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  1. Colección/
  2. Museo de Victoria y Alberto/
  3. Dr Anthony Addington
Dr Anthony Addington, Thomas Banks, 1790
Thomas Banks, retratoThomas BanksReino Unido, 1735–1805

Dr Anthony Addington

1790 · Bust · 76 × 47 cm

¿Se puede contemplar?

Sí, recibe visitas

Museo de Victoria y Alberto

Londres, Reino Unido

SalaSculpture, Room 22, The Dorothy and Michael Hintze Galleries

Expuesta al público. Quién lo avala figura más abajo.

Comprobado
hace 12 días
En este estado desde
25 sept 2026
Fuente
Los datos de colección del propio museo
En el mapaPágina del museo

Sobre la escultura

Despite the lively character of the sitter captured by the sculptor, this bust is based on a death mask. Dr Addington (1713-1790) was a distinguished doctor who specialised in the treatment of mental illness. One of his patients was King George III. Addington's son, Henry Addington, who probably commissioned this portrait, later became the British Prime Minister. This is one of the few portrait busts executed by Banks, who normally specialised in funerary monuments and ideal sculpture.

Seguir leyendo

Thomas Banks (1735-1805) was apprenticed to a London mason, but also spent time working alongside the sculptor Peter Scheemakers (1691-1781). He enrolled in the life classes held at the St Martin's Lane Academy, and later at the Royal Academy Schools. In 1772 he became the first sculptor to win the Royal Academy's three-year travelling stipend, and went with his wife to Rome, where he eventually spent seven years. He specialised in ideal works, most of which were executed in Rome for British patrons, although he continued to produce similar work after his return to London. He was made a Royal Academician in 1786. Banks was one of the most original British Neo-classical sculptors, who dedicated his work to the antique spirit rather than to the fashionable classical style alone.. He tried to establish a market for modern gallery sculpture , which was particular for most patrons at the time preferred restored antique marbles, replicas, pastiches, busts and memorials.

Museo de Victoria y Alberto

Ficha

1790 · a los 55 años
17351805
Número de inventario
A.2-1955

Lo que muestra

BustAddington, Anthony (Dr)

En el catálogo

EsculturaMármolNeoclasicismoSiglo XVIIILondres

Fuentes

  • Museo de Victoria y Alberto: los datos abiertos del museo · obtenido hace 12 días
  • Imagen: Museo de Victoria y Alberto — © Victoria and Albert Museum, London

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A Dying Hero, Thomas Banks, 1772-1779

A Dying Hero

1772-1779 · Museo de Victoria y Alberto

Achilles Arming, Thomas Banks, ca. 1777

Achilles Arming

ca. 1777 · Museo de Victoria y Alberto

Thetis and her nymphs rising from the sea to console Achilles for the loss of Patroclus, Thomas Banks, 1777-1778

Thetis and her nymphs rising from the sea to console Achilles for the loss of Patroclus

1777-1778 · Museo de Victoria y Alberto

Monument to William Shakespeare, James Stow after Thomas Banks, published 1798

Monument to William Shakespeare

published 1798 · No expuesta · Galería Nacional de Arte

A Falling Giant, William Bond after William Hilton I after Thomas Banks, published 1811

A Falling Giant

published 1811 · No expuesta · Galería Nacional de Arte

Pyramus and Thisbe (recto); Three Male Figures with Mausoleum Floor Plan (verso), Thomas Banks, n.d. (recto); 1770/1789 or 19th c. (verso)

Pyramus and Thisbe (recto); Three Male Figures with Mausoleum Floor Plan (verso)

n.d. (recto); 1770/1789 or 19th c. (verso) · No expuesta · Instituto de Arte de Chicago

Alderman John Boydell, Lord Mayor of London in 1790, Thomas Banks, ca. 1791

Alderman John Boydell, Lord Mayor of London in 1790

ca. 1791 · No expuesta · Museo de Victoria y Alberto

Angel in Adoration, Thomas Banks, before 1792

Angel in Adoration

before 1792 · No expuesta · Museo de Victoria y Alberto

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