Robert RauschenbergEstados Unidos, 1925–2008Intaglio Watch
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Instituto de Arte de Chicago
Chicago, Estados Unidos
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Sobre la obra
In Drizzle, Rauschenberg used a copper plate with a pattern taken from his wristwatch. A few impressions of the watch alone were made on small sheets of handmade paper, titled Intaglio Watch, and given as gifts to guests at Maurice Grosman's birthday luncheon. "Intaglio" is the term used to describe the printing process by which impressions are taken from inked lines incised into a metal plate (e.g., engraving, drypoint, mezzotint.)
Instituto de Arte de ChicagoCC BY 4.0
Ficha
- Número de inventario
- 1982.1144
En el catálogo
Fuentes
- Instituto de Arte de Chicago: the museum's own open data · obtenido hace 6 días
- Imagen: Instituto de Arte de Chicago — © the artist or rights holder
Mientras tanto, en la vida de Robert Rauschenberg
La vida entera1966
Founds E.A.T. with Billy Klüver
For “9 Evenings: Theatre and Engineering” at New York's 69th Regiment Armory Rauschenberg created the performance Open Score. The series was instrumental in the formation of Experiments in Art and Technology (E.A.T.), a non-profit for collaborations between artists and engineers which he and the Bell Laboratories scientist Billy Klüver officially launched in 1966.
27 de junio de 1968 – 6 de octubre de 1968
Exhibition: 4. documenta
26 July 1968
Buys a house on Captiva Island
On 26 July 1968 Rauschenberg bought the Beach House, his first property on Captiva Island off the Florida coast, though it did not become his permanent home until the autumn of 1970. Other accounts date the purchase to 1970.
1969
Watches the Apollo 11 launch at NASA's invitation
NASA invited Rauschenberg to witness the launch of Apollo 11. In response he created his “Stoned Moon” series of lithographs, combining diagrams and images from NASA's archives with his own drawings and handwritten text.
autumn 1970
Moves to Captiva for good
From the autumn of 1970 the Captiva house became Rauschenberg's permanent home and studio. The first works made there were the “Cardboards” (1971–72) and “Early Egyptians” (1973–74) series, from locally sourced cardboard and sand: instead of urban imagery he now favoured the natural fibres of fabric and paper.
1970
Sets up Change, Inc. to help artists
Rauschenberg created Change, Inc., a programme awarding one-time emergency grants of up to $1,000 to visual artists in financial need.
