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Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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Florence Henri, Lucia Moholy, 1927
Lucia Moholy, retratoLucia MoholyInglaterra, 1894–1989

Florence Henri

1927 · Photograph

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Instituto de Arte de Chicago

Chicago, Estados Unidos

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Comprobado
hace 9 días
En este estado desde
19 ago 2026
Fuente
El museo
En el mapaPágina del museo

Sobre la obra

In 1923 Lucia Moholy, who had studied photographic technique in the previous decade, began a photography apprenticeship at the Bauhaus, where her husband, László Moholy-Nagy, had recently been appointed instructor. She quickly adopted a modernist approach focused on portraiture and architectural views. Lucia Moholy believed that the face and hands conveyed the true character of a sitter, and she made a series of portrait pairs in the 1920s isolating these two parts of the body. During her five years at the Bauhaus, Moholy also chronicled the German art school’s buildings, design products, faculty, and student body. French-American artist Florence Henri took a summer painting course at the Bauhaus, but on her return to France she abandoned her brush for the camera; Moholy photographed her several times during the course of their friendship. This close-cropped, direct portrait fits with the sobriety of the growing New Objectivity movement in photography and painting, and it echoes a vogue for close-up film stills that had just begun in Germany.

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— Permanent collection label

Formally trained in reproduction photography, Lucia Moholy worked at the Bauhaus as a documentarian of its myriad productions—from architectural projects to modern design objects. With the spare aesthetic that she used in documentary photographs, Moholy also made portraits of Bauhaus students and friends, some as publicity but others, including this work, for more personal ends. Moholy often utilized plain backgrounds and preferred her subjects to be closely cropped in an asymmetrical balance. This approach is evident in her view of Florence Henri, who came to Dessau in 1927 to audit courses in painting. Henri benefited from Moholy’s expertise and the general Bauhaus proclivity toward photography; after moving to Paris, she too concentrated on camera work, especially portraiture.

Instituto de Arte de Chicago · CC BY 4.0

Ficha

1927 · a los 33 años
18941989
Número de inventario
1975.1141

Lo que muestra

París

En el catálogo

FotografíaGelatina de plataModernismoSiglo XXBauhausVanguardismoInglaterra

Fuentes

  • Instituto de Arte de Chicago
  • Imagen: Instituto de Arte de Chicago — © the artist or rights holder

Más obras de Lucia Moholy

Todas las obras
Bauhaus Workshop Building from Below. Oblique View, Lucia Moholy, September 1926

Bauhaus Workshop Building from Below. Oblique View

September 1926 · MoMA

Alma Buscher’s Ladder Chair for Children’s Room, Lucia Moholy, 1923–25

Alma Buscher’s Ladder Chair for Children’s Room

1923–25 · No expuesta · MoMA

Frau Finsler, Lucia Moholy, 1926

Frau Finsler

1926 · No expuesta · MoMA

Edith Tschichold, Lucia Moholy, 1926

Edith Tschichold

1926 · No expuesta · MoMA

Florence Henri, Lucia Moholy, 1927

Florence Henri

1927 · No expuesta · MoMA

Student Exercise from a Bauhaus Preliminary Course, ? Lucia Moholy, 1923-1932, printed c. 1950

Student Exercise from a Bauhaus Preliminary Course

1923-1932, printed c. 1950 · No expuesta · Harvard Art Museums

Student Exercise from a Bauhaus Preliminary Course, Lucia Moholy, 1923, printed c. 1950

Student Exercise from a Bauhaus Preliminary Course

1923, printed c. 1950 · No expuesta · Harvard Art Museums

Study in Spatial Relationships by Heinz Tinzmann, ? Lucia Moholy, 1923, printed c. 1950

Study in Spatial Relationships by Heinz Tinzmann

1923, printed c. 1950 · No expuesta · Harvard Art Museums

Bajo el mismo techo: Instituto de Arte de Chicago

Página del museo
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Tarde de domingo en la isla de la Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Calle de Paris, dia de lluvia, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

En la terraza, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

Cesto de manzanas, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Noctámbulos, 1942

Sobre el mismo tema · París

Todas las obras sobre el tema
Affiche voor de expositie van de serie Elles van Toulouse-Lautrec bij la Plume, Henri de Toulouse-Lautrec, 1896

Henri de Toulouse-Lautrec

Affiche voor de expositie van de serie Elles van Toulouse-Lautrec bij la Plume, 1896

Rijksmuseum

Landscape: The Parc Monceau, Claude Monet, 1876

Claude Monet

Landscape: The Parc Monceau, 1876

Museo Metropolitano de Arte

The Parc Monceau, Claude Monet, 1878

Claude Monet

The Parc Monceau, 1878

Museo Metropolitano de Arte

The Horse Fair, Rosa Bonheur, 1852–55

Rosa Bonheur

La feria de caballos, 1852–55

Museo Metropolitano de Arte

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Calle de Paris, dia de lluvia, 1877

Instituto de Arte de Chicago

Landscape near Paris, Paul Cezanne, c. 1876

Paul Cézanne

Landscape near Paris, c. 1876

Galería Nacional de Arte

Titelprent voor een verzameling bladmuziek van Désiré Dihau bij gedichten van Jean Goudezki, Henri de Toulouse-Lautrec, 1893

Henri de Toulouse-Lautrec

Titelprent voor een verzameling bladmuziek van Désiré Dihau bij gedichten van Jean Goudezki, 1893

Rijksmuseum

‘Aux Ambassadeurs’, Henri de Toulouse-Lautrec, 1894

Henri de Toulouse-Lautrec

‘Aux Ambassadeurs’, 1894

Rijksmuseum