Jean Paulhan

1945 · Drawing

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Galería Nacional de Arte

Washington D. C., Estados Unidos

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado: hace 3 días
En este estado desde: 19 ago 2026
Fuente: El museo

En el mapa Página del museo

Ficha

Número de inventario: 1995.29.17

Lo que muestra

Male Paulhan, Jean

En el catálogo

Dibujos y acuarelas Gouache Arte de posguerra Siglo XX French

Fuentes

Galería Nacional de Arte
Imagen: Galería Nacional de Arte — © the artist or rights holder

Mientras tanto, en la vida de Jean Dubuffet

La vida entera

1943
Limbour brings Jean Paulhan to his studio
In 1943 his childhood friend, the writer Georges Limbour, took Jean Paulhan to Dubuffet's studio; the artist's work was unknown at that time. Paulhan was impressed and the meeting proved a turning point; in 1944 an important relationship between the two began.
October 1944
First solo show at Galerie René Drouin
Dubuffet's first solo show opened in October 1944 at the Galerie René Drouin in Paris, marking his third attempt to become an established artist.
1945
He begins collecting art brut
In 1945 Dubuffet began to collect art brut, “raw” art close to the work of children, the self-taught and the mentally ill; the collection is now in Lausanne.
1945
Fautrier's show and the thick paste
In 1945 Dubuffet saw a show of Jean Fautrier's paintings in Paris, in which he recognized meaningful art that expressed the depth of a person directly and purely. Emulating Fautrier, he began mixing thick oil paint with mud, sand, coal dust, pebbles, glass, straw, plaster, cement and tar, and made scratches and slashes in the paste.
1946
Pierre Matisse's New York show: success in America
Dubuffet was included in the Pierre Matisse Gallery exhibition in New York alongside Picasso, Braque and Rouault, one of only two young artists so honored. Clement Greenberg wrote positively about his three canvases, and Newsweek dubbed him the darling of Parisian avant-garde circles.
1947
First solo exhibition in America
In 1947 Dubuffet had his first solo exhibition in America, at the same Pierre Matisse Gallery. Reviews were largely favorable, and he went on to exhibit there at least once a year.