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  3. Design for a Stage Setting
Design for a Stage Setting, Alexandra Exter, ca. 1925
Alexandra Exter, retratoAlexandra ExterPolonia, 1882–1949

Design for a Stage Setting

ca. 1925 · Watercolour · 56 × 62.5 cm

¿Se puede contemplar?

Por ahora no recibe

Museo de Victoria y Alberto

Londres, Reino Unido

Pertenece a la colección, pero ahora mismo no está expuesta.

Comprobado
hace 13 días
En este estado desde
25 sept 2026
Fuente
El museo
En el mapaPágina del museo

Ficha

ca. 1925
18821949
Número de inventario
E.792-1963

Lo que muestra

Theatre designBallet

En el catálogo

Dibujos y acuarelasGouacheModernismoSiglo XXParís

Fuentes

  • Museo de Victoria y Alberto
  • Imagen: Museo de Victoria y Alberto — © Victoria and Albert Museum, London

Mientras tanto, en la vida de Alexandra Exter

La vida entera
  1. 1921–1923

    Chintz designs, fashion and uniforms for the Red Army

    From 1921 she designs chintz patterns for industrial production and works with the Workshop of Contemporary Costume and then with the Moskvoshvei fashion house, and in 1922–1923 on dress uniforms for the Red Army. Her mass-production designs were wearable, but most of her fashion work was highly decorative and innovative, usually falling under haute couture.

  2. 1921–1924

    Employed by: Vkhutemas

  3. 1924

    Emigrates to France

    She and her husband emigrate to France and settle in Paris; she will never return to Soviet Russia.

  4. spring 1924

    The Soviet pavilion at the Venice Biennale

    In the spring of 1924 she travels to Venice to take part in organising the 14th Venice Biennale and the Soviet pavilion; most of her works are not shown but appear in the catalogue, and for the entrance hall on the pavilion's second floor she creates a special painting inspired by Venice.

  5. 1925–1930

    Teaches at Léger's Académie d'Art Contemporain

    At Fernand Léger's invitation she teaches at the Académie d'Art Contemporain in Paris from 1925 to 1930; other accounts say she first taught at the Académie Moderne and from 1926 to 1930 at Léger's Académie d'Art Contemporain.

  6. 1927

    First solo exhibition at the Sturm gallery

    The Berlin gallery Der Sturm organises her first solo exhibition.

Más obras de Alexandra Exter

Todas las obras
Theatrical Composition, Alexandra Exter, c. 1925

Theatrical Composition

c. 1925 · MoMA

Конструктивный натюрморт, Alexandra Exter, 1920-1921

Конструктивный натюрморт

1920-1921 · Museo Estatal Ruso

Cubist Nude, Alexandra Exter, c. 1912

Cubist Nude

c. 1912 · No expuesta · MoMA

Город ночью, Alexandra Exter, 1913

Город ночью

1913 · Museo Estatal Ruso

Plate (facing page 96) from Futuristy. Pervyi zhurnal' russkikh' futuristov' (Futurists: First Journal of the Russian Futurists) no. 1-2, Alexandra Exter, 1914

Plate (facing page 96) from Futuristy. Pervyi zhurnal' russkikh' futuristov' (Futurists: First Journal of the Russian Futurists) no. 1-2

1914 · No expuesta · MoMA

Plate (facing page 81) from Futuristy. Pervyi zhurnal' russkikh' futuristov' (Futurists: First Journal of the Russian Futurists) no. 1-2, Alexandra Exter, 1914

Plate (facing page 81) from Futuristy. Pervyi zhurnal' russkikh' futuristov' (Futurists: First Journal of the Russian Futurists) no. 1-2

1914 · No expuesta · MoMA

Neuvazhitel'nyia osnovaniia (Weak Foundations), Alexandra Exter, 1916

Neuvazhitel'nyia osnovaniia (Weak Foundations)

1916 · No expuesta · MoMA

Composition, Alexandra Exter, c. 1916

Composition

c. 1916 · No expuesta · MoMA

Bajo el mismo techo: Museo de Victoria y Alberto

Página del museo
Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Sobre el mismo tema · Theatre design

Todas las obras sobre el tema
Drawing, Forbes-Robertson, 1901

Forbes-Robertson

Drawing, 1901

No expuesta · Museo de Victoria y Alberto

Drawing, Forbes-Robertson, 1902

Forbes-Robertson

Drawing, 1902

No expuesta · Museo de Victoria y Alberto

Design for stage Scene: 'The Hour Glass' by W B Yeats., Edward Gordon Craig, 1910

Edward Gordon Craig

Design for stage Scene: 'The Hour Glass' by W B Yeats., 1910

No expuesta · Museo de Victoria y Alberto

David Garrick as Don John in his adaptation of 'The Chances' by Beaumont and Fletcher, Act 1, Scene 2, with a view intended to be Naples in the background, Philip James de Loutherbourg, 1774

Philip James de Loutherbourg

David Garrick as Don John in his adaptation of 'The Chances' by Beaumont and Fletcher, Act 1, Scene 2, with a view intended to be Naples in the background, 1774

No expuesta · Museo de Victoria y Alberto

Drawing, Forbes-Robertson, 1910

Forbes-Robertson

Drawing, 1910

No expuesta · Museo de Victoria y Alberto

Drawing, Forbes-Robertson, 1884

Forbes-Robertson

Drawing, 1884

No expuesta · Museo de Victoria y Alberto

Design for stage scene for 'Hamlet', Edward Gordon Craig, 1910

Edward Gordon Craig

Design for stage scene for 'Hamlet', 1910

No expuesta · Museo de Victoria y Alberto

Drawing, Glyn Warren Philpot, ca.1930

Glyn Warren Philpot

Drawing, ca.1930

No expuesta · Museo de Victoria y Alberto