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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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Equivalent, Alfred Stieglitz, 1931
Alfred Stieglitz, retratoAlfred StieglitzEstados Unidos, 1864–1946

Equivalent

1931 · Photograph

¿Se puede contemplar?

Por ahora no recibe

Galería Nacional de Arte

Washington D. C., Estados Unidos

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
hace 3 días
En este estado desde
19 ago 2026
Fuente
El museo
En el mapaPágina del museo

Ficha

1931 · a los 67 años
18641946
Número de inventario
1949.3.1091

Lo que muestra

CloudsSkyscapeNueva YorkCieloLake George

En el catálogo

FotografíaGelatina de plataModernismoSiglo XXAmerican

Fuentes

  • Galería Nacional de Arte
  • Imagen: Galería Nacional de Arte — © the artist or rights holder

Mientras tanto, en la vida de Alfred Stieglitz

La vida entera
  1. 1929

    O'Keeffe leaves for New Mexico

    In 1929 O'Keeffe moved to New Mexico, where she created her famous series of desert landscapes and gained recognition and financial security. When she returned to New York, Stieglitz's affair with his pupil Dorothy Norman was over, but they could not restore their former relationship.

  2. May 1929

    His gallery to be demolished: depression at Lake George

    In early 1929 Stieglitz was told that the building housing his gallery would be torn down. After a final show of Demuth's work in May he retreated to Lake George exhausted and depressed, and when the Strands raised nearly sixteen thousand dollars for a new gallery he reacted harshly, saying it was time for the “young ones” to do some of the work.

  3. 15 December 1929

    Opens An American Place

    On December 15, 1929, Stieglitz opened An American Place, the largest gallery he had ever managed, with the first darkroom of his own in the city. For sixteen years he showed his friends Marin, Demuth, Hartley, Dove and Strand there, and O'Keeffe received at least one major exhibition each year.

  4. 1932

    A forty-year retrospective of 127 works

    In 1932 Stieglitz mounted a forty-year retrospective of 127 of his works at An American Place. Next to his portraits of his young lover Dorothy Norman he deliberately hung recent photographs of O'Keeffe, who looked older than her forty-five years, one of the few times he acted spitefully towards her in public, perhaps a result of their arguments about his control over her art.

  5. 1932

    Break with Paul Strand

    Later in 1932 Stieglitz showed O'Keeffe's works next to amateurish paintings on glass by Rebecca Salsbury and published no catalogue, which the Strands took as an insult. Paul Strand never forgave him: the day he walked out of An American Place in 1932, he said, was no less good than the day he walked into 291 in 1907.

Más obras de Alfred Stieglitz

Todas las obras
The Hand of Man, Alfred Stieglitz, 1902

The Hand of Man

1902 · MoMA

Snapshot—In the New York Central Yards, Alfred Stieglitz, 1903

Snapshot—In the New York Central Yards

1903 · MoMA

The Steerage, Alfred Stieglitz, 1907

The Steerage

1907 · MoMA

Old and New New York, Alfred Stieglitz, 1910

Old and New New York

1910 · Instituto de Arte de Chicago

Washerwomen at Riva del Garda, Alfred Stieglitz, 1887, printed 1929/1934

Washerwomen at Riva del Garda

1887, printed 1929/1934 · No expuesta · Galería Nacional de Arte

The Street Paver, Alfred Stieglitz, 1893, printed 1929/1934

The Street Paver

1893, printed 1929/1934 · No expuesta · Galería Nacional de Arte

Weary, Alfred Stieglitz, 1890, printed 1929/1934

Weary

1890, printed 1929/1934 · No expuesta · Galería Nacional de Arte

Stones of Venice, Chioggia, Alfred Stieglitz, 1887, printed 1929/1934

Stones of Venice, Chioggia

1887, printed 1929/1934 · No expuesta · Galería Nacional de Arte

Bajo el mismo techo: Galería Nacional de Arte

Página del museo
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Retrato de Ginebra de Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Chica en blanco, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Granja en Provenza, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Sobre el mismo tema · Clouds

Todas las obras sobre el tema
Helder weer en een zuidelijke wind, Katsushika Hokusai, in or after 1868 - in or before 1912

Katsushika Hokusai

Helder weer en een zuidelijke wind, in or after 1868 - in or before 1912

Rijksmuseum

Buried with Him by Baptism, Paul Revere, c. 1765

Paul Revere

Buried with Him by Baptism, c. 1765

No expuesta · Galería Nacional de Arte

Wolk waarin figuren zweven, Gustave Doré, 1842 - 1883

Gustave Doré

Wolk waarin figuren zweven, 1842 - 1883

Rijksmuseum

Clouds [verso], John Singer Sargent, 1870-1872

John Singer Sargent

Clouds [verso], 1870-1872

No expuesta · Galería Nacional de Arte

Cloud Study: Stormy Sunset, John Constable, 1821-1822

John Constable

Cloud Study: Stormy Sunset, 1821-1822

No expuesta · Galería Nacional de Arte

Cloud study, John Constable, 1830–35

John Constable

Cloud study, 1830–35

Museo Metropolitano de Arte

Bryce Canyon National Park during a snowstorm. Utah. USA., Sebastião Salgado, 2010

Sebastião Salgado

Bryce Canyon National Park during a snowstorm. Utah. USA., 2010

No expuesta · Galería Nacional de Arte

The Zavodovski Island is home to some 750,000 couples of chinstrap penguins (Pygoscelis antarctica) as well as a large colony of macaroni penguins (Eudyptes chrysolophus). South Sandwich Islands., Sebastião Salgado, 2009

Sebastião Salgado

The Zavodovski Island is home to some 750,000 couples of chinstrap penguins (Pygoscelis antarctica) as well as a large colony of macaroni penguins (Eudyptes chrysolophus). South Sandwich Islands., 2009

No expuesta · Galería Nacional de Arte