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  1. Colección/
  2. Kupferstich-Kabinett/
  3. Die sechs Kriegsleute
Die sechs Kriegsleute, Albrecht Dürer, 1495–1496
Albrecht Dürer, retratoAlbrecht DürerAlemania, 1471–1528

Die sechs Kriegsleute

1495–1496 · Print

¿Se puede contemplar?

Se desconoce: el museo guarda silencio

Kupferstich-Kabinett

Dresde, Alemania

Se sabe quién es el propietario. Si hoy está expuesta, el museo no lo dice, y a adivinar no nos enseñaron.

En este estado desde
27 sept 2026
Fuente
Los datos de colección del propio museo
En el mapaPágina del museo

Ficha

1495–1496
14711528

En el catálogo

EstampasRenacimientoSiglo XV

Fuentes

  • Kupferstich-Kabinett: los datos abiertos del museo · obtenido hace 8 días
  • Imagen: Kupferstich-Kabinett — In Copyright

Mientras tanto, en la vida de Albrecht Dürer

La vida entera
  1. c. 1492 – 1494

    Basel: woodcuts for the printers

    In Basel, a centre of printing, Dürer stayed with Georg Schongauer. A woodblock for the title page of the Letters of St Jerome (1492), signed with his name on the back, led to the works of the “Master of the Bergmann Press” being attributed to him; he may also have worked on the woodcuts for Sebastian Brant's Ship of Fools.

  2. July 1494

    Marries Agnes Frey

    Soon after returning to Nuremberg the 23-year-old Dürer married Agnes Frey, daughter of a prominent brass worker and amateur harpist; the match had been arranged in his absence, and marriage was required to open a workshop of his own. They had no children, and his letters suggest the marriage was not a happy one.

  3. 7 de julio de 1494

    Married: Agnes Dürer

  4. 1494–1495

    First journey to Italy

    Within three months of the wedding Dürer left alone for Italy, perhaps fleeing an outbreak of plague in Nuremberg. Crossing the Alps he made watercolour landscapes; in Venice he studied its art and judged Giovanni Bellini the best of its painters; Mantegna and Pollaiuolo left their mark on him.

  5. 1495

    Opens his own workshop

    Dürer opened his own workshop in Nuremberg, where over the next ten years he created much of his printmaking. His godfather, the publisher Anton Koberger, helped issue the first series; the city's crafts were governed by the Council rather than guilds, leaving him free to try new techniques and sell his own impressions.

Más obras de Albrecht Dürer

Todas las obras
Virgin and Child with Saint Anne, Albrecht Dürer, probably 1519

Virgin and Child with Saint Anne

probably 1519 · Museo Metropolitano de Arte

Female Nude Seen from Behind, Albrecht Dürer, early 17th century

Female Nude Seen from Behind

early 17th century · Museo Metropolitano de Arte

Madonna and Child [obverse], Albrecht Dürer, c. 1496/1499

La Virgen con el Niño.

c. 1496/1499 · Galería Nacional de Arte

Lot and His Daughters [reverse], Albrecht Dürer, c. 1496/1499

Lot and His Daughters [reverse]

c. 1496/1499 · Galería Nacional de Arte

The Martyrdom of Saint Catherine, Albrecht Dürer, ca. 1498

The Martyrdom of Saint Catherine

ca. 1498 · Museo Metropolitano de Arte

Nemesis (The Great Fortune), Albrecht Dürer, c. 1501/1502

Nemesis (The Great Fortune)

c. 1501/1502 · Museo de Arte de Cleveland

Large Horse, Albrecht Dürer, 1505

Large Horse

1505 · Museo de Arte de Cleveland

The Lamentation, Albrecht Dürer, 1507

The Lamentation

1507 · Museo de Arte de Cleveland