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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  1. Colección/
  2. Museo de Arte de Cleveland/
  3. Landscape with Wheelbarrow
Landscape with Wheelbarrow, Vincent van Gogh, 1883
Vincent van Gogh, retratoVincent van GoghPaíses Bajos, 1853–1890

Landscape with Wheelbarrow

1883 · watercolor and opaque watercolor with black chalk on cream paper

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Museo de Arte de Cleveland

Cleveland, Estados Unidos

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Comprobado
hace 3 días
En este estado desde
16 ago 2026
Fuente
El museo
En el mapaPágina del museo

Sobre la obra

Landscape with Wheelbarrow is a watercolor on cream wove paper painting by the Dutch Post-Impressionist painter Vincent van Gogh. In 1883, Van Gogh painted a vast piece of land in emerald and chartreuse-like colors accompanied by a lonesome wheelbarrow in the middle ground along with red roofed cottages on the horizon line. The painting is accented with graphite. It is now in the Cleveland Museum of Art, Ohio.

Wikipedia · CC BY-SA

En palabras del museo

In September 1883 Van Gogh left the bustling Dutch city of The Hague in search of open countryside in which to paint. He moved to Drenthe, a village in northeastern Netherlands that was virtually untouched by the Industrial Revolution. He described the barren terrain as supremely beautiful and serene: "What tranquility, what expanse, what calmness in this nature." With a limited palette of steely greens and cool blues, Van Gogh masterfully portrayed one of the region’s expanses of heath—"a vast plane vanishing into infinity"—illuminated by the lilac hues of the evening sky.

Museo de Arte de Cleveland

Ficha

1883 · a los 30 años
18531890
Número de inventario
1958.30

En el catálogo

Dibujos y acuarelasImpresionismoSiglo XIXPaíses Bajos

Fuentes

  • Museo de Arte de Cleveland
  • Imagen: Museo de Arte de Cleveland — CC0 (Cleveland Museum of Art Open Access)

Mientras tanto, en la vida de Vincent van Gogh

La vida entera
  1. late 1881

    Lessons with Anton Mauve

    His second cousin Anton Mauve, the successful artist Van Gogh longed to be, took him on as a student and introduced him to watercolour. Within weeks they fell out, possibly over drawing from plaster casts.

  2. August 1881

    Proposes to his cousin Kee: “No, nay, never”

    His recently widowed cousin Cornelia “Kee” Vos-Stricker, seven years his senior, came to stay in Etten with her eight-year-old son. To everyone's surprise Van Gogh declared his love and proposed; she refused: “No, nay, never.”

  3. 1882

    His first paintings in oil

    Soon after three weeks in hospital in June 1882, Van Gogh painted in oils for the first time, with paints bought on money borrowed from Theo, and was surprised at how good the results were. In August Theo gave him money for materials to work en plein air, and Vincent wrote that he could now “go on painting with new vigour”.

  4. late January 1882

    Life with Sien Hoornik

    Van Gogh met Clasina Maria “Sien” Hoornik, a pregnant prostitute with a five-year-old daughter, and set up home with her; on learning of it, Mauve stopped answering his letters. His father pressed him to abandon Sien, and in 1883 Vincent left her and the children.

  5. 26 March 1885

    Death of his father

    The artist's father, the minister Theodorus van Gogh, died of a heart attack.

  6. August 1885

    First public showing, in shop windows in The Hague

    Van Gogh's work was publicly exhibited for the first time, in the shop windows of the dealer Leurs in The Hague.

Más obras de Vincent van Gogh

Todas las obras
Self-Portrait with a Straw Hat (obverse: The Potato Peeler), Vincent van Gogh, 1887

Self-Portrait with a Straw Hat (obverse: The Potato Peeler)

1887 · Museo Metropolitano de Arte

Self-portrait, Vincent van Gogh, 1887

Self-portrait

1887 · Rijksmuseum

Madame Roulin and Her Baby, Vincent van Gogh, 1888

Madame Roulin and Her Baby

1888 · Museo Metropolitano de Arte

Wheat Field with Cypresses, Vincent van Gogh, 1889

Wheat Field with Cypresses

1889 · Museo Metropolitano de Arte

Olive Trees, Vincent van Gogh, 1889

Olive Trees

1889 · Instituto de Artes de Mineápolis

Irises, Vincent van Gogh, 1890

Irises

1890 · Museo Metropolitano de Arte

Het Singel bij de Lutherse Kerk te Amsterdam, Vincent van Gogh, 1885

Het Singel bij de Lutherse Kerk te Amsterdam

1885 · Rijksmuseum

The Potato Peeler (reverse: Self-Portrait with a Straw Hat), Vincent van Gogh, 1885

The Potato Peeler (reverse: Self-Portrait with a Straw Hat)

1885 · Museo Metropolitano de Arte

Bajo el mismo techo: Museo de Arte de Cleveland

Página del museo
The Red Kerchief, Claude Monet, c. 1868–73

Claude Monet

The Red Kerchief, c. 1868–73

Melencolia I, Albrecht Dürer, 1514

Albrecht Dürer

Melancolía I, 1514

The Virgin and Child with the Pear, Albrecht Dürer, 1511

Albrecht Dürer

The Virgin and Child with the Pear, 1511

The Nativity, Albrecht Dürer, probably c. 1509/1510

Albrecht Dürer

The Nativity, probably c. 1509/1510

The Virgin and Child on a Crescent with a Starry Crown, Albrecht Dürer, 1508

Albrecht Dürer

The Virgin and Child on a Crescent with a Starry Crown, 1508

The Lamentation, Albrecht Dürer, 1507

Albrecht Dürer

The Lamentation, 1507

Large Horse, Albrecht Dürer, 1505

Albrecht Dürer

Large Horse, 1505

Nemesis (The Great Fortune), Albrecht Dürer, c. 1501/1502

Albrecht Dürer

Nemesis (The Great Fortune), c. 1501/1502