Raphael, retratoRaphaelItalia, 1483–1520

LA MADONE DE LA MAISON D'ORLEANS

1506 · Painting · 29 × 21 cm

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Museo Condé

Chantilly, Francia

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En este estado desde
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Número de inventario
PE 39

Lo que muestra

En el catálogo

Fuentes

  • Museo Condé
  • Imagen: Museo Condé — © Réunion des musées nationaux - utilisation soumise à autorisation ; © René Gabriel Ojéda; Ministère de la Culture (France), base Joconde

En la vida de Raphael

La vida entera
  1. c. 1503 – c. 1504 · Lugar de trabajo

    Siena

  2. late 1504

    Meets Leonardo and Michelangelo

    Having moved to Florence, Raphael met Leonardo da Vinci, Michelangelo and Bartolomeo della Porta and closely studied Leonardo's sfumato. His first Florentine commission, portraits of Agnolo Doni and his wife, was painted under the clear impression of the “Mona Lisa”.

  3. 1504

    Friendship with Baldassare Castiglione

    In Urbino Raphael met the philosopher, writer and patron Count Baldassare Castiglione; they formed a firm friendship and correspondence, including the famous letters about the fresco “The Triumph of Galatea”.

  4. 1504

    To Florence, to study

    The mother of the next Duke of Urbino gave Raphael a letter of recommendation to the Gonfaloniere of Florence: “The bearer of this will be found to be Raphael, painter of Urbino, who, being greatly gifted in his profession has determined to spend some time in Florence to study.” She called him “a sensible and well-mannered young man”.

  5. 1507

    Meets Donato Bramante

    Raphael met the architect Donato Bramante, by an unproven account his relative. Bramante became his adviser and patron and later recommended him to Pope Julius II as the best candidate for work in the Vatican.

  6. 1508

    Moves to Rome at the invitation of Julius II

    The new pope, Julius II, invited Raphael to Rome, perhaps at the suggestion of his architect Bramante, a distant relative of the artist. Unlike Michelangelo, kept waiting for months after his summons, Raphael was immediately commissioned to fresco what was to become the pope's private library, a far larger commission than any he had had before.

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