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Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  3. Harvest Talk
Harvest Talk, Charles White, 1953
Charles White, retratoCharles WhiteEstados Unidos, 1918–1979

Harvest Talk

1953 · Drawing and Watercolor

Sobre la obra

Charles White is recognized for the richness of his graphic work and his paintings, which typically depict aspects of the history, culture, and life of African Americans. A native of Chicago, White attended the School of the Art Institute, the Art Students League of New York, and later the Taller de Gráfica Popular in Mexico. Beginning in 1939, he was employed by the Federal Art Project of the Works Progress Administration.

Seguir leyendo

White’s father was a railroad and steel worker and his mother was a domestic worker; this inspired in White a deep respect for labor. Harvest Talk, one of six charcoal and carbon pencil drawings originally exhibited at ACA Galleries in New York in 1953, exemplifies the artist’s mature drawing style. Here his strong, assured manner, coupled with the heroic proportions of the figures and the emphasis on the large scythe (an emblem often associated with the Soviet Union)—as well as the social realist sensibilities that prevail throughout his oeuvre, his travels to the Soviet Union, and his writings for and affiliation with left-wing publications such as Masses and Mainstream, Freedomways, and the Daily Worker—suggest that Harvest Talk was inspired by socialist ideals. Like many of White’s works on paper, it conveys the power of a mural despite its relatively small format.

Instituto de Arte de Chicago · CC BY 4.0

Ficha

1953 · a los 35 años
19181979
Número de inventario
1991.126

Más obras de Charles White

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Bajo el mismo techo: Instituto de Arte de Chicago

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Sobre el mismo tema · Labor

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Instituto de Arte de Chicago

Chicago, Estados Unidos

Pertenece a la colección, pero ahora mismo no está expuesta.

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Lo que muestra

LaborWorkFarm lifeAfrican AmericanChicago

En el catálogo

Dibujos y acuarelasCarboncilloArte de posguerraSiglo XXEstados Unidos

Fuentes

  • Instituto de Arte de Chicago
  • Imagen: Instituto de Arte de Chicago — © the artist or rights holder
Flowers and Birds, Charles White, 1772

Flowers and Birds

1772 · Museo del Hermitage

This, My Brother, Charles White, 1942

This, My Brother

1942 · Instituto de Arte de Chicago

Untitled (Seated Woman), Charles White, c. 1939

Untitled (Seated Woman)

c. 1939 · No expuesta · MoMA

Awaiting His Return, Charles White, 1945

Awaiting His Return

1945 · No expuesta · Galería Nacional de Arte

Hope for the Future, Charles White, 1945

Hope for the Future

1945 · No expuesta · MoMA

We Have Been Believers, Charles White, 1949

We Have Been Believers

1949 · No expuesta · Galería Nacional de Arte

Untitled (Bearded Man), Charles White, c. 1949

Untitled (Bearded Man)

c. 1949 · No expuesta · MoMA

I Accuse, Charles White, c. 1950

I Accuse

c. 1950 · No expuesta · Galería Nacional de Arte

The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Tarde de domingo en la isla de la Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Calle de Paris, dia de lluvia, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

En la terraza, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

Cesto de manzanas, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Noctámbulos, 1942

Carrying sides of Beef from truck to Market stall Bluefields harbor-front street, East Coast of Nicaragua, Youth with leather apron and bloodstained elbows and trousers was shyly amused at my interest, January 29, 1986., Allen Ginsberg, 1986

Allen Ginsberg

Carrying sides of Beef from truck to Market stall Bluefields harbor-front street, East Coast of Nicaragua, Youth with leather apron and bloodstained elbows and trousers was shyly amused at my interest, January 29, 1986., 1986

No expuesta · Galería Nacional de Arte

Paysanne bêchant (Peasant Laboring), Camille Pissarro, 1890

Camille Jacob Pissarro

Paysanne bêchant (Peasant Laboring), 1890

No expuesta · Galería Nacional de Arte

Brasil, Sebastião Salgado, 1985

Sebastião Salgado

Brasil, 1985

No expuesta · Galería Nacional de Arte

Greater Burhan Oil Field, Kuwait (Capping a Wellhead), Sebastião Salgado, 1991

Sebastião Salgado

Greater Burhan Oil Field, Kuwait (Capping a Wellhead), 1991

No expuesta · Galería Nacional de Arte

Transporting Bags of Dirt in the Serra Pelada Gold Mine, Brazil, Sebastião Salgado, 1986

Sebastião Salgado

Transporting Bags of Dirt in the Serra Pelada Gold Mine, Brazil, 1986

No expuesta · Galería Nacional de Arte

This man is a labor contractor in the pea fields of California. "One-Eye" Charlie gives his views. "I'm making my living off of these people (migrant laborers) so I know the conditions," San Luis Obispo County, California, Dorothea Lange, February 1936

Dorothea Lange

This man is a labor contractor in the pea fields of California. "One-Eye" Charlie gives his views. "I'm making my living off of these people (migrant laborers) so I know the conditions," San Luis Obispo County, California, February 1936

No expuesta · Galería Nacional de Arte

Calipatra (vicinity), California. Native of Indiana in a migratory labor contractor's camp. "It's root hog or die for us folks.", Dorothea Lange, February 1937

Dorothea Lange

Calipatra (vicinity), California. Native of Indiana in a migratory labor contractor's camp. "It's root hog or die for us folks.", February 1937

No expuesta · Galería Nacional de Arte

Farm Security Administration camp for migrant agricultural workers at Shafter, California, Dorothea Lange, June 1938

Dorothea Lange

Farm Security Administration camp for migrant agricultural workers at Shafter, California, June 1938

No expuesta · Galería Nacional de Arte