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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  3. Figures with Still Life
Figures with Still Life, David Hockney, 1976/1977
David Hockney, retratoDavid HockneyReino Unido, 1937–2026

Figures with Still Life

1976/1977 · Portfolio

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Galería Nacional de Arte

Washington D. C., Estados Unidos

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
hace 3 días
En este estado desde
19 ago 2026
Fuente
El museo
En el mapaPágina del museo

Ficha

1976/1977
19372026
Número de inventario
1991.60.10

Lo que muestra

Literary and theatrical themesMan With the Blue GuitarStevens, Wallace

En el catálogo

EstampasAguafuerteArte contemporáneoSiglo XXBritish

Fuentes

  • Galería Nacional de Arte
  • Imagen: Galería Nacional de Arte — © the artist or rights holder

Mientras tanto, en la vida de David Hockney

La vida entera
  1. 1966–1978

    Stage designer: “Ubu Roi” and the Glyndebourne operas

    Hockney’s first stage designs are for “Ubu Roi” at London’s Royal Court Theatre (1966), followed by Stravinsky’s “The Rake’s Progress” (1975) and “The Magic Flute” (1978) for the Glyndebourne Festival Opera. It is the start of the opera work that will go on in New York, Los Angeles, Chicago and London.

  2. 1974

    The relationship with Gregory Evans begins

    Hockney met Gregory Evans in 1971; in 1974 they begin a decade-long relationship, and in 1976 Evans moves with him to the US. Later they remain business partners, with Evans managing the David Hockney Studio.

  3. 1974

    Jack Hazan’s film “A Bigger Splash”

    Jack Hazan makes a biopic of Hockney, “A Bigger Splash”, named after his 1967 pool painting of the same name.

  4. 24 de junio de 1977 – 2 de octubre de 1977

    Exhibition: Documenta 6

  5. 1979

    A founder of the Museum of Contemporary Art, Los Angeles

    In 1979 Hockney is a founder of the Museum of Contemporary Art, Los Angeles.

  6. 1979

    Hearing aids from 1979

    Hockney’s hearing has been failing since the 1970s: he realised he was going deaf several years before he began using hearing aids in 1979. He also described synaesthetic associations between sound, colour and shape.

Más obras de David Hockney

Todas las obras
American Collectors (Fred and Marcia Weisman), David Hockney, 1968

American Collectors (Fred and Marcia Weisman)

1968 · Instituto de Arte de Chicago

The Start of the Spending Spree and the Door Opening for a Blonde (plate 3) from A Rake's Progress, David Hockney, 1961–62, published 1963

The Start of the Spending Spree and the Door Opening for a Blonde (plate 3) from A Rake's Progress

1961–62, published 1963 · No expuesta · MoMA

The Arrival (plate 1) from A Rake's Progress, David Hockney, 1961–62, published 1963

The Arrival (plate 1) from A Rake's Progress

1961–62, published 1963 · No expuesta · MoMA

The Drinking Scene (plate 4) from A Rake's Progress, David Hockney, 1961–62, published 1963

The Drinking Scene (plate 4) from A Rake's Progress

1961–62, published 1963 · No expuesta · MoMA

The Election Campaign (with Dark Message) (plate 5) from A Rake's Progress, David Hockney, 1961–62, published 1963

The Election Campaign (with Dark Message) (plate 5) from A Rake's Progress

1961–62, published 1963 · No expuesta · MoMA

The Gospel Singing (Good People) (Madison Square Garden) (plate 2a) from A Rake's Progress, David Hockney, 1961–62, published 1963

The Gospel Singing (Good People) (Madison Square Garden) (plate 2a) from A Rake's Progress

1961–62, published 1963 · No expuesta · MoMA

Meeting the Other People (plate 8) from A Rake's Progress, David Hockney, 1961–62, published 1963

Meeting the Other People (plate 8) from A Rake's Progress

1961–62, published 1963 · No expuesta · MoMA

The Seven Stone Weakling (plate 3a) from A Rake's Progress, David Hockney, 1961–62, published 1963

The Seven Stone Weakling (plate 3a) from A Rake's Progress

1961–62, published 1963 · No expuesta · MoMA

Bajo el mismo techo: Galería Nacional de Arte

Página del museo
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Retrato de Ginebra de Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Chica en blanco, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Granja en Provenza, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888