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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  1. Colección/
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  3. Kurt Schwitters
Kurt Schwitters, El Lissitzky, 1924
El Lissitzky, retratoEl LissitzkyRusia, 1890–1941

Kurt Schwitters

1924 · Photograph

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MoMA

Nueva York, Estados Unidos

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
hace 9 días
Fuente
El museo
En el mapaPágina del museo

Ficha

1924 · a los 34 años
18901941
Número de inventario
1763.2001

En el catálogo

FotografíaGelatina de plataModernismoSiglo XX

Fuentes

  • MoMA
  • Imagen: MoMA — © the artist or rights holder

Mientras tanto, en la vida de El Lissitzky

La vida entera
  1. 1921–1925

    In Berlin: Schwitters, Moholy-Nagy, van Doesburg

    In Berlin Lissitzky meets and befriends Kurt Schwitters, László Moholy-Nagy and Theo van Doesburg. Together with Schwitters and van Doesburg he presents the idea of an international artistic movement under the guidelines of constructivism, and works with Schwitters on the issue “Nasci” (“Nature”) of the periodical Merz; he also joins the Dutch group De Stijl.

  2. 1922

    First solo exhibition in Hanover

    The year after the publication of his first Proun series in 1921, Kurt Schwitters introduces Lissitzky to the Hanover gallery Kestnergesellschaft, where he holds his first solo exhibition. The second Proun series, printed in Hanover in 1923, is a success.

  3. 1922

    The magazine “Veshch” with Ehrenburg

    In 1922 in Berlin Lissitzky and Ilya Ehrenburg launch the short-lived magazine “Veshch/Gegenstand/Objet”, published in Russian, German and French to show contemporary Russian art to Western Europe; in the first of its two issues he declares the triumph of the constructive method — art's task is not to adorn life but to organize it. The first issue also carries articles by Blaise Cendrars, Le Corbusier, van Doesburg, Viking Eggeling, Carl Einstein, Fernand Léger, Lajos Kassák and Ljubomir Micić.

  4. 1923

    The Proun Room at the Great Berlin Art Exhibition

    In 1923, for the Great Berlin Art Exhibition, Lissitzky transforms a small room (about 3 by 3 by 2.5 m) into a single work of art, the Proun Room, which lets viewers “walk into an image” and become active participants. He violates the unwritten rule of rejecting the commercialization of art by putting price tags on three elements of the room; the price tags, together with his “half-dance” during the demonstration of the room, alienate his friend Theo van Doesburg.

  5. 1923–1924

    Tuberculosis and a Swiss hospital

    In 1923–1924 Lissitzky is severely ill with tuberculosis and stays in a Swiss hospital; at this time he is reported even to have considered suicide. He will die of tuberculosis in 1941.

  6. 1925

    Return to the USSR

    Lissitzky's years in Germany and Switzerland run from 1921 to 1925; it appears that in 1925 he returns to the Soviet Union.

Más obras de El Lissitzky

Todas las obras
An Old Man, His Head Two Paces Behind (Alter) from Figurines: The Three-Dimensional Design of the Electro-Mechanical Show Victory over the Sun (Figurinen, die plastische Gestaltung der elektro-mechanischen Schau Sieg über die Sonne), El Lissitzky, 1920–21, published 1923

An Old Man, His Head Two Paces Behind (Alter) from Figurines: The Three-Dimensional Design of the Electro-Mechanical Show Victory over the Sun (Figurinen, die plastische Gestaltung der elektro-mechanischen Schau Sieg über die Sonne)

1920–21, published 1923 · MoMA

Proun 12E, El Lissitzky, 1923

Proun 12E

1923 · Harvard Art Museums

Solntse na izlete. Vtoraia kniga stikhov, 1913-1916 (The Spent Sun: Second Book of Poems, 1913-1916), El Lissitzky, 1916

Solntse na izlete. Vtoraia kniga stikhov, 1913-1916 (The Spent Sun: Second Book of Poems, 1913-1916)

1916 · No expuesta · MoMA

U rek vavilonskikh. Natsional'no-evreiskaia lirika v mirovoi poezii (By the Rivers of Babylon: Jewish Lyrics in World Poetry), El Lissitzky, 1917

U rek vavilonskikh. Natsional'no-evreiskaia lirika v mirovoi poezii (By the Rivers of Babylon: Jewish Lyrics in World Poetry)

1917 · No expuesta · MoMA

Sikhes kholin. Prager legende (Small Talk: The Legend of Prague), second edition, El Lissitzky, 1917

Sikhes kholin. Prager legende (Small Talk: The Legend of Prague), second edition

1917 · No expuesta · MoMA

Di hun vos hot gevolt hoben a kam (The Hen that Wanted a Comb), El Lissitzky, 1919

Di hun vos hot gevolt hoben a kam (The Hen that Wanted a Comb)

1919 · No expuesta · MoMA

Yingl tsingl khvat (The Mischievous Boy), El Lissitzky, 1919

Yingl tsingl khvat (The Mischievous Boy)

1919 · No expuesta · MoMA

Der milner, di milnerin, un di milshtayner (The Miller, His Wife, and Their Millstones), El Lissitzky, 1919

Der milner, di milnerin, un di milshtayner (The Miller, His Wife, and Their Millstones)

1919 · No expuesta · MoMA

Bajo el mismo techo: MoMA

Página del museo
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

La noche estrellada, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950