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Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  3. Landscape, Yosemite
Landscape, Yosemite, Edward Weston, 1938
Edward Weston, retratoEdward WestonEstados Unidos, 1886–1958

Landscape, Yosemite

1938 · Photograph

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Por ahora no recibe

Instituto de Arte de Chicago

Chicago, Estados Unidos

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
hace 3 días
En este estado desde
28 sept 2026
Fuente
El museo
En el mapaPágina del museo

Ficha

1938 · a los 52 años
18861958
Número de inventario
1959.774

En el catálogo

FotografíaGelatina de plataModernismoSiglo XX

Idas y venidas

  1. Ahora no está expuesta

    Instituto de Arte de Chicago · 28 sept 2026 — hoy · Verificado

  2. Se desconoce si hoy está expuesta

    Instituto de Arte de Chicago · Sin confirmar

Fuentes

  • Instituto de Arte de Chicago
  • Imagen: Instituto de Arte de Chicago — © the artist or rights holder

Mientras tanto, en la vida de Edward Weston

La vida entera
  1. 1937 · Distinción

    Guggenheim Fellowship

  2. until 22 March 1937

    Applying for the Guggenheim grant

    At Beaumont Newhall’s suggestion Weston decides to apply for a Guggenheim Foundation grant: he writes a two-sentence description of his work, assembles thirty-five of his favourite prints and sends them in. Dorothea Lange and her husband point out that the application is too brief to be seriously considered, and he resubmits it with a four-page letter and a work plan. He does not mention that Wilson wrote the new application for him.

  3. after March 1937

    Seventeen trips in a year: 16,697 miles

    Over the next twelve months Weston and Wilson make seventeen trips and cover 16,697 miles, according to Wilson’s detailed log. Weston makes 1,260 negatives during the trip. Because of the success of the year he applies for and receives a second year of Guggenheim support: although he would like to travel more, he intends to use most of the money to print the previous year’s work.

  4. 22 March 1937

    News of the Guggenheim grant: two thousand dollars

    On 22 March 1937 Weston learns he has been awarded a Guggenheim grant, the first ever given to a photographer: $2,000 for one year, a significant sum at the time. He capitalises on it further by arranging to supply the editor of AAA Westway Magazine with 8–10 photographs a month for $50 during their travels, with Wilson earning another $15 a month for captions and short narratives. They buy a new car and set out on Weston’s dream trip to photograph whatever he wants.

  5. 1937–1939

    Nearly 1,400 negatives in two years on the fellowship

    The first photographer to receive a Guggenheim Fellowship, he produces nearly 1,400 negatives over the next two years with his 8 × 10 view camera.

  6. 24 April 1939

    Marries Charis Wilson

    Finally relieved of past financial stress and inordinately happy with both his work and his relationship, Weston marries Wilson in a small ceremony on 24 April.

Más obras de Edward Weston

Todas las obras
Shell, Edward Weston, 1927

Shell

1927 · MoMA

Cypress Root and Succulents, Point Lobos, Edward Weston, 1930

Cypress Root and Succulents, Point Lobos

1930 · MoMA

Guadalupe, Mexico, Edward Weston, 1924

Guadalupe, Mexico

1924 · Instituto de Artes de Mineápolis

Violet Romer. (reaching for tall reed, wearing fairy costume), Edward Weston, c. 1917

Violet Romer. (reaching for tall reed, wearing fairy costume)

c. 1917 · No expuesta · MoMA

Violet Romer, Edward Weston, c. 1917

Violet Romer

c. 1917 · No expuesta · MoMA

Violet Romer, Edward Weston, c. 1917

Violet Romer

c. 1917 · No expuesta · MoMA

Violet Romer, Edward Weston, c. 1917

Violet Romer

c. 1917 · No expuesta · MoMA

Violet Romer, Edward Weston, c. 1917

Violet Romer

c. 1917 · No expuesta · MoMA

Bajo el mismo techo: Instituto de Arte de Chicago

Página del museo
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Tarde de domingo en la isla de la Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Calle de Paris, dia de lluvia, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

En la terraza, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

Cesto de manzanas, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Noctámbulos, 1942