Improvisation 31 (Sea Battle), Wassily Kandinsky, 1913
Vasily Kandinsky, retratoVasily KandinskyFrancia, 1866–1944

Improvisation 31 (Sea Battle)

1913 · Painting

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¿Dónde está «Improvisation 31 (Sea Battle)» hoy? Galería Nacional de Arte, Sala 415A · Edificio Este, nivel superior, Washington D. C. Sí, expuesta ahora. Comprobado 29 de septiembre de 2026.

Galería Nacional de Arte

Washington D. C., Estados Unidos

Sala415A · Edificio Este, nivel superior

Abierto· hasta las 17:00

Expuesta al público.

Comprobado
En este estado desde
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El museo

Ficha

Número de inventario
1978.48.1

Lo que muestra

En el catálogo

Fuentes

En la vida de Vasily Kandinsky

La vida entera
  1. 1910–1911

    The treatise “Concerning the Spiritual in Art”

    The treatise defended and promoted abstract art and affirmed that all forms of art are equally capable of reaching spirituality; colour in a painting can be autonomous, apart from the depiction of an object. Kandinsky distinguished three kinds of painting: impressions, improvisations and compositions.

  2. 1910–1912

    The Izdebsky Salons and the Knave of Diamonds

    With the Neue Künstlervereinigung Kandinsky took part in two international Izdebsky Salons in Russian cities, from December 1910 to May 1911; in 1910 and 1912 he also exhibited with the Knave of Diamonds.

  3. 1911

    The birth of the Blue Rider

    After the earlier association dissolved Kandinsky formed the Blue Rider with August Macke, Franz Marc, Albert Bloch and Gabriele Münter. The group issued an almanac and held two exhibitions; the war ended further plans.

  4. 1911

    His first solo exhibition

    His first solo exhibition took place in the same years, when the Blue Rider was being born.

  5. 1911

    Divorce from his first wife

    Kandinsky was divorced from Anna Chemyakina; his relationship with Münter was nevertheless never formalized.

  6. 1914

    The war: back to Russia via Switzerland and Sweden

    The outbreak of World War I ended the Blue Rider's plans for further almanacs and exhibitions and sent Kandinsky back to Russia via Switzerland and Sweden; he returned to Moscow in 1914.

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