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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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Equivalent, Alfred Stieglitz, 1929
Alfred Stieglitz, retratoAlfred StieglitzEstados Unidos, 1864–1946

Equivalent

1929 · Photograph

¿Se puede contemplar?

Por ahora no recibe

MoMA

Nueva York, Estados Unidos

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
hace 9 días
Fuente
El museo
En el mapaPágina del museo

Ficha

1929 · a los 65 años
18641946
Número de inventario
49.1950

En el catálogo

FotografíaGelatina de plataModernismoSiglo XX

Fuentes

  • MoMA
  • Imagen: MoMA — © the artist or rights holder

Mientras tanto, en la vida de Alfred Stieglitz

La vida entera
  1. 1929

    O'Keeffe leaves for New Mexico

    In 1929 O'Keeffe moved to New Mexico, where she created her famous series of desert landscapes and gained recognition and financial security. When she returned to New York, Stieglitz's affair with his pupil Dorothy Norman was over, but they could not restore their former relationship.

  2. May 1929

    His gallery to be demolished: depression at Lake George

    In early 1929 Stieglitz was told that the building housing his gallery would be torn down. After a final show of Demuth's work in May he retreated to Lake George exhausted and depressed, and when the Strands raised nearly sixteen thousand dollars for a new gallery he reacted harshly, saying it was time for the “young ones” to do some of the work.

  3. 15 December 1929

    Opens An American Place

    On December 15, 1929, Stieglitz opened An American Place, the largest gallery he had ever managed, with the first darkroom of his own in the city. For sixteen years he showed his friends Marin, Demuth, Hartley, Dove and Strand there, and O'Keeffe received at least one major exhibition each year.

Más obras de Alfred Stieglitz

Todas las obras
The Hand of Man, Alfred Stieglitz, 1902

The Hand of Man

1902 · MoMA

Snapshot—In the New York Central Yards, Alfred Stieglitz, 1903

Snapshot—In the New York Central Yards

1903 · MoMA

The Steerage, Alfred Stieglitz, 1907

The Steerage

1907 · MoMA

Old and New New York, Alfred Stieglitz, 1910

Old and New New York

1910 · Instituto de Arte de Chicago

Washerwomen at Riva del Garda, Alfred Stieglitz, 1887, printed 1929/1934

Washerwomen at Riva del Garda

1887, printed 1929/1934 · No expuesta · Galería Nacional de Arte

The Street Paver, Alfred Stieglitz, 1893, printed 1929/1934

The Street Paver

1893, printed 1929/1934 · No expuesta · Galería Nacional de Arte

Weary, Alfred Stieglitz, 1890, printed 1929/1934

Weary

1890, printed 1929/1934 · No expuesta · Galería Nacional de Arte

Stones of Venice, Chioggia, Alfred Stieglitz, 1887, printed 1929/1934

Stones of Venice, Chioggia

1887, printed 1929/1934 · No expuesta · Galería Nacional de Arte

Bajo el mismo techo: MoMA

Página del museo
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

La noche estrellada, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950