte

Myself seen by William Burroughs, Kodak Retina new-bought 2’d hand from Bowery hock-shop, our apartment roof Lower East Side between Avenues B & C, Tompkins Park trees under new antennae. Alan Ansen, Gregory Corso & Jack Kerouac visited, Jack’s _The Subterraneans_ records much of the scene, Burroughs & I edited letter-manuscripts he’d sent from Mexico & South America, Alene Lee (“Mardou Fox” of _The Subterraneans_) typed final drafts. Neighborhood was heavily Polish & Ukranian, some artists, junkies, medical students, cheap restaurants like “Leshkos” corner 7th & A, rent was only ¼ of my monthly $120 wage as newspaper copyboy. Time of “The Green Automobile” poem to Cassady, Fall 1953., Allen Ginsberg, 1953, printed 1995

Allen Ginsberg

Myself seen by William Burroughs, Kodak Retina new-bought 2’d hand from Bowery hock-shop, our apartment roof Lower East Side between Avenues B & C, Tompkins Park trees under new antennae. Alan Ansen, Gregory Corso & Jack Kerouac visited, Jack’s _The Subterraneans_ records much of the scene, Burroughs & I edited letter-manuscripts he’d sent from Mexico & South America, Alene Lee (“Mardou Fox” of _The Subterraneans_) typed final drafts. Neighborhood was heavily Polish & Ukranian, some artists, junkies, medical students, cheap restaurants like “Leshkos” corner 7th & A, rent was only ¼ of my monthly $120 wage as newspaper copyboy. Time of “The Green Automobile” poem to Cassady, Fall 1953., 1953, printed 1995

No expuesta · Galería Nacional de Arte

Lawrence Ferlinghetti taking morning expresso at Café Puccini a block or so up Columbus from his City Lights Books, March 16, 1985., Allen Ginsberg, 1985, printed 1991

Allen Ginsberg

Lawrence Ferlinghetti taking morning expresso at Café Puccini a block or so up Columbus from his City Lights Books, March 16, 1985., 1985, printed 1991

No expuesta · Galería Nacional de Arte

Ai Wei Wei sometime around Tompkins Square Riots, Police cars by the Park, Avenue A., Allen Ginsberg, 1988

Allen Ginsberg

Ai Wei Wei sometime around Tompkins Square Riots, Police cars by the Park, Avenue A., 1988

No expuesta · Galería Nacional de Arte