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Dónde cuelga la obra maestra y cuándo le dejan pasar.

Colecciones: Galería Nacional de Arte, Galería Nacional de Dinamarca, Galería Nacional de Retratos, Galería Tretiakov, Harvard Art Museums, Instituto de Arte de Chicago, Instituto de Artes de Mineápolis, MoMA, Museo de Arte de Cleveland, Museo de Victoria y Alberto, Museo del Hermitage, Museo del Louvre, Museo Estatal Ruso, Museo Hirshhorn y Jardín de Esculturas, Museo J. Paul Getty, Museo Metropolitano de Arte, Museo Pushkin, Museo Smithsoniano de Arte Americano, Museo Whitney de Arte Estadounidense, National Museum of Asian Art, Rijksmuseum, Villa Getty, Catálogo Estatal del Fondo Museístico de Rusia (274 museos), Europeana (19 museos), Wikidata (6 museos), Paris Musées (12 museos) y Joconde, la base de museos del Ministerio de Cultura de Francia (495 museos). Las imágenes pertenecen a sus titulares de derechos.

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  1. Colección/
  2. Museo de Arte de Cleveland/
  3. Documents Decoratifs: Oriental Poppies
Documents Decoratifs:  Oriental Poppies, Alphonse Mucha, 1901–2
Alphonse Mucha, retratoAlphonse MuchaRepública Checa, 1860–1939

Documents Decoratifs: Oriental Poppies

1901–2 · Print

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Museo de Arte de Cleveland

Cleveland, Estados Unidos

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
hace 3 días
En este estado desde
19 ago 2026
Fuente
El museo
En el mapaPágina del museo

Ficha

1901–2 · a los 41 años
18601939
Número de inventario
1969.236

En el catálogo

EstampasLitografíaImpresionismoModernismoSiglo XXCzechoslovakia, late 19th-early 20th century

Fuentes

  • Museo de Arte de Cleveland
  • Imagen: Museo de Arte de Cleveland — Museum open access

Mientras tanto, en la vida de Alphonse Mucha

La vida entera
  1. 1890s

    Advertising posters for champagne, biscuits and bicycles

    The success of the Bernhardt posters brought him commissions for advertising posters: JOB cigarette papers, Ruinart and Moët & Chandon champagne, Lefèvre-Utile biscuits, Nestlé baby food, Idéal Chocolate, La Trappistine brandy, and Waverly and Perfect bicycles. His posters showed almost entirely beautiful women in lavish settings, their hair curling in arabesques.

  2. 20 December 1899

    “Le Pater” is published

    Wishing to be recognised as a serious artist and philosopher, he gave a pictorial expression to every line of the Lord’s Prayer in a book published by Henri Piazza in an edition of only 510 copies; he considered it his printed masterpiece and said he had put his soul into it. The original watercolours were shown in the Austrian pavilion at the 1900 Exposition Universelle.

  3. c. 1899 – 1900

    A trip to the Balkans for sketches

    As soon as the project was accepted, Mucha left for the Balkans to sketch costumes, ceremonies and architecture, which he put into his work for the pavilion.

  4. 1900

    Exhibition: Exposition Universelle of 1900

  5. 1900

    Sarah Bernhardt defends his Czech origins

    His foreign name caused much speculation in the French press, which distressed him; Sarah Bernhardt declared in La France that Mucha was a Czech from Moravia not only by birth and origin but also by feeling, conviction and patriotism.

  6. 1902

    “Documents décoratifs” is published

    The Central Library of Fine Arts published his book of seventy-two watercolour plates with designs for brooches and other pieces, with arabesques, vegetal forms and incrustations of enamel and coloured stones, showing how floral and natural forms could be used in decoration.

Más obras de Alphonse Mucha

Todas las obras
Maude Adams (1872–1953) as Joan of Arc, Alphonse Mucha, 1909

Maude Adams (1872–1953) as Joan of Arc

1909 · Museo Metropolitano de Arte

Napoleon Views His Rising Star, Alphonse Marie Mucha

Napoleon Views His Rising Star

No expuesta · Galería Nacional de Arte

Head of a Child, Alphonse Mucha, (n.d.)

Head of a Child

(n.d.) · No expuesta · MoMA

Job, Alfons Maria Mucha, 1860 - 1916

Job

1860 - 1916 · Rijksmuseum

Rocks on the Shore, Alphonse Mucha, n.d.

Rocks on the Shore

n.d. · No expuesta · MoMA

IMPRIMERIE CASSAN FILS; FONDEE EN 1851, Alphonse Mucha

IMPRIMERIE CASSAN FILS; FONDEE EN 1851

Albertina

Liegende Frau mit Blumen im Haar, Alphonse Mucha

Liegende Frau mit Blumen im Haar

Albertina

GISMONDA; SARAH BERNHARDT; THÉATRE DE LA RENAISSANCE, Alphonse Mucha, 1894

GISMONDA; SARAH BERNHARDT; THÉATRE DE LA RENAISSANCE

1894 · Albertina

Bajo el mismo techo: Museo de Arte de Cleveland

Página del museo
The Red Kerchief, Claude Monet, c. 1868–73

Claude Monet

The Red Kerchief, c. 1868–73

Melencolia I, Albrecht Dürer, 1514

Albrecht Dürer

Melancolía I, 1514

The Virgin and Child with the Pear, Albrecht Dürer, 1511

Albrecht Dürer

The Virgin and Child with the Pear, 1511

The Nativity, Albrecht Dürer, probably c. 1509/1510

Albrecht Dürer

The Nativity, probably c. 1509/1510

The Virgin and Child on a Crescent with a Starry Crown, Albrecht Dürer, 1508

Albrecht Dürer

The Virgin and Child on a Crescent with a Starry Crown, 1508

The Lamentation, Albrecht Dürer, 1507

Albrecht Dürer

The Lamentation, 1507

Large Horse, Albrecht Dürer, 1505

Albrecht Dürer

Large Horse, 1505

Nemesis (The Great Fortune), Albrecht Dürer, c. 1501/1502

Albrecht Dürer

Nemesis (The Great Fortune), c. 1501/1502