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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  3. Gateway, Hidalgo
Gateway, Hidalgo, Paul Strand, 1933, printed 1967
Paul Strand, retratoPaul StrandEstados Unidos, 1890–1976

Gateway, Hidalgo

1933, printed 1967 · Photograph

Ficha

1933, printed 1967
18901976
Número de inventario
1991.116.296

Mientras tanto, en la vida de Paul Strand

La vida entera
  1. 1932–1935

    Lives in Mexico and works on the film “Redes”

    Strand lives in Mexico and works on “Redes” (1936), a film commissioned by the Mexican government and released in the United States as “The Wave”.

  2. 1936

    Helps found the Photo League

    Strand is one of the founders of the Photo League, a cooperative of photographers that between 1936 and 1951 campaigned for social reform and for using art to promote social and political causes. He and Elizabeth McCausland were particularly active in it, he himself something of an elder statesman; Ansel Adams and Nancy Newhall also contributed to the League’s publication, Photo News.

  3. 1946

    Retrospective at the Museum of Modern Art

    The Museum of Modern Art in New York holds a large retrospective of Strand’s work, spanning documentary photography, portraits, landscapes, plants, architecture, industrial sites and machines.

  4. December 1947

    The Photo League lands on the list of subversive organizations

    In December 1947 the Photo League, which Strand had helped to found, appears on the US Attorney General’s List of Subversive Organizations. The League was active until 1951.

  5. June 1949

    Leaves the United States and stays in France

    In June 1949 Strand travels to present “Native Land” at the Karlovy Vary International Film Festival and, unwilling to tolerate the growing McCarthyism, stays in France and never returns to the United States. He spends the last 27 years of his life in Orgeval (Yvelines), never learning French; declassified files later showed that security services monitored him closely.

Más obras de Paul Strand

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Bajo el mismo techo: Galería Nacional de Arte

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Todas las obras sobre el tema
  • 1950

    “Time in New England” is published

    “Time in New England” opens a run of six book “portraits” of place; returning to still photography in his later years, Strand produces some of his most significant work in this form.

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    Galería Nacional de Arte

    Washington D. C., Estados Unidos

    Pertenece a la colección, pero ahora mismo no está expuesta.

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    FotografíaModernismoSiglo XXAmerican

    Fuentes

    • Galería Nacional de Arte
    • Imagen: Galería Nacional de Arte — © the artist or rights holder
    From the Viaduct, 125th Street, New York, Paul Strand, 1916

    From the Viaduct, 125th Street, New York

    1916 · MoMA

    Abstraction, Porch Shadows, Connecticut, Paul Strand, 1916

    Abstraction, Porch Shadows, Connecticut

    1916 · MoMA

    England, Paul Strand, 1911

    England

    1911 · No expuesta · Galería Nacional de Arte

    Panama-Pacific Exposition, San Francisco, Paul Strand, 1915

    Panama-Pacific Exposition, San Francisco

    1915 · No expuesta · Galería Nacional de Arte

    Wall Street, Paul Strand, 1915

    Wall Street

    1915 · No expuesta · MoMA

    Central Park, New York, Paul Strand, 1915

    Central Park, New York

    1915 · No expuesta · MoMA

    Fifth Avenue, New York, Paul Strand, 1915

    Fifth Avenue, New York

    1915 · No expuesta · MoMA

    Untitled, Paul Strand, 1915

    Untitled

    1915 · No expuesta · MoMA

    Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

    Leonardo da Vinci

    Retrato de Ginebra de Benci, c. 1474/1478

    Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

    Leonardo da Vinci

    Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

    Green Wheat Fields, Auvers, Vincent van Gogh, 1890

    Vincent van Gogh

    Green Wheat Fields, Auvers, 1890

    Girl in White, Vincent van Gogh, 1890

    Vincent van Gogh

    Chica en blanco, 1890

    Roses, Vincent van Gogh, 1890

    Vincent van Gogh

    Roses, 1890

    Self-Portrait, Vincent van Gogh, 1889

    Vincent van Gogh

    Self-Portrait, 1889

    Farmhouse in Provence, Vincent van Gogh, 1888

    Vincent van Gogh

    Granja en Provenza, 1888

    La Mousmé, Vincent van Gogh, 1888

    Vincent van Gogh

    La Mousmé, 1888

    Winnowing Grain, Taos Pueblo, New Mexico, Ansel Adams, c. 1929, printed 1981

    Ansel Adams

    Winnowing Grain, Taos Pueblo, New Mexico, c. 1929, printed 1981

    No expuesta · Galería Nacional de Arte

    Barn, Cape Cod, Massachusetts, Ansel Adams, c. 1937, printed 1981

    Ansel Adams

    Barn, Cape Cod, Massachusetts, c. 1937, printed 1981

    No expuesta · Galería Nacional de Arte

    Mormon Temple, Manti, Utah, Ansel Adams, 1948, printed 1980

    Ansel Adams

    Mormon Temple, Manti, Utah, 1948, printed 1980

    No expuesta · Galería Nacional de Arte

    Saint Francis Church, Ranchos de Taos, New Mexico, Ansel Adams, c. 1929, printed 1981

    Ansel Adams

    Saint Francis Church, Ranchos de Taos, New Mexico, c. 1929, printed 1981

    No expuesta · Galería Nacional de Arte

    Penitente Moranda, Coyote, New Mexico, Ansel Adams, c. 1950, printed 1981

    Ansel Adams

    Penitente Moranda, Coyote, New Mexico, c. 1950, printed 1981

    No expuesta · Galería Nacional de Arte

    Church and Road, Bodega, California, Ansel Adams, c. 1953, printed 1981

    Ansel Adams

    Church and Road, Bodega, California, c. 1953, printed 1981

    No expuesta · Galería Nacional de Arte

    Pool, Acoma Pueblo, New Mexico, Ansel Adams, c. 1942, printed 1981

    Ansel Adams

    Pool, Acoma Pueblo, New Mexico, c. 1942, printed 1981

    No expuesta · Galería Nacional de Arte

    Rouen Cathedral, West Façade, Sunlight, Claude Monet, 1894

    Claude Monet

    Rouen Cathedral, West Façade, Sunlight, 1894

    Galería Nacional de Arte